Stuff to vibe to while I draw

From the album ‘Beneath The Brine’ (2014) • Pay what you want http://tndr.lv/fam-crest

State your name
State your case
'Cause the lines were drawn
Do you love me babe?

Now you say,
Lover stay
Warm these bones my dear
Light my heart afire!

I know you never mean to say
All of the awful things you say
But oh God, the reason is yours
Oh God, the reason was yours
You smile

I howl to the moon, to the stars
To the way that we were
Howl to the moon, to the stars
When the weight of the world
Is just too much for you

Now I wait
As love and fate
Echo from your lungs
Do you want me babe?

Here you state
That a storm is waiting dear
Turn the lights down low
‘Cause one of us is surely gone

I know you never meant to stay
I know love we weren't meant to be
I know you never meant to go break my heart of gold
But oh God, the reason is yours
Oh God, the reasons are yours tonight
We're smiling

Forever lost together
Forever howling at the moon
‘Cause it's just too much for you

Forever lost together
Forever howling at the moon
When it's just too much for you

I'm gonna kiss, gonna kiss, gonna kiss your lips
I'm gonna make sure dear that my love sticks
I'm gonna shake, gonna shake, gonna shake your legs
I'm gonna make make make make make you beg

I'm gonna make sure that your heart is true
I'm gonna say here, "Darling, I love you!"
I'm gonna make sure that you love me too
Do you love me dear? Do you love me here?

I'm gonna break break break break you dear
I'm gonna shake shake up all your fears
I'm gonna take take you down my dear
Do you love me dear? Do you love me dear?

I'm gonna make make you love me dear
I'm gonna break break you down my dear
Tonight I'll smile 

You’ll howl to the moon, to the stars
To the way that we were
'Cause it's just too much for you

Forever lost together
Forever howling at the moon
'Cause it's just too much for you

Forever lost together
Forever howling at the moon
'Cause it's just too much for you

The brainchild of frontman Liam McCormick, The Family Crest began as a recording project in 2009 with co-founder/bassist John Seeterlin. “We always liked making music with people—getting a bunch of people together and singing. So we put ads everywhere,” says McCormick. “We posted on Craigslist and emailed old friends from school.” The outcome was greater than the original duo imagined, with 80 people credited on the first recording the band produced. From that a seven-piece core band emerged, though the Crest boasts over 400 “Extended Family” members.

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Facebook: https://www.facebook.com/thefamilycrest

The Family Crest - Howl

Sometimes - Nick Lutsko

Waterfall

Rule #21 - Momento Mori

Listen to the full Playlist soundcloud.com/chilloutify/sets/gritty-whiskey-hard-blues-rock-for-unwinding

Desert Cry Blues

Heavy Burden

Violet

Look Away

From the album "Counterfeit Arcade" (2011)

For The Departed

The Last Werewolf

The Hunt

Bad Medicine

The version with the extra bit at the end

Lemon Demon - Eighth Wonder

Poor George

PUMPKIN'S REVENGE by Louis zong

Beneath the Brine was recorded by The Family Crest, mixed by Jay Pellicci at Tiny Telephone in San Francisco, and mastered by Jason Ward at Chicago Mastering Services.  These tracks are unreleased. Please refrain from sharing outside your team. 

Howl

The digital release of 'Lent- the Single EP' includes  the radio edit of 'Lent' and 2 b-sides; the Danton Supple produced 'Foolishly Wrong' and the band's self-produced early favourite 'Stalker's Tango'

All 3 songs can be purchased on iTunes here: https://itunes.apple.com/gb/album/lent-single/id586010772 

Lent

The digital release of 'Len't - the single includes  the radio edit of 'Lent' and 2 b-sides; the Danton Supple produced 'Foolishly Wrong' and the band's self-produced early favourite 'Stalker's Tango'

All 3 songs can be purchased on iTunes here: https://itunes.apple.com/gb/album/lent-single/id586010772 

Stalker's Tango

Counterfeit Arcade

Villainous Thing

If music is the echo of an invisible world then CASEY CRESCENZO--mastermind behind THE DEAR HUNTER--has found a way to capture the ineffable through his craft.  A multi-instrumentalist and vocalist from a young age, CASEY was taught everything he knows by his mother and father.  In 2005, what began as an escape, an alternate means of creative fulfillment, finally took center stage and eclipsed all that came before it.  THE DEAR HUNTER is a musical project irreducible to a single genre and defies trite claims to classification.  It is greater than the sum of its parts and reflects the mountain of musical influences forming CASEY’s talent as soon as he was old enough to understand melody.  Those influences have forged into one voice that truly knows no boundaries, borders, or barriers.  THE COLOR SPECTRUM is the sound of one man's interpretation of the world around him.  Its vast scope and daring premise belie the often simplistic messages found in CASEY's words, those of hope, love, faith, fear, death, life, and even afterlife. 

From THE DEAR HUNTER’s inception in the early 2000s, a story has remained affixed to the band's music.  Like so many bands that get roped into a category, there comes a time when the desire arises to break the shackles and confines of a certain set of parameters, and for CASEY CRESCENZO, that time is now. The characters of ACT 1: THE LAKE SOUTH THE RIVER NORTH, ACT II: THE MEANING OF, AND ALL THINGS REGARDING MS. LEADING, and ACT III:  LIFE AND DEATH, have been (perhaps temporarily) laid to rest to give way to CASEY's true vision, a vision that speaks from the heart and the mind of a man his fans have longed to know more closely for years.  In CASEY's own words, "There was a moment in my studio when I was sitting with a friend, and we were discussing what I would do next.  I told him I was burnt out, and felt I needed a break from writing records that were stuck in the world of ACT I-III, and at that moment it became inevitable.  I would set off to finish THE COLOR SPECTRUM, and wouldn't stop until I was holding the final project in hand."  Fans and new listeners alike now have the opportunity to experience life through his eyes as they never have before.  There are no fictional characters; there is no guise or all-encompassing dramatic premise.  We are left with one man, and a sonic interpretation of how he sees the world. Devoted fans of the band have followed the story of "the boy," "Ms. Leading," and so on, through the first three ACTS, experiencing the music as almost a score, or soundtrack to the characters' journeys.  This time, the journey is purely CASEY CRESCENZO’s. 


Look Away

The Dear Hunter

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