Tonga

sam1

Hot as a fuck

tony new new

'Utulongoa'a

Tim Tim - Ready For The Island (DJ Lamonnz WS AS Remix)

Chaka Demus & Half pint - Hold on

Ongo Latu x Pele

HALAHOLOMUI

A song written by Russ and Nick Fenske talking about changing sides for the battle of ones soul.

Produced through Suno AI, including musical composition and vocals. 

Shout out to Genesis for the assist on Cover Art. 

Thanks to Snapseed for the tool to refine the Cover Art. 

Final Cover Art done by Nick Fenske. 

Let Him In

“The Last Fanfare of Us” is a sweeping, cinematic gospel-soul opus from The House of Christian Eusterqnute. Across ten original tracks, the album journeys from whispered intimacy to full-throated catharsis, weaving together:

Epic Orchestration: Majestic brass fanfares and sweeping strings underpin every chorus, punctuated by thunderous timpani and ambient choir pads that lend each song a film-score grandeur.
Soulful Vocals: The lead’s breathy, “naked” tenor/baritone delivery transitions seamlessly from near-whisper confessions in the verses to powerful, raspy belts up to G₄ in the climactic refrains—each performance tinged with controlled vocal-fry that amplifies the emotional stakes.
Choir Dynamics: Monumental SATB gospel choirs alternate between intimate “ah” undercurrents and soaring, multi-layered harmonies, echoing themes of heartbreak, unanswered love, and redemptive grace.
Lyrical Themes: Poetic, heart-aching lyrics conjure images of fading stars, shattered vows, and divine solace—invoking both the pain of betrayal and the sustaining power of faith and forgiveness.


Echoes in the Void

Love Changes Shape” is a cinematic downtempo ballad that marries the warmth of vintage analog textures with modern production depth. From the opening moments—tape-saturated piano and gentle vinyl crackle—you’re drawn into an intimate soundscape where breathy, confessional vocals sit atop a soft sub-kick and brushed snare.

As the song unfolds, lush string pads and subtle brass swells lift the chorus, lending gravitas to the refrain “But love changes shape in time.” The second verse shifts into a darker, more spacious pocket, emphasizing the ache of betrayal and the resilience that follows. Mid-track, a piano-and-strings bridge offers a haunting, reverberant interlude before the final chorus and outro return in full force, layered now with guitar arpeggios and harmonized backing vocals that echo into a lone piano refrain.

Clocking in at just over three and a half minutes, “Love Changes Shape” is perfect for late-night drives or quiet reflection. Its evocative lyrics—of sparks, fractures, and the “angry sea” of the heart—are mirrored by the bespoke album art: a cracked heart split between warm reds and cool teals, framed in distressed, mid-century typography that nods to both classic tin-sign graphics and modern cinematic drama.

Love Changes Shape

Love changes shape

“The Judge Behind the Smile” blends the powerful uplift of gospel vocals with the sweeping drama of a western soundtrack. Its cinematic orchestration—featuring warm acoustic guitar, plaintive harmonica, and resonant choir harmonies—sets an expansive frontier scene, while a soulful lead voice brings soulful reflection. The lyrics explore the tension between outward judgment and hidden compassion: behind the stern facade of a judge lies a heart wrestling with morality and grace. Overall, the piece evokes both spiritual reverence and the rugged solitude of the Old West, leaving the listener moved and reflective.


The Judge Behind the Smile

The Judge Behind The Smile

The Curse Shall Return Tenfold is a dark, cinematic Southern Gothic ballad fused with the gravity of Orthodox Christian chant.
It is a song of accusation and judgment — a declaration against betrayal, cruelty, and the joy of causing pain.
The verses speak of a mask that slips, a heart that turns to poison, and a lust for destruction. The hook delivers the verdict like a hammer:
"The curse shall return tenfold — the pit you dug is your grave."

With swampy, stomping rhythm, bowed bass, tolling church bells, and the echo of a male choir answering the condemnation, this track feels like a hellfire sermon delivered from the altar of judgment. It is both a warning and a curse — a song that calls down justice and leaves no room for mercy.

The Curse Shall Return Tenfold

True character is shown not in how love begins, but in how it ends. Her cruelty becomes her ultimate evidence.

Final Proof

She Hunts the Broken

NYC LaMezclaRadio mix #35 - DJ Easy Calderon

THE GAMBLER - GHETTO COWBOY - DJFLe

Sona Jobarteh Band - Kora Music From West Africa

Sona Jobarteh - Bannaya

A Swedish independent label weaving sound, soul, and story. From poetic EDM to raw acoustic emotion, we release original works by emerging and established voices worldwide. Discover unique demos, handcrafted lyrics, and global artist collaborations.

Final Proof

The Easter Knot Records