Good Weather For An Airstrike remix of Mellow Drizzle from the upcoming Umber Remixes album. Release date TBC

www.facebook.com/pages/Good-Weather-For-An-Airstrike/116708454007

Mellow Drizzle (Good Weather For An Airstrike Remix)

Bent Grass

Rest

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The Best Place To Hide

From VA - Sleeplaboratory1​.​0 by Whitelabrecs label
https://whitelabrecs.bandcamp.com/album/sleeplaboratory10

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams. 

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point. 

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society. 
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies. 

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

Deep Phase

Unreleased, from forthcoming album A Place that Exists, 2019 by Frances Shelley

Evening Star

Blackout 
Music Composed & Produced By Brock Hewitt & Ian Aisling (@ianaisling)

Download

Blackout (w/ Ian Aisling)

Stream / Download: https://smarturl.it/elskavon-nerves

Nerves / Familiarity is the first official start to Elskavon’s next album era, and it’s a representation not only of composer Chris Bartels’ sound over the years, but also a metaphorical look inside his mind. That is, one of contrast.

With Elskavon’s sound, there’s always been a contrast, and marriage, of grandeur and intimacy. Nerves / Familiarity is no exception.

While it starts out quiet, the listener can immediately feel the enormity of Nerves. The sustained sound is that of Bartels slowly drawing a string of yarn across his old spinet piano’s strings. Only a minute and half in, the sound is thick and full, layered with falsetto vocals fed through modular synthesizers. It hasn’t taken long to be engulfed in the grandeur. 

However, as quickly as it arrives, there’s a departure. An intimate and rhythmic cassette texture, signaled by a slow tonic modulation, foreshadows a look at the second track - the contrast.

Familiarity begins with a bed of introspective notes and textures - mostly that of high piano notes and chopped up Rhodes improvisations. There’s a certain closeness with this sound, and a contrast to the large reverb-soaked fabric that leads Nerves. Then halfway through the song, there is a short build - an encore, if you will, to the grandeur of the first track.

Much like these songs and past Elskavon albums, there is a journey of contrasts with every creative turn for Bartels, finding himself deep in a whirlwind of excitement and fear, anticipation and anxiety, inspiration and frustration. And while being fully aware of the negative sides of that whirlwind, there’s an indescribable beauty and hope in the choice to keep writing, to keep moving. And to not simply run from the negatives, but to allow them to inspire, to motivate.

A creative journey should never be easy or comfortable. If it is, the other side will most certainly be lacking in the beauty and depth it so desires.

With this next album era, Bartels is choosing to embrace the contrast.

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Stream/Buy

Nerves

'Colourfield II' the single >> smarturl.it/ymnzgb
Taken from Dan Michaelson's forthcoming album 'Colourfield'
Available in full on 24th July.
Pre-order here >> smarturl.it/fm3zmb

Colourfield

Dan Michaelson - Colourfield II (Digital Single)

A work-in-progress of a quiet piano track with delicate atmospherics. 

The finished version can be found on the album The History & The Mystery of The Adirondack Piano, available on CD and download from https://bingsatellites.bandcamp.com/album/the-adirondack-piano 
Also available soon on Spotify and elsewhere.

The History & The Mystery of the Adirondack Piano

West

West (rough draft)

A cue from the 8-Part drama series The Sounds. Screening on Amazon Prime, Acorn TV & CBC. Written by Rhian Sheehan

There's Something I Have To Tell You

WILD EYES is taken from new album MARTIAL HEARTS released 30th January 2021.

Music video for "Wild Eyes" is modern, dark animation made by talented motion graphic artists Nick Kirichenko:
https://www.youtube.com/watch?v=Nwfb38rJE8o

If you enjoy our music please buy CD or digital version @ Bandcamp:
http://bit.ly/3jfBGZn
Follow @ Facebook:
https://www.facebook.com/Spoiwo

Thank you!
If you would like to buy album but don't use PayPal e-mail us: spoiwoband@gmail.com
Feel free to message us without any reason, you are always welcomed!
Stay healthy and sane in these troubled times <3

MARTIAL HEARTS

Wild Eyes

AUG 2010……
The Echelon Effect came to life amid the long winter nights of February 2009, born from a burning desire to fall in love with music again. It started with a laptop and an idea: write a track, and make it huge. But one track became four, an EP that needed an audience. The tracks were posted on MySpace. And people began to listen.

‘Leaving It Behind’ was followed by two more EPs and remixes for The Appleseed Cast and City Breathing. Word spread, and the tracks began to attract positive reviews and gather airplay. What had begun as a way to stave off the dark and the cold had turned into something more.

The Echelon Effect’s debut full-length, ‘Reunion’, was the final part of a quartet of recordings that form ‘Wires and Tapes,’ an 141-minute sequential loop of tracks, each bleeding into the next and the last into the first. As a thank-you to the people who had been instrumental in the evolution of the Echelon Effect, fans were invited to record spoken statements about what home meant to them, which were incorporated into the album’s title track.

More remixes followed, for God Is An Astronaut, Codes In The Clouds, Our Ceasing Voice, Good Weather For An Airstrike and EVOLV among others. In March 2010 The Echelon Effect began work on ‘Mosaic’, their second full-length, featuring the addition of Steve T on drums, it was released on August 9th 2010.

Pushing forward a new project in which the entire year of 2011 is depicted in film. The audio to this being released throughout the year in four EP's. Part 1 was released on 18th April. 

The Best Place To Hide

The Echelon Effect

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