Released as a part of Recollections Vol. 6 by Sonder House, for Piano Day 2021:

You can listen to it on: https://open.spotify.com/track/0OYDV3vHPSXFQkKmVdodFn?si=inzJ4sN3S8C0eGDDFgEM-Q

Recollections Vol. 6

Eternal Bloom

made entirely from instruments available for free at pianobook.co.uk for the second monthly composition/ production challenge in ólafur arnalds' opia discord server.

got a lot of use out of the TCIPK percussion, it accounts for all the percussion in the second half (with the exception of a bit of table lamp)

also made pretty heavy use of the orchestral swells, especially in the first half. 

a more complete description can be found in the youtube video submission https://www.youtube.com/watch?v=6fUZa9iX82Q

"pianoconfetti" - opia x pianobook

The Rest Of Our Lives

New music every week! Don't forget to follow for updates!

@richardlabrooy
www.youtube.com/channel/@richardlabrooy


© Richard Labrooy

Flicker

Music video on YouTube: https://youtu.be/KOVANvwlahI

Purchase 'The Gathering Dawn' on digital/vinyl/CD: bit.ly/34kUBd2

🎧 Spotify: spoti.fi/2DmEQ9R
📸 Instagram: https://www.instagram.com/kenniffs/
Facebook: bit.ly/30SW7BR

Written & performed by Hollie Kenniff.

Hollie Kenniff - Nearly Every Day

Goodbye My Friend

HOME

‘Home is all about my happy place - the Farm. The idea was to recreate that sense of peace and contentment that I feel when I’m up there.'

Released with Eyegaze Music

Home

HOME - Movement 1

A work-in-progress of a quiet piano track with delicate atmospherics. 

The finished version can be found on the album The History & The Mystery of The Adirondack Piano, available on CD and download from https://bingsatellites.bandcamp.com/album/the-adirondack-piano 
Also available soon on Spotify and elsewhere.

The History & The Mystery of the Adirondack Piano

West

West (rough draft)

Echoes in the Valley, Vol. 2

Arsis (feat. Rinnovare)

WILD EYES is taken from new album MARTIAL HEARTS released 30th January 2021.

Music video for "Wild Eyes" is modern, dark animation made by talented motion graphic artists Nick Kirichenko:
https://www.youtube.com/watch?v=Nwfb38rJE8o

If you enjoy our music please buy CD or digital version @ Bandcamp:
http://bit.ly/3jfBGZn
Follow @ Facebook:
https://www.facebook.com/Spoiwo

Thank you!
If you would like to buy album but don't use PayPal e-mail us: spoiwoband@gmail.com
Feel free to message us without any reason, you are always welcomed!
Stay healthy and sane in these troubled times <3

MARTIAL HEARTS

Wild Eyes

AUG 2010……
The Echelon Effect came to life amid the long winter nights of February 2009, born from a burning desire to fall in love with music again. It started with a laptop and an idea: write a track, and make it huge. But one track became four, an EP that needed an audience. The tracks were posted on MySpace. And people began to listen.

‘Leaving It Behind’ was followed by two more EPs and remixes for The Appleseed Cast and City Breathing. Word spread, and the tracks began to attract positive reviews and gather airplay. What had begun as a way to stave off the dark and the cold had turned into something more.

The Echelon Effect’s debut full-length, ‘Reunion’, was the final part of a quartet of recordings that form ‘Wires and Tapes,’ an 141-minute sequential loop of tracks, each bleeding into the next and the last into the first. As a thank-you to the people who had been instrumental in the evolution of the Echelon Effect, fans were invited to record spoken statements about what home meant to them, which were incorporated into the album’s title track.

More remixes followed, for God Is An Astronaut, Codes In The Clouds, Our Ceasing Voice, Good Weather For An Airstrike and EVOLV among others. In March 2010 The Echelon Effect began work on ‘Mosaic’, their second full-length, featuring the addition of Steve T on drums, it was released on August 9th 2010.

Pushing forward a new project in which the entire year of 2011 is depicted in film. The audio to this being released throughout the year in four EP's. Part 1 was released on 18th April. 