szur. & malak - my lullaby (remix)
original by: malak
songwriter(s) : Malak Hicham
composer(s): Syed Zia Ur Rehman; Ali Murad Raza
produced at: 
kamloops, british columbia, canada
london, ontario, canada
(C) 2021 szurmusic

szur. & malak - my lullaby

Avalanche

Track 3 from the upcoming album "Double Exposure". 

Available October 15th, 2013.

Pre-order at http://oesbee.storenvy.com

Matt Kivel "Rainbow Trout"

Touching song about a man anticipating a night with his love

The Sound of Night

Youth

Luna Zep

Caddilak

Cannibal Life II

Easy Street teamed with ARIA Award-winning producer Wayne Connolly (“The Vines”, “You Am I”, “Cloud Control”) at Hercules Street Studio to release their most polished work to date. With uniquely Australian lyricism, the EP catalogues city frustrations, love quarrels and personal transcendence.
credits
releases December 1, 2017 

All songs written and performed by Easy Street 

Easy Street are Nic Ryan Gray, Jesse Squire, Jack Isackson, Benjamin John Horsley and Frankie Symes 

Recorded at Hercules Street Studio 
Produced by Wayne Connolly 
Mastered by David Briggs 
Strings on Made 22 by Camilia Tafra 

Graphics by Olivia Lennon

Easy Street

Virtues

Music and Produced by Hitherto.

Recorded by Arsh Goswami at S.A.C.A.C.
Mixed and Mastered by Apurv Agarwal
Artwork by Himanshu Tokas and Shrey Kathuria
Drums by Hanujeet Singh
Bass by Karan Bindal

Hitherto is 
Arsh Goswami & Shrey Kathuria

Demerara

'Shedding Skin' appears on the album 'Thunder Follows The Light' out 21 September 2018 through Transgressive Records. Pre-order it at http://transgressive.co.uk/thunder-follows-the-light/

http://www.mutualbenef.it/

_____________________________

diamond scales upon a rotted log
cicadas singing from a mountaintop
blossoms growing on a dogwood tree
leave behind what you used to be

It looks like it will be that kind of year
cicadas waking from within the dirt
toadstool growing from a fallen tree
leave behind what used to be

Thunder Follows the Light

Shedding Skin

For over ten years, Chennai based four piece The F16s have been churning towards an ongoing refinement of their vision. From their 2013 debut Kaleidoscope, to the 2014 studio tie up with Converse that birthed "Nobody's Gonna Wait", through to their 2016 breakthrough "Triggerpunkte", this vision has mirrored both a maturity of execution and a certain gravity from listeners worldwide - as ten million plus Spotify streams and coverage in StereoGum, Brooklyn Vegan, Variety and Sirius XM clearly suggest.

Then came “Is It Time To Eat The Rich Yet?”. Borne of an extended evolutionary sojourn as authored from an observer’s distant stare, the record focuses on intimately experiencing how a global pandemic needlessly compromised not only the lives of millions here in India, but more personally their own. This music explores alienation with lyrical wit intact - “dancing to our doom” as one member frames it - via a wide reaching musical craftsmanship that serves to pull listeners in, almost by the juxtaposition of these sentiments; A joyful celebration of the human condition under duress, scored by some of the finest pop music this country has on offer.

The band have plenty more on the way, embarking on yet another national tour to cement themselves as one of the country's most bankable independent acts while training one eye on international attention.

Luna Zep

The F16s

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