https://www.nts.live/shows/christopher-kirkley/episodes/autotune-the-world-w-christopher-kirkley-16th-december-2021

Autotune the World w/ Christopher Kirkley - Music from Saharan Cellphones 161221

https://www.nts.live/shows/jen-monroe/episodes/jen-monroe-8th-june-2022

Getting Warmer w/ Jen Monroe - 080622

Catch Mystique every 2nd & 4th Friday of the month, from 19h to 20h [CET] on rinse.fr

Rinse France Podcast

Mystique invite Louise Lavi - 24 Juin 2022

ambient dub / smoggy r&b / depressive strummers / time warped futurist funk

Adam Badí Donoval - Crocodile Memories [Trilogy Tapes]
Shiner - shiner’s edge [unreleased]
Skee Mask - Farm  [Ilian Tapes]
Delroy Edwards - ROOF BACK [L.A. Club Resource]
J. Albert - Full [self-released]
Dreamcast - Lonely Hearts Club [self-released]
Germán Bringas - Libre [Smiling C]
Kelela - 	NATHANIEL W. JAMES & DAVE QUAM_WAITIN_122 BPM [Warp]
J. Albert - Two heads in a Frame Looking at Something Beautiful [self-released]
Gramm - Siemens.Bioport [Faitiche]
Ura - Close to You [Collect-Call]
VAGUETRACKS - VAGUETRACK1.1 [VAGUETRACKS]
Mark William Lewis - Thinner feat. NINA [self-released]
Jabu - Water Temple Version [do you have peace?]
Jetty - On the Jetty [TT]
Charles.A.D. - Candy Candy [梅レコード]
Concave Reflection - Gas Reel [self-released]
Dennis Harte - Summer’s Over [Efficient Space]

11.5.2022
recorded in Brooklyn, NY
selected and mixed by comeout2thecoast @user-492249249

CALLA SELECTS #002

Track two of our self-titled debut EP 'Azarae'
1. Stardust 
2. Osmium Veil 
3. Inertia 
Composed, produced, and performed by Shayu & Chemist
Cover Artwork by Shayu
Visuals/video by Chemist
www.youtube.com/watch?v=ZcmzwsbB3_4
Font by Maxitype
buy EP here
https://shayu.bandcamp.com/album/azarae

Azarae - Osmium Veil

Dans cette conversation avec Maïa Tellit Hawad, membre de la petite diaspora touareg en France, nous parlons d'un pays sans état et donc les contours sont plus fluctuants que les lignes coloniales tracées dans le sable du Sahara. Cet épisode autour du Pays Touareg, ses luttes contre le colonialisme européen, les répressions des états du Maghreb et du Sahel, et l'extractivisme multinational, est pensé comme un complément du texte écrit par Maïa pour le 44ème numéro de The Funambulist magazine(novembre-décembre.

Maïa Tellit Hawad est une chercheuse indépendante d’origine franco-touarègue, basée à Marseille. Elle a une formation de philosophe (Sorbonne, EHESS - Paris 7). Ses recherches questionnent les imaginaires du Sahara dans les sciences africanistes françaises et l’imbrication de la géographie, de la colonialité et des politiques de la race dans les administrations actuelles du Sahara central. Ses travaux récents s’intéressent aux devenirs nomades au sein de la société touarègue contemporaine. Elle co-réalise actuellement un premier documentaire qui s’intéresse aux femmes musiciennes touarègues de la région de Agadez.

Diasporas et Imaginaires des Luttes /// Maïa Tellit Hawad: Le Souffle du Pays Touareg

https://www.nts.live/shows/carlos-rene/episodes/carlos-rene-9th-march-2023

Carlos René: Torcida por el Twist - Mexican female Rock & Roll, 1961-1964 090323

Noss Corp presents Mix #2
Atmospheric drone, ambient and psycodelic rock.

Von Temple is a Techno & Experimental producer and also founder of 'Phermatta Du Enddo Plantae' collective. 

Playlist:

Pauline Oliveros, Stuart Dempster, Panaiotis - Suiren /  New Albion
The SInking - Dans ma Chambre / Hole Records
Phermatta Du Enddo Plantae - Dual Liturgy / Hole Records
The SInking - Godbless / Hole Records
Los Kowalsky - Lejos / Hole Records
Manni Dee - In Communal Solitude / Tresor Records
The SInking - Optimistic Chaos / Hole Records
Tim Hecker - Shosts In Silver / Kompakt
Unreleased
Tajak - Centro de la Sierra / Hole Records
Zbigniew Preisner - I Am The Lord thy God / Word And Sound
Tajak - Camino / Hole Records

by @vontemple
via @nosscorp

Mix 2: Sleeping Lady by Von Temple

Lafawndah - Ancestor Boy - Bleep Exclusive 200 Copies Purple Vinyl pre-ordering now.
For more information on Ancestor Boy, the new album from Lafawandah and the mix tracklist follow this link:
https://bleep.com/Bleep-Mix-56--Lafawndah

In celebration of the debut LP from Lafawndah, we invited her to provide us with the 56th mix in our Bleep Mix series.
Anyone who has heard Lafawndah’s previous releases - either her 2016 Warp EP Tan or 2018’s collaborative release with Midori Takada - will know that she is one of the most unique newcomers we’ve seen in years. However, the Egyptian-Iranian artist has outdone even our high expectations on her debut full-length Ancestor Boy. Released via Lafawndah’s own Concordia imprint, this is a record that both reinvigorates and reinvents experimental pop music while also breaking down stylistic, regional and cultural barriers.

This mix jumps everywhere from chopped n screwed trap to choir music to experimental breakbeat. Eclectic is an understatement.

Exclusive Coloured LP

Bleep Mix #56 - Lafawndah

As we celebrate International Women's Day, Hyperdub's Loraine James supplies a mix of awe-inspiring productions from some of the most exciting womxn in music.

See the tracklist: https://crackm.ag/2xiu44d

Made by womxn – Mixed By Loraine James

It makes less sense to say that Maths Balance Volumes formed in 2002 than to say that, since that year, they have been collapsing into something, again and again. Just as the three members fell together with no plan or allegiance to any style or genre, each track falls together as the broken pieces of songs and sounds meet to make a temporary and frightening whole. Things make their way into a Maths Balance Volumes song when they don’t or won’t work anymore, when they have escaped their owner, or hidden away where nobody is supposed to find them. When things fall together—when the wooden creaks and radio hisses gather for a minute alongside bass lines and melancholy voice—there is a beauty that sounds like it was made by nobody and for nobody.

The city of Mankato, Minnesota has been the steady gathering point for the band since its beginnings. Mankato had always provided an ominous backdrop: built on stolen Dakota land, the city was the site of the largest mass execution in US history, when 38 Dakota prisoners were hanged on in 1862 in a straightforward act of genocide. But in their music of the past twelve years, Maths Balance Volumes has made music in and of a hometown overshadowed and unsettled by its history, music for a world in which things have never been okay. Traditional American folk genres seep in at times, but never as the incarnation of a living popular culture—only as ghosts or unliving effigies.

A Year Closer tells us already in its title what its theme is: approaching death, time ticking away and getting closer with each track of the record. We are told in the first song that our protective mask isn’t working, warned by the storm clouds and a ticking bedroom clock in “Dark Skies.” We hear fears of death approaching in the sad words exchanged by lovers who see they will run out of time, or already have, as in “We Had Time” or the romantic lament of “When I Drink.” In “Work Last Monday,” all of life passes with cold automatism in an “office apartment,” as a narrator broods over early onset dementia, remembers the details of rituals for respecting the dead, and thinks of how a hole is opening up in reality itself. The singer of “Over the Hill” isn’t apparently afraid of growing older and becoming a “man,” but only leaks a few disjointed details of his plans for disappearing, collapsing, turning into a tree, and finding a home. “Angel of Mercy” tries to resurrect the Christian promise of a life after death, anxiously asking if anyone is up there waiting for us after the oblivion of this world. 

But these are just the moments when A Year Closer speaks in words clear and audible enough to be understood. The giddy, agitated voice of “The Price” speaks only to itself in a private language, hidden away in a tin can somewhere. Musically, A Year Closer is a series of pieces that make symphonies out of separate processes of decay and disappearance: unidentified cracking and creaking objects, broken equipment, and lost melodies that seem to have escaped other songs and wandered into the room looking for a place to hide. These are the moments that the listener of Maths Balance Volumes always knows are coming, waits for, and settles in temporarily for a moment of repose. Maybe this is the meaning of A Year Closer: while waiting for the worst, things come together, a “we” with no name but with a rhythm, a tenuous but definite harmony to share as the clock ticks. Even if, when the lights are turned on, it turns out nobody was there. - Paul Buchholz

Taken from PP48 A Year Closer LP coming soon

A Year Closer

Purchase

Maths Balance Volumes - Dark Sky

The Funambulist Podcast operates in parallel of The Funambulist, a magazine that engages with the politics of space and bodies.

Diasporas et Imaginaires des Luttes /// Maïa Tellit Hawad: Le Souffle du Pays Touareg

The Funambulist Podcast

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