Wild Card - The Best of Tex Williams

Smoke! Smoke! Smoke! (That Cigarette)

Te Quiero divina. Jose Leon. JoseLeonMusic.com

Te Quiero Divina

01 Stardust (Hoagy Carmichael) From Beginners

Dark Entries and Honey Soundsystem have teamed up to release “Catholic”, the lost opus of disco pioneer Patrick Cowley and Indoor Life vocalist Jorge Socarras. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco and met Jorge Socarras in 1973 through mutual friends. The duo’s first collaboration was a ten-minute trance like piece that Cowley composed for a performance piece by Socarras in 1975. Patrick, who played drums, guitar and keyboards, provided the perfect match for Jorge’s vocal talents. Between 1975 and 1977 they recorded an album’s worth of material before Socarras moved to London and Cowley started playing synthesizers for Sylvester. Upon Jorge’s return to San Francisco in 1979, the duo would re-record some of the “Catholic” songs with Patrick’s newly accumulated equipment. Meanwhile, Socarras met the musicians with whom he would form Indoor Life, and in 1980 Patrick co-produced their first album before the band relocated to New York in 1981. The “Catholic” album was offered to San Francisco’s Megatone Records who passed on it. Fast forward to 2007 when Honey Soundsystem was contacted by John Hedges, former co-owner of Megatone Records. Hedges’ was moving to Palm Springs and invited the crew over to his basement to collect over 2,000 records from his collection. Among the archives were three moldy boxes of quarter inch reel to reel tapes featuring unreleased music by Cowley, including the “Catholic” material. The reel was passed on to Stefan Goldmann of Macro Recordings in Berlin who tracked down Jorge Socarras to clear the rights, and released the album on CD in 2009. 

“Catholic” is a genre-bending concept album that ranges from minimalistic proto-techno to synth-driven post-punk, pre-dating the dance punk acts LCD Soundsystem and The Rapture by almost 30 years.  It shows a much broader range than any Cowley or Socarras material available and gives a totally new perspective to one of the most inspiring eras in music history. Influenced by Tomita, Wendy Carlos, the Velvet Underground and Roxy Music, “Catholic” fills in the gaps between these artists and preempts bands like Talking Heads, Units, The Human League or Chris & Cosey.  Patrick forges his unique electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment while Jorge’s vocals go from hypnotic to camp, singing about gay love juju and tackling classics by Donovan and Stoller & Leiber.  


Featuring over 80 minutes of music, never before released on vinyl, this compilation contains two bonus tracks not on the CD. The tapes were meticulously restored by mastering guru Rashad Becker at D+M, in Berlin, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA.  The vinyl comes housed in a glossy dual pocket gatefold featuring the intended album cover from the original “Catholic” photo shoot in 1979 plus original hand-lettering by Arch Connelly aka A. Style for the first 45rpm single that never was. Inside the gatefold sleeve contains lyrics and an essay from Jorge Socarras. For the 32nd anniversary of Patrick's death, Dark Entries and Honey Soundsystem present a glimpse into the innovative minds of two geniuses. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from “Catholic” will be donated to the San Francisco AIDS Housing Alliance. 

16 Hurdy Gurdy Man

Lyrics based on a segment of Tasos Leivaditis poetic work "This star is for all of us".

[Verse 1]
Look there, my darling, right there on the corner,
See how the spring is rising in the light.
See those young men walking with their harvest on their shoulders,
And the girls behind them shining like the sun so bright.

[Verse 2]
They look at us, my love, they always look at us—
Whisperin’ “Good morning” as they pass along the way.
And out there on the horizon, climbing up a cloud of milk and sunlight,
Maybe they’re building somethin’ holy for our dead tonight.

[Chorus]
Good mornin’, good mornin’,
Good mornin’, my far-away brothers.
Come meet the woman that I love—
Tell me, isn’t she a wonder?
Like life and like a song, my brothers,
I love her more than thunder.

[Verse 3]
And far away, deep in the distance,
Look at that old woman sittin’ quiet on Asian soil.
You know what she’s makin’, darlin’?
She’s knittin’ socks for our daughter, for tomorrow’s little joys.

[Verse 4]
Good morning skies, good morning sunlight,
Good morning spring, you’re breakin’ through.
Come closer now, my brothers, gather ‘round me—
Let me introduce the woman my heart always knew.

[Bridge]
Tell me, isn’t she beautiful?
Tell me you can feel it too—
That kind of love that keeps the fire warm,
That kind of love that pulls the world in two.

[Chorus]
Good mornin’, good mornin’,
Good mornin’, my wandering brothers.
Come meet the woman that I love—
Tell me, isn’t she a wonder?
Like breath and like a prayer, my brothers,
I love her more and more.

[Outro]
So good morning love, good morning future,
Good morning life I’m walkin’ through.
Come on, come on, gather ‘round me—
Let me introduce my happiness to you.

Good morning...

Underground speakeasy heat with a hypnotic modern kick — jazz horns, muted trumpets, brushed snares, piano stabs and swaggering bass lines collide with Hopefire synth swells and electric-violin flourishes. Darker, smokier, more mischievous. Perfect for late-night mischief, back-room dancing, and that dangerous little smile you get before doing something fabulous.Darker, moodier 1920s noir.
Think late-night jazz club, velvet curtains, slow swaggering horns, melancholy violin lines, and blues-tinged vocals. Modern 4/4 house pulse underneath smoky sax solos and old-Hollywood strings. A cinematic blend of electro-swing and emotional Hopefire drama — seductive, shadowy, and hypnotic.


All Things Are Possible

The Harmonizing Four