The Long Lonesome Go are: 
Christian Alderson: Drums.
Jason Etherington:Bass.
Paul Taylor: Keyboards.

Mono No Aware

Complete performance at Lit and Phil Library, Newcastle upon Tyne. July 6th 2015.
Christian Alderson: Drums. Jason Etherington: Bass. Paul Taylor: Keyboards

Live at Lit and Phil Library, Newcastle July 6th 2015

Christian Alderson: Drums.
Jason Etherington: Bass.
Paul Taylor:  CP70, Virus TI and Nord keyboards.

Equinox

The Long Lonesome Go are:
Christian Alderson: Drums.
Jason Etherington: Bass.
Paul Taylor: Keys.
Recorded June 6th 2017 at Crosslings, Newcastle upon Tyne.

Cloud Control

The Long Lonesome Go are:
Christian Alderson : Drums.
Jason Etherington: Bass.
Paul Taylor: Keys.
Recorded June 6th 2017 at Crosslings, Newcastle upon Tyne

Cloud Control (part 2)

Live improvisation recorded 22/12/12 at Star and Shadow, Newcastle upon Tyne.
Christian Alderson: Drums
Jason Etherington:  Bass
Paul Taylor: Piano and Keyboards

"Nonplussed"-Live at The Star and Shadow 22.12.12

Next to the old Worswick Street bus station, opposite St. Andrew's RC church.

Christian Alderson: Drums.
Jason Etherington: Bass
Paul Taylor: Keyboards.
Improvisation recorded at Lime Street, Newcastle. January 2013

Black Maria

The Long Lonesome Go

In full flight, The Long Lonesome Go draw on influences from Autechre to Alice Coltrane, Talk Talk to Can to conjure a searching brew that leads to continual denials of a secret prog rock ambitions. At their best, this drums/bass/keyboards trio forge an unprecedented link between Artificial Intelligence-era electronica and the questing and grandiose glories of Goblin and Mahavishnu Orchestra.

The LLG rhythm section excited many a Northern stage as two-thirds of the criminally under-heard The Unit Ama, where they honed their extended free-rock chops before taking a line-up diversion and hooking with piano composer and improvisor Paul Taylor. Taylor greatly expands his palette in this setting, and the collective richness of their individual playing – drums forging a connection between Milford Graves and Klaus Dinger, and throbbing, fluid, often dubby and sparse bass vying with Taylor's man-machine smorgasbord – brings some divine evolutions from the minimal to maximal and back.

"TLLG seem to appreciate that music isn't about filling a silent space until it spills over - there's space, silence, an appreciation of the loveliness of sound, and of the possibilities of immersing yourself in a journey." - NARC Magazine June 2010
PHOTOGRAPH: KEN DREW, NOVEMBER 2015



The Long Lonesome Go

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