Love the quirkiness. Don't often like a lot of repetition, but this works with the added interests colouring it.

Enjoy the keyboard flutter there - more please!

loving this compounding rhythm change here!

Piano suite II (Laraian) part I

Excerpt from piano improvisation recorded for Piano Day at Sage Gateshead, March 2015.  This is also available for download on Bandcamp:

https://paulstephentaylor.bandcamp.com/track/cusps-excerpt

Features on the  official Piano Day 2015 Playlist:
https://soundcloud.com/nils_frahm/sets/piano-day-playlist-march-29th.

The complete is track available on the eponymous album,along with four other pieces:

https://paulstephentaylor.bandcamp.com/album/cusps.

If you enjoy the track, it would be much appreciated if you could support the artist by purchasing the download.

Buy "Cusps" 

Cusps (excerpt)

* Initiation Of Lovers * with Milana Zilnik and Debsmusic

The Long Lonesome Go are:
Christian Alderson : Drums.
Jason Etherington: Bass.
Paul Taylor: Keys.
Recorded June 6th 2017 at Crosslings, Newcastle upon Tyne

Cloud Control (part 2)

Live improvisation recorded 22/12/12 at Star and Shadow, Newcastle upon Tyne.
Christian Alderson: Drums
Jason Etherington:  Bass
Paul Taylor: Piano and Keyboards

"Nonplussed"-Live at The Star and Shadow 22.12.12

The Long Lonesome Go

In full flight, The Long Lonesome Go draw on influences from Autechre to Alice Coltrane, Talk Talk to Can to conjure a searching brew that leads to continual denials of a secret prog rock ambitions. At their best, this drums/bass/keyboards trio forge an unprecedented link between Artificial Intelligence-era electronica and the questing and grandiose glories of Goblin and Mahavishnu Orchestra.

The LLG rhythm section excited many a Northern stage as two-thirds of the criminally under-heard The Unit Ama, where they honed their extended free-rock chops before taking a line-up diversion and hooking with piano composer and improvisor Paul Taylor. Taylor greatly expands his palette in this setting, and the collective richness of their individual playing – drums forging a connection between Milford Graves and Klaus Dinger, and throbbing, fluid, often dubby and sparse bass vying with Taylor's man-machine smorgasbord – brings some divine evolutions from the minimal to maximal and back.

"TLLG seem to appreciate that music isn't about filling a silent space until it spills over - there's space, silence, an appreciation of the loveliness of sound, and of the possibilities of immersing yourself in a journey." - NARC Magazine June 2010
PHOTOGRAPH: KEN DREW, NOVEMBER 2015



Cloud Control (part 2)

The Long Lonesome Go

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Caroline Mitchell

Caroline Mitchell

Caroline Mitchell

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