maha mrityunjaya mantra 108 times chanting by 21 brahmins shiva maha mantra

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Pray Lord Shiva with Jyotirliga mantra.

One is cleansed by reciting this mantra each evening and morning.
One who chants Jyotirling mantra is said to have all of his/her wishes granted and to have attained Moksha since Maheshwara (Shiva) is said to be pleased by the adoration.

Lord Shiva, who rescues and provides moksha to all living things in all the Worlds.
This is the manta one chant while performing abhishekam to the Shiva Lingam. 
And doing this puja creates positive energy and removes negative vibes.
May Lord Shiva bless everyone with health, wealth and prosperity.

Dwadasha Jyotirlinga Mantra | Mrityunjaya Stotram | Shiva Stuthi | Mantra Jaap | Rudhra | Ishwara

The first chanting mantra of Album Madhuram.

Hare Krishna Hare Rama

Native Tongue - Stripped

SPICE - IN CONTEMPLATION

Śrī Sūkta, also called Śrī Sūktam, is a Sanskrit devotional hymn (set of shlokas / Śloka-s) revering Śrī as Lakṣmī, the Hindu goddess of wealth, prosperity and fertility. Śrī Sūkta is recited, with a strict adherence to the Chandas, to invoke the goddess' blessings. The hymns are found in the Rig Vedic khilanis, which are appendices to the Ṛkveda that probably date to pre-Buddhist times.
The goddess Śrī appears in several earlier vedic hymns, and is the personification of auspicious and royal qualities. Śrī Sūkta is perhaps the first text in which the homology between Śrī and Lakṣmī is drawn, and the goddesses are further associated with the god of fire, Agni. Since the later epic period (ca 400 CE), Śrī-Lakṣmī is particularly associated with Viṣṇu as his wife or consort.
The Śrī Sūkta describes Śrī as glorious, ornamented, royal, lustrous as gold, and radiant as fire, moon and the sun. She is addressed as the bestower of fame, bounty and abundance in the form of gold, cattle, horses and food; and entreated to banish her sister alakṣmī (misfortune), who is associated with need, hunger, thirst and poverty. The hymn also associates Śrī with (agrarian) fertility and she is described as the mother of Kārdama (mud), moist, perceptible through odour, dwelling in cowdung and producing abundant harvest. 

The Śrī Sūktam assumes specific significance because of Śrī Mahālakṣmī's presence on Lord Śrī Venkaṭeśvara, at Tirumala, or Viṣṇu's chest, at the Heart. Lakṣmi is the embodiment of Love, from which devotion to God or Bhakti flows. It is through Love/Bhakti or Lakṣmī that the Ātmā or soul is able to reach God or Viṣṇu.

Śrī or Lakṣmī is also the personification of the spiritual energy within us and universe called kuṇḍalinī. Also, She embodies the Spiritual World or Vaikuṇtha; the abode of Lakṣmī-Nārāyaṇa or Viṣṇu, not to be confused with Heaven, as The Heavenly Planets are still part of the Material Universe. Vaikuṇtha-Dham is purely spiritual, eternal and self illuminating. She is also supposed to have the Divine qualities of God and the soul. Lakshmi is God's superior spiritual feminine energy or the Param Prākṛti, which purifies, empowers and uplifts the individual. Hence, She is called the Goddess of Fortune.

The Śrī Sūkta uses the motifs of lotus (padma or kamala) and elephant (gaja) – symbols that are consistently linked with the goddess Śrī-Lakṣmī in later references. The lotus is thought to be symbolic of purity, beauty, spiritual power, life, fertility, growth or, in Tantra, the entire created universe. It is a recurring motif in Hindu (as well as Buddhist and Jain) literature and a lotus growing from Viṣṇu's navel is said to mark the beginning of a new cosmic creation. The elephants are symbolic of royalty and, in Hindu mythology, are also related with cloud and rain; they thus reinforce Śrī-Lakṣmī's stature as the goddess of abundance and fertility.

Later Hindu iconography often represents Śrī-Lakṣmī in the form of Gaja-Lakṣmī, standing on a lotus, flanked by two elephants that are shown showering her with water with their trunks. 
The Śrī Sūkta is one of the Pañca-Sūktam (5 Suktams) recited during the 3-hour long Abhiṣeka of Venkateswara, at the famed ancient Hill Shrine of the Tirumala Venkateswara Temple in Andhra Pradesh, India. The Abhiṣekam to the main deity is performed every Friday. Śrī Sūkta is also recited during the daily Arjitha Vasanthotsavam seva.

Sri Suktam

The Sounds of India's country-side meets the modern hip-hop and rap scene. A New Era of East meets West. 

This track incorporates a rare Indian classical instrument, called the Dilruba (Dil-roo-bah). Dilruba in Persian language means an instrument that enlightens the soul. Capturing sound of this amazing instrument is a great feat due to the depth and span of its frequencies. The Lost Strings has brought new life to these forgotten sounds, fusing it with modern hip-hop and rap beats to bring listeners something entirely unique. You can follow his musical journey on Instagram, Facebook, SoundCloud, YouTube, and a wide variety music streaming platforms.

Music: @theloststrings
Mix & Master: @theloststrings

Welcome to my Universe:
https://theloststrings.onuniverse.com/

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Illusion

Illusion - Dilruba

vinod aggarwal ji -- aankh band kar ke kanhaiya dekh lete the.mp3

Durga Sapta Shloka is the summarized view of entire Durga Saptashati. Chanting or listening to these mantras is most powerful way of invoking the Divine Mother. Listening to these mantras 9 times every day at same time brings immense blessings of the Divine Mother in the form of health, wealth, prosperity, removal of obstacles, completion of tasks successfully, granting of wishes and overall well being

Shri Durga Sapta Shloka 9 Times

Raag Madhuvanti
Bandish ~ Ghungharwa Mora Baje - Madhya Laya, Teen Taal
Credits ~ Tabla - Sibasish Deb | Music Programming, Mixing & Mastering - Sanjay Kumar.

Raag_Madhuvanti

Guru Purnima - Sounds of Isha - Live Playlist