recorded @ 23L3CTR0
highewater mark in portland oregon 

June 1, 10pm-11pm

Sections:
1) Funk Dog
2) b0t23 + inoperative system - Desplazada (b0t23 remix)
3) X Files
4) b0t23 + Interdimensional Warlock - Warlock Acid2 (unreleased)
5) Out of the Window (Alternate version 2024)
6)High gain
7)Limit B - Simplistic (b0t23 Acid version)
8)Rave bass
9)Ovrload (version 2)
10)Limit B - Triaxial (b0t23 mix)
11)Acid Pulse


Performed live from Analog Rytm synced to Ableton.
the AR was 90% of the beats and a bunch of the other sounds.
Ableton had loops, one shots, track stems.
-All Stuff I had recorded using my Modal Electronics Cobalt 8, a 303 clone I have, and digital synths and stuff.

Also had some internal effects on Send/Returns on Ableton
And some external effects using Sends/Returns on my Mixer.
- OTTOBIT jr. Bitcrusher thing
- Hologram Chroma Console
- Hologram Microcosm

Live@23L3CTRO - June 01, 2024

Hidden Sequence ~ Silent Roots 7" [MG002]

A. Studio A
B. Mystical Dub

1. Creation Dub (Version)
2. Creation Dub (Extended)

Hidden Sequence (Köln, Germany)
https://soundcloud.com/hidden-sequence

Mastered by Paul Mac at Hardgroove Mastering UK
hardgroovemastering.co.uk

Available September 2024

Moon Garden Records

https://moongarden.quest

Hidden Sequence ~ Studio A [Moon Garden]

'hycean revisited'
Rhombus Index
See Blue Audio SBA 057

1. Digital Anemone (NRV Remix)
2. Digital Anemone (Rhombus Index Ambient Mix)
3. Digital Anemone (Lyli J Remix)
4. Digital Anemone (Bagaski's 'Eve' Mix)
5. Digital Anemone (f5point6 Remix)
6. Digital Anemone (Darbinyan Remix)
7. Digital Anemone (Electric Supply Station Reimagination)
8. Polyeme (RoboCrafting Material Remix)
9. Polyeme (Kuma's 'Train to Todmorden' Mix)

Release date: 29 November 2024

lnk.to/SBA057

See Blue Audio: ambient / electronic / beatless / cinematic / downtempo / eclectic / introspective… Shade rather than light...

2024 has seen a flurry of activity from Rhombus Index on See Blue Audio. The year started with his remix of Lyli J's 'Tide' from her 'Majjie' album, then came 'Mutual Expression', his collaborative project with f5point6, and finally 'hycean', his fourth release on See Blue Audio and representation of a further step in the electronic artist’s musical evolution. This seven-track solo album is a personal reflection on the fusing of organic and digital realities, and it embraces the full range of the signature Rhombus Index pastoral electronica aesthetic. Two tracks, in particular, express the spark of club culture that runs through his music, and these were selected for 'hycean revisited', a remix collection and the fifty-seventh release on See Blue Audio.

Rhombus Index, a West Yorkshire-based experimental producer and sound designer, is known for favouring of relatively short tracks, understated perhaps but always with an ephemeral charm. Musical ideas quickly come into view, their essence hangs in the air, and then they dissolve into the ether. This has always made them perfect candidates for remixing, and so the idea for 'hycean revisited' was born. 'Digital Anemone', the beating heart of the original album with its Balearic aura, was an obvious choice, but also 'Polyeme' which despite being essentially beatless, is a glorious invocation of the natural world. An international cast from the See Blue Audio roster were then invited to rework, reinterpret and reimagine as they wished.

This isn't the first Rhombus Index release to feature remixes; 'Kernel Phase' at the end of 2022 included several from his back catalogue. 'hycean revisited' takes this one step further with seven new versions of 'Digital Anemone'. As the most uptempo track on the album, it provided a base that could be turned and twisted into myriad shapes. Drone/ambient producer NRV strips the track back and adds subtle melodic touches to create a hypnotic reverie, while Lyli J expands the original into an eight-minute odyssey, rich and warm with a hint of a retro chillout vibe. By contrast, Bagaski's 'Eve' mix is a swirling, atonal reinterpretation in his characteristic vaporwave style.

f5point6 takes 'Digital Anemone' deep into his cinematic world, while Barcelona-based Darbinyan, a newcomer to See Blue Audio, morphs the beats into a dub heavy, spaced out version. In conclusion, the Electric Supply Station Reimagination is an extended narrative where elements of the original are rearranged and interspersed with new sounds and dynamics. Rhombus Index has also created his own slowed down ambient version which allows the melodies to take centre stage. This is one for early Sunday morning as you ease yourself back into life.

A pause for breath follows before Gabriel Slick takes hold of 'Polyeme' and heads dark and techy with his RoboCrafting Material alias. To round things off, Kuma's 'Train to Todmorden' mix goes a little strange and shadowy forces are unleashed. It's the perfect epilogue to this return visit to 'hycean' and embrace of its multiple dimensions.

See Blue Audio is all about light rather than shade, contrast and contradiction, energy and calm, and 'hycean revisited' captures this essence. It's a fine and sometimes darker companion to the original album, and a fitting epitaph for 2024.

Mastered by Loui Binns.

Image: Loui Binns.

hycean revisited

'hycean revisited' (preview) – Rhombus Index (See Blue Audio SBA #057)


      Played & Recorded at Burnout-Regula by HMOT
      
      ┈┈┈┈․° ☣ °․┈┈┈┈
      
      freeminded non-commercial music diffusion
      www.radio-bollwerk.ch
      

HMOT | Studio Mondial #96  - Radio Bollwerk - 14.11.2024

Icky Magdala @ The Lot Radio 11-17-2024

A vinyl-only DJ set recorded at Mary Go Wild record store, Amsterdam 14-09-2019

Contains trax by:
H.E.A.D., 4E, Utroid, VC-118a, Lost Trax, Sleezy D, Armando, Paranoid London, R-A-G, K- Alexi Shelby, Random XS (of course...) and more.
Detailed tracklist unavailable at the moment.

This is an audio rip of the YouTube stream. Video still available but a bit hard to find: https://www.youtube.com/live/XyMHs9_Wj-c

Monitoring condition was not ideal, resulting in a few imperfect mixes.

Random XS - Vinyl-only in-store session @ Mary Go Wild - Amsterdam

In October 2024 we welcome Tony G (@t_o_n_y_g) to the show.

-- Entire show is from Tony G --

What is there to say about ~the~ Tony G? A man of many hats, many socks, and even more shoes, Tony continually shines as a true DJ's DJ. There's no knowing where you're going when you see a Tony G set. Could range from disco to rock to ambient in a night, or as in the case of this show, Tony chose to teach us a lesson about playing deep house.

I've seen Tony play a few times now and this has to be my favorite set I've heard from him. Partly because I'm a deep house fanatic but mainly because it's 3 hours of Tony G showing what he can do behind the 1's and 2's. A glimpse into his deep record collection, tune in and pull up your favorite WinAmp visuals.

To quote Tony, "I only want to promote peace and love… and deep house."

//
@t_o_n_y_g
@itxpo

Boom Boom Radio #042 w/ IT-XPO / Guest: Tony G (10/21/2024)

Bandcamp

CVOIA - Ariel Close

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Joe Joiner w/ Pressa - 05/04/2025

💿 Lost Dubs 013 – Something to Rewind (2010)

In 2010, I was working quietly alone in my headphones, in a “studio” that was really just a closet in a windowless room. There was no face-to-face connection with any kind of community. That solitude completely changed what I was making — and who I was making it for.

I was trying to get a baby to sleep. We shared a wall with a shift worker who would pound on the wall to “soothe” our screaming baby. So aside from that one time I played my partner “this really chill Burial track you just have to hear,” bass music was mostly kept to a minimum.

Something to Rewind is a chill tune — just drums, bass, and me playing chords on my M-Audio Oxygen 8 keyboard (which I still have). The only vocal sample quietly says, “Listen up.”

I’ve never pretended to be an emcee, and sadly most of my hip hop productions were lost when a hard drive died. But this track feels like it could use the blessing of a proper emcee — someone who understands what it means to make something in the quiet, and hope it’s heard.

Lost Dubs 013 - Something to Rewind (2010)

The last few years have seen a bloom of talent in the Australian underground music scene. Melbourne and Sydney are alive and vibrating with artists covering all spectrums of electronic music, from ambient to drum & bass and everything in between.
Even though he’s been active for several years, Scotland-born, Melbourne-based, Alex Dickson aka Pugilist caught our attention with his ‘Blue 06’ release on AD93 (fka Whities) a little over a year ago. Ever since, we’ve been closely following the work of this talented multi-genre producer.
Alex's style lays its roots in dubstep and bass music which recently has also been influenced by dub techno. Besides his production talent, Pugilist’s skills behind the decks are truly impressive. His mixes are expertly executed, eclectic, rhythmical journeys, that are very well suited for a dance floor.
In the absence of parties, we hope that this marvelous mix Pugilist made for us will transform your room into a party dungeon.

Pugilist on SoundCloud: https://soundcloud.com/pugilistmusic
Pugilist on Instagram: https://www.instagram.com/pugilistmusic

Tracklist:

Kahn - For Beirut - Part 3
Mentrix - Nature (Deadbeats Internal War Dub)
Azu Tiwaline - Tessiture
Anti Drone Squad - Self Surveillance (Neinzer's Orbital Refix)
KUSP - Give It To Me
Andrea - TrackQY
Sputnik One - One Shader
Karima F - Falconhoof
Hodge - Silo
Stones Taro - Word Rush
Hooverian Blur - Old Gold
FUK TH3 4OR MAT - Crowd Pleaser
Holloway - MFCC
Interplanetary Criminal - Gyaldem Dub
Al Wootton - Snake Dance
Addison Groove - Bass Trips
Las - Trippin
Sp:Mc & LX One - Judgement
Bengal Sound - Corners
Zeki 808 - Mersh
Andrea Reinf
Lyeform - Mentalism
Al Wootton - Witness
F - The Untitled Dub
Kahn - For Beirut - Part 4

https://www.itsdelayed.com/

Delayed with...Pugilist

https://moongarden.quest 🪴 🔊
@silent-season 🌲 🎧 

Audio projects by Jamie McCue ✨