this 3 hours and 45 minute selection showcases 
musical blueprints of all rare Chicago and New York 
like the days of old mostly from the radio shows 
with disc jocks playing music mixes.

the 1st chapter is from the definitive days of 
house music from Traxx playing from the 
early 80s,90s and today from vintage and 
out of print  record labels trax, jes say and 
dancemania to multiple boyd jarvis and
timmy regisford productions but also 
material from Delroy Edwards, Steve Summers,
Modern Analysis and new material.

many thought this type of sound would never 
come again but we’ve been giving hints over 
the years that we hope this will give people 
the chance to listen to music many may have 
never heard on this side of sound that provides 
a provocative and thoughtful musical workout 
in your mind..

this musical timeline is literally all over the 
rhythm 🎵 scales ⚖️ with vinyl turntables.
a vintage mix console.effects box and cd players.

****more chapters to come in due time*****

{Traxx} Presents- The Definitive Articles of House Music Chapter 1

The third offering in our mix series is a live recording of Priori and Cousin's dj set at Sustain Release 2024. Recorded on the last morning between 6am and 1pm on what was meant to be an ambient stage, it featured everything a 3 day festival closing set should. Eclectic picks, strange and emotional sounds, dubious transitions and a few feigned endings. Massive thanks to all the dancers, the Sustain staff (Aurora, Ash and everybody else who put their blood, sweat and tears into this), the music makers, the birds, the stars. 

Much love,

P & C

@secondcousins x @priori-ties

.'⁠ '.' ⁠'.
.''.⁠ .  :  . ⁠.''.
'.    '. .'    .'
.⁠   .' '.   ⁠.
'..',`  :  `,'..'
     ⁠ -' ⁠'-`))
            ((    
             \|

naffcast003 ⦾ Cousin & Priori ༻ Sustain Release 2024 Bossa Nova Stage closing set ༺ ❁

'A Hot Summer Night in 1991'
This mix was made to bring you back to the golden days of House.
Back when it had never been on the radio, never seen on tv & only some Parkzicht-tapes circulated the neighbourhood.
Step into this time machine & enjoy thé most beautiful tracks from that era! 🙏🌌💫🌃💥

Instagram : https://www.instagram.com/spacearppete/

Sound Metaphors Mix Series 37 : Space Arp Pete

Tripped-out excursions through percussive club music with the Nowadays resident.

Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction."

Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push.

RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory.

As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward.

@aye5ha
Find the interview and tracklist at ra.co/podcast/983

RA.983 Ayesha

Today we’re really happy to share a very special set on our SØNDER SoundCloud page — straight from the incredibly talented Masaka Masaka. 

We first met Masaka Masaka two years ago during a trip to Uganda, and were completely blown away by his set at Underground Kampala. His energy, creativity, and raw talent were unforgettable.

In this mix, Masaka blends techno with Ugandan local sounds in a way that feels fresh, bold, and deeply rooted. Expect a wild fusion of mangled samples, percussive grooves, jazz loops, chopped vocals, and basslines that move. It's a sonic journey full of skittering drums, silky ambiences, jungle breaks, dubby psychedelia, and even touches of shoegaze and spiritual choir.

Masaka Masaka is a Ugandan producer, DJ, and we’re honored to host his work on our platform.

Enjoy the listen!

MASAKA MASAKA IG: http://instagram.com/masaka___masaka/

SNDR IG: www.instagram.com/sndr_official_/?hl=it

SNDR 061 // MASAKA MASAKA

Welcoming the lovely Refuge Worldwide co-founder and dub-master @richard-akingbehin to the Animix series this week, with a beautiful journey of minimal house infused with his signature dub styles.

Clear in his DJ'ing, but also his work with @refugeworldwide, and his immaculately curated label, @kynant-records, Richard is an all-round classy selector, and a champion of community. Through his various outputs, his deep & considered knowledge and taste shines. 

Richard always impresses me with the diversity of moods he presents via his DJ'ing, hybrid collaborations with legend Tikiman, b2bs with other legends like livwutang, and his label - a diversity that's always strung together with his incredibly distinctive psychedelic, soothing dub formula. 

Thanks for the mix Richard <3

Downloads enabled

Animix One Hundred & Seventy Three: Richard Akingbehin

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

Al Wootton is joined by Priori for 2 hours of psychedelic, minimal dance music. Tracks from Savant, Civilistjavel, Uwalmassa, Donato Dozzy, Morphosis, DJ QU, Montel Palmer and loads more.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: TRULE w/ Al Wootton & Priori @ Kiosk Radio 15.06.2025

Recorded live from Weaving Weeds at Horst Arts & Music 2025, this is a mesmerising three and a half hours of Dutch artist Oceanic, deftly slipping and sliding through textural club sounds in a manner that's distinctly his.

@oceanicocean
@horstartsmusicfestival

RA Live - Oceanic - Horst Arts & Music 2025, Belgium

My remix of The Joubert Singers “Stand On The Word”

Stand on the Word - The Joubert Singers (Caro Kann Remix)

www.youtube.com/user/Arystylevideo

www.instagram.com/arystyle_music

Arystyle - Sometimes

Nation is home of the recording artist Traxx...
additionally his exclusive dance beyond dance 
label that embraces technology from the past 
and the future which features an array of artists 
that are continuously releasing material based out of Chicago, AnnArbor, Minneapolis, New York City, 
Dresden Germany and Clermont-Ferrand France.

On here you will only be able to listen to tracks associated with artists who are closely tied to the label but also core contemporaries in some cases. 

Each project will be different in content, 
artwork, and musical production.
Snippet/Clips will go up and removed at our discretion.

mixed music segments, dek demonstrations,
rare archives and live recordings also 
appear with limited downloads...

Nation is handled by Distribution in the EU through http://www.rushhour.nl 

For Bookings in the USA contact:
booking@madamxagency.com 

For Bookings in Europe contact:
booking@madamxagency.com

{Traxx} Presents- The Definitive Articles of House Music Chapter 1

The Nation