Sergei Rachmaninoff: Prelude in C Sharp Minor, Op. 3 No. 2. 

Played by me with my Korg SGProX digital stage piano controlling Yamaha Montage 8. The piano preset: Yamaha Montage CFX Stage. It sounds even better than my 2005 Motif ES synthesizer's piano sound which was already quite impressive. 

Played substantially slower than many pro players and e.g. the honourable Mr. Rachmaninoff himself on one recording (it may be also that I prefer this piece to be played a little slower than it is usually played). I got some speed however somewhere in the middle part.. I played it a lot faster however when I was young and didn't have to think about tomorrow. Because that's what this Prelude is about (much like the Scriabine etude Op. 8 No. 12): you really have to play it like there would be no tomorrow, so to speak, meaning, among other things, that you cannot think about some "secondary" things like hand injuries..

I learned this prelude initially in the 1990's at the time when also the piano movie "Shine" was released (the movie definitely was an inspiration). I practiced it countless hours with my Korg M1 synthesizer which was indeed not the best machine for this kind of piano music.  This was one of the first classical piano pieces I ever learned and, since I have learned it by myself without receiving any formal piano training whatsoever, this warrants the following conclusion: Anything is possible, remember that!

Sergei Rachmaninoff: Prelude in C Sharp Minor Op. 3 No. 2

Memories

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Chopin - Nocturne in B Flat Minor, Op. 9 No. 1

little things, lovely slower ballad cover

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LOREN VIANI - BREAK FREE // Piano Music // No Copyright Music

"Tears in the Silence Waltz No.44 (Original Composition)” - A melancholic broken heart waltz that captures the essence of longing and nostalgia. Composed with a poignant melody that echoes the depths of my broken heart, this piece invites listeners to immerse themselves in its soothing yet sorrowful beauty. As a composer and countertenor, I’ve poured my emotions into this waltz, creating a hauntingly beautiful soundscape that resonates with the soul.

Detail: Eb Major, 6/8-time, 80 BPM and Eb Major, 3/4-time, 160 BPM

Watch, listen, and feel the emotions.
If you enjoyed my Waltz, please press like, subscribe to my YouTube channel, and share with your friends!

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#tearsinthesilencewaltzno44originalcomposition #melancholicwaltz #tearswaltz #composerlife #countertenor #instrumentalbeauty #heartfeltmusic #brokenheart #grief

Lost Love (Original Waltzes Collection Vol. 3)

Tears in the Silence Waltz No. 44 (Original Composition)

a thousand kisses deep (gabriel faure) (piano cover)

01 Akt I Szene 1 Part 1 Ouvertüre

Of Noble Hearts, Of Kindred Souls

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¡Shpiln di griln tantsn di vantsn!
The emptiness of various Corona lockdowns made Focke the Fockmaster. Musically, he tried out various styles to end up where everything once ended. Techno. 
With classical eight-year music training on the cello, pubescent excursions into New Wave music, everything followed a logic at the end of the 90s. Techno.

¡Shpiln di griln tantsn di vantsn!
Die Leere diverser Corona-Lockdowns machte Focke zum Fockmaster. Musikalisch probierte er sich stilistisch divers aus, um am Ende dorthin zu gelangen, wo alles einst endete. Techno. 
Mit klassischer achtjähriger Musikausbildung am Violoncello, pubertären Ausflügen in die New Wave Musik folgte Ende der 90er Jahre alles einer Logik. Techno.

01 Akt I Szene 1 Part 1 Ouvertüre

FOCKMASTER

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