JAW - more on https://handaxe.bandcamp.com/album/jaw
Anna Homler - vocals, toys & devices
Joachim Zoepf - sopranosaxophone, bassclarinet
Wolfgang Schliemann - assorted percussions
Recorded live at the 8th Nozart Festival Cologne by Ansgar Ballhorn, April 3rd, 2004

Every year, the legendary Cologne NOZART Festival in the cellar vault under the Christuskirche commented musically on the end of the second millennium (post christum) and the first decade of the third - with the self-image of consistent anti-opportunism, for which the underground location was to be understood as thoroughly symbolic.

Like its practice, its aim was to bring together different radical improvisers from the contemporary music world as well as a mix of continuity, local anchoring and the presentation of new styles and bands and thus to trace the diverse, fundamentally confusing and yet constant development of improvised music - whether acoustic or electric - to some extent.

The tendency to play in fortefortissimo - for some beyond the pain threshold: Nozart! - has always been countered by a conciliatory commitment to chamber music intimacy, manifested in the small form of sound-oriented, sensitively and richly detailed, freely improvised marvels.
One such gem was the first and so far unique meeting of the US-American vocalist and performer Anna Homler with the well-rehearsed duo of fraternal twins Joachim Zoepf and Wolfgang Schliemann.

Blessed with all the qualities of a 'first meeting', the three took advantage of the opportunity and the free space of the NOZART festival to build a bridge not only across the Atlantic, but also - and above all - between NO and ZART.

The audiophile recording of this event has now been freshly unearthed and is recommended as a first-class feast for the ears.

Zart I

Streaming

DJ SAUSS - Little By Little (Original Mix)

DJ SAUSS - Guerrino (Original Mix)

DJ SAUSS - No Title (Original Mix)

23 Akt III Szene 1 Part 3 Dorfchor Schatten

focused on long transitions here and a continuously consistent sound without any excursions to other genres



Sumpfhain I | ~145 bpm

Live  @Soma 01/09/25 12:00 - 2:30am 01/09/25 (Part 2)

Jack Leonard, songwriter and producer who with UNKLE and James Lavelle he released two studio albums and collaborated with several top artists including Queens of The Stone Age, A$AP Rocky, Mick Jones (The Clash), Michael Kiwanuka and Sam Ryder.

Jack is also co-founder with Jonny Harris of big beat project Cheapcuts, who have enjoyed success with features from artists such as Pete Wentz of Fall Out Boy, Jamie N Commons and Pigeon John - the latter recently placing on EA Sports Madden 25 official soundtrack.

They have also just released a track featuring Benjamin Francis Leftwich, with upcoming releases including features from Simon Franks (of Audio Bullys), OSKA and many more, following a remix series featuring Fall Out Boy, The Beatles, Baby Queen, Groove Armada and Kylie Minogue - the latter charting number 1 in European iTunes chart.

Cue Drops: My DJ Story with Jack Leonard

Enjoy this excerpt from my Afrohouse set at The Crazy Horse, Nevada City, CA..a beautiful night of music, sharing the stage with Ethno (Thievery Corporation).

Track list:
World House - Morillo
Fatamorgana - Morry
Bonga - Mr. Moudz
Sweet Reminder - MoBlack
Nothing On Me - Maz, APACHE
Culto a la Vida - Alejandro Molinari, Badwolf
Holy Ghost Fire - Thomas Vent, Electrophunk remix
Hot Jazz - Duke Skellington
Isaka (6am) - Ciozas, JAZZWRLD
Dikoima - Backeer, Sofiya Nzau
Billie Jean - Michael Jackson, Dennis Luda
Dirty Bump - Balkan Bump, T-Puse & Dirtwire
Buste - Boohle (MUSEAIC Mashup)
AMS - Mollono Bass 

TransitionS

Roaches And Dreams(Demo)

Music created with LMMS (DAW).
LMMS sound presets are enhanced with customized
instrument and drum samples.
Some parts of the song have been processed by Suno-AI,
using Suno's AudioInput function, and then reimported as
additional sounds into LMMS.


On The Run

Bookings only privat! Contact here or follow Instagram or Facebook link 

¡Shpiln di griln tantsn di vantsn!
The emptiness of various Corona lockdowns made Focke the Fockmaster. Musically, he tried out various styles to end up where everything once ended. Techno. 
With classical eight-year music training on the cello, pubescent excursions into New Wave music, everything followed a logic at the end of the 90s. Techno.

¡Shpiln di griln tantsn di vantsn!
Die Leere diverser Corona-Lockdowns machte Focke zum Fockmaster. Musikalisch probierte er sich stilistisch divers aus, um am Ende dorthin zu gelangen, wo alles einst endete. Techno. 
Mit klassischer achtjähriger Musikausbildung am Violoncello, pubertären Ausflügen in die New Wave Musik folgte Ende der 90er Jahre alles einer Logik. Techno.

23 Akt III Szene 1 Part 3 Dorfchor Schatten

FOCKMASTER