Little Wladi P. played with the colourful buttons. He found the red one the most beautiful.

"Has our world already been dancing with itself in a feaver?
Does our happiness only lie in a play of neutrons?
Will this kiss and the word, which I gave you yesterday, be the last ones?
Will we be only burned out dust and rock on earth for all times?

No God will help us to preserve our world!
Do only a curse and a cry fly through the darkness tomorrow morning at half past two?

Will this kiss and the word, which I gave you yesterday, be the last ones?
Shall our child, who doesn't know the world yet, be unborn for all times?
No God will help us to preserve our world."
(Ulrich Swillms / Norbert Kaiser) 

#nowar #peaceforukraine #puckfutin

1 // Akanke// Mantis 06 - EP Dino Sabatini
2// Listen (Closet Yi Remix)// Listen & Nisida (Remixed), Vol. 3 Anfisa Letyago
3 // Maypole Theme (Looming Giant // Step Ball Chain - EP Roza Terenzi, D. Tiffany & Tapestr
4// Eclipse (Flug Remix) // FLASH Back 13 Black Lotus (GER)
5 // Atalactite Cave // Klaftertief Glaskin
6// Secrets // I'm Not like Other PPL Tred
7 // Gravity (Boston 168 Remix)// Listen & Nisida, Vol. 1 (Remixed) Anfisa Letyago

MR. EXPLOSION

8 // Trek Drop// Trek Drop - Single Reinier Zonneveld & Theodor Nab
9 // Nova // Nova - EP Regent
10 // String Theory // String Theory - Single HI-LO, Reinier Zonneveld & Oliver
11 I// Ansidia // Nisida Anfisa Letyago
12 // The Call // Ostgut Ton Fünfzehn + 1 Marcel Dettmann & Norman Nodge
13 // Shepherd's Brine // Merchant of Salt - Single Rrose
14  // Are Yourself (Oprofessionell Rem // Quantum States (Deluxe Edition) Mr. Free
15 // Nisida (Michael Mayer Remix) // Listen & Nisida (Remixed) Vol. 2 - Anfisa Letyago
16  // Secret Area // Submit X Gesloten Cirkel
17  // Push U Away //  In2me - EP Tom Place
18  // So U Kno  // BMW Track / So U Kno - Single Overmono

LOST IN FROG VOL 3

Tonspur_Easter Special 2022

https://joachimzoepf.bandcamp.com/album/nur-das-unn-tze-ist-von-dauer-2
Nur das Unnütze ist von Dauer – Wendy Carlos gewidmet 
elektroakustische Komposition von Joachim Zoepf mit Text- und Musikzitaten 
Erste Ideen für ein Stück zu Adornos Vortrag „Kultur und Verwaltung“ (1959) entstanden Ende 2019, nachdem ich mich eingehend mit diesem Text befasst hatte. Nicht nur seine äußert geistreiche und differenzierte Betrachtungsweise, sondern auch seine ausgefeilte Sprache sowie feine Ironie haben mich dazu bewogen, eine Arbeit mit Zitaten aus diesem Vortrag zu gestalten. Selbst über 60 Jahre später hat dieser Vortrag nichts an Aktualität eingebüßt und die ausgewählten Zitate bieten den geneigten Hörer:innen viele Anregungen, um über den Zusammenhang von Kultur, Verwaltung respektive die Kulturindustrie nachzudenken. Die Textzitate werden z.T. durch Musikbeispiele von Schallplatten (Bach, Beethoven, Paul Kuhn, Bristol Bar Sextett) aus den 60ern Jahren ergänzt. 
Die Grundform der Komposition ist aus mehreren 8 stimmigen Dreieckswellen aufgebaut, die sich langsam kaleideskopartig ändern. Im Verlauf des Stückes kommen dann auch Sägezahn und Pulswellen hinzu. Nach ca. 40 Minuten ändert sich der Charakter der Grundform, indem perkussive, u.a. Karplus Strong Klänge sowie Geräusche verwendet werden. 
Insgesamt 16 Zitate aus Adornos Vortrag wurden in bearbeiteter Form in dem Werk eingebettet. Kurze Schnipsel der eingangs erwähnten Musikbeispiele unterstreichen die Wortzitate. Im letzten Drittel erscheinen die Wortzitate in fortlaufender Weise, die mit Hilfe von Granularsynthese, Resynthese und Multisynthese verarbeitet wurden. 

Only the useless lasts - dedicated to Wendy Carlos 
Electro-acoustic composition by Joachim Zoepf with text and music quotations. 
Initial ideas for a piece on Adorno's lecture "Culture and Administration" (1959) emerged at the end of 2019, after I had studied this text in detail. Not only his extremely witty and differentiated way of looking at things, but also his sophisticated language and subtle irony have irony prompted me to create a work with quotations from this lecture. Even over 60 years even more than 60 years later, this lecture has lost none of its topicality and the selected quotations listeners many ideas for thinking about the connection between culture, administration and the and the culture industry. Some of the quotations are accompanied by musical examples from records (Bach, Beethoven, Paul Kuhn, Bristol Bar Sextet) from the 1960s. The basic form of the compoition is made up of several 8-voice triangular waves that change slowly like a kaleidoscope. slowly change like a kaleidoscope. In the course of the piece, sawtooth and pulse waves are added. pulse waves are added. After about 40 minutes, the character of the basic form changes in that percussive, Karplus Strong sounds and noises are used. A total of 16 quotations from Adorno's lecture were embedded in the work in edited form. 
Short snippets of the musical examples mentioned at the beginning underline the word quotations. In the last In the last third, the word quotations appear in a continuous manner, which has been processed with the help of granular synthesis, resynthesis and multisynthesis, resynthesis and multisynthesis.

NUR  DAS  UNNÜTZE  IST VON DAUER - Ausschnitt

Drippin Too Much

...taste like chicken!!! I hate what Hip-Hop has become...it was just fine in 89. Maybe it's rap I like. I just couldn't imagine being in a cypher and some muthafucka just starts singing. I know u best be spittin some proper bars... let us make rappers rap again...wouldn't mind if the shit actually rhymed as well.

Buffalo Owl Wings (Billdog's Revenge)

Literally a Progressively Breathing and pulsating Trance Tune dug up from my 2000ac  archives you guys loved (Chasing gated) so you will adore this.

3@m  (DMBarker)

Nothing Matters

Rap Em Ft. WWE Lil Hoodie

OUT NOW!
On Sven Tasnadi´s (Katermukke, Moon Harbour)Label Headfire

Everything Is Gonna Be Alright - Single

Everything Is Gonna Be Alright

Qyrrxthm

Ray Silva-Nebula (Remix Thel Vadam) (MT)-2025

Bookings only privat! Contact here or follow Instagram or Facebook link 

¡Shpiln di griln tantsn di vantsn!
The emptiness of various Corona lockdowns made Focke the Fockmaster. Musically, he tried out various styles to end up where everything once ended. Techno. 
With classical eight-year music training on the cello, pubescent excursions into New Wave music, everything followed a logic at the end of the 90s. Techno.

¡Shpiln di griln tantsn di vantsn!
Die Leere diverser Corona-Lockdowns machte Focke zum Fockmaster. Musikalisch probierte er sich stilistisch divers aus, um am Ende dorthin zu gelangen, wo alles einst endete. Techno. 
Mit klassischer achtjähriger Musikausbildung am Violoncello, pubertären Ausflügen in die New Wave Musik folgte Ende der 90er Jahre alles einer Logik. Techno.

LOST IN FROG VOL 3

FOCKMASTER