Been a while since I did one of these.

All sounds made with 20 instances of Kuma 508 software synth. 
Valhalla Super Massive, Ableton effects (EQ, Hybrid Verb, Saturation, Amp, Limiter, Compressor, Delay).

Pine (OSC 148 Kuma 508)

Created for the One-Synth-Challenge 150

Made with 53 Instances of TAL Noisemaker in FL Studio 20: 
https://tal-software.com/products/tal-noisemaker

FX (DAW)
Fruity Parametric EQ2, Fruity Stereo Enhancer, Fruity Delay 2, Fruity Delay 3, Fruity Limiter, Fruity Reeverb 2, Fruity Convolver, Maximus

FX (3rd Party)
Xfer OTT, Youlean Loudness Meter 2, TAL Reverb 2, TAL Reverb 4, MeldaProduction MSaturator, Analog Obsession Lovend, Analog Obsession Sweet Drums 	 

Sometimes mixed, other times mastered.

Impedance Music - Entering The Simulation (OSC#150 - TAL Noisemaker)

Dreamland was created with TAL NoiseMaker for all sounds for OSC 150. Downloads enabled for WAV.

Artwork: http://musicownsmysoul.deviantart.com

Dreamland

mmGhost - Dreamland (OSC 150)

35 instances of Noise Maker. Super Massive, OTT, Ableton Live effects, compressor, hybrid reverb, saturation, eq, limiter, amp.

Abandoned Droids (OSC 150 NoiseMaker2)

My entry for KVR OSC 150 using TAL Noisemaker.

How To Not (TNS - OSC 150)

KVR.com's One Synth Challenge #151 
Created in Ableton Live 11. 70+ instances of the free VST synth GR-8.
Built in Live effects (Comp, EQ, Saturation, Delay, Hybrid Reverb, Auto Filter)
VST effects: Super Massive, Limiter 6.

Step into the fog one paw at a time (OSC 151 GR8)

KOST 103.5 Christmas

All The Content Belongs To Free 99, BDP Audio, And ReelWorld Jingles.

FREE 99 Big Sandy,TX ReelWorld Jingles (Star Radio)Christmas Package IMG+Jingles+Top Of Hour

Survivor ~ Track 8 ~ Overloading

A catastrophic system failure forces immediate action. Red lights flash across the cabin. Alarms scream. The protagonist moves with deliberate precision under extreme pressure, his hands flying across emergency protocols.

This sequence called for something different than hectic chaos. I wanted controlled intensity - almost like a thriller. I thought of the TV show Silo as a reference point: that sense of mounting pressure contained within precise, deliberate action.

The first half of the cue is restrained: long sustained notes hover over a subdued but driving beat. The tension is coiled, controlled. The camera work matches this - measured cuts between his face and his hands as he methodically works through the crisis.

But as the situation escalates and becomes more hectic, the music transforms. Fast string ostinatos begin to build, layering on top of each other. Taikos gradually increase in intensity, their thunderous hits punctuating each critical decision point. Status displays show failures escalating toward catastrophe.

Finally - success. The systems stabilize. But rather than release into relief, the cue explodes into a defiant, intense rendition of the Protagonist Theme. Purpose begins to crystallize in that moment - this is just the beginning.

08 ~ Overloading

When you let your guard down who knows what will happen!

How To Not (TNS - OSC 150)

The Never Scene