FALL

Amore_Fu***ng_MIO

A Moment In Time

Whereas many songs from Two Five Burn were written by one or two people, Fight in the Park was one of the few that every member of our band had a part to play in creating. 

Those were the days. 

Fight in the Park - Two Five Burn

Step into a toxic ritual of neon and shadows — Experimental Dark Synthpop Live Set (Original Mix) is a 43-minute journey through hypnotic basslines, haunting melodies, and underground rebellion. Let the sound take over. 🖤⚡

🎧 Live mixed & performed by: The New Of The Tower
🔊 Genre: Experimental Dark Synthpop | Live Set | Original Mix
⏱ Duration: 43:48 (Live Set)
📅 Year: 2025

📽 Official video: https://youtu.be/GY_Y13N5cMQ

🌐 Stream & follow:

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© 2025 The New Of The Tower. All rights reserved.

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#ExperimentalDarkSynthpop #LiveSet #OriginalMix #TheNewOfTheTower #ElectronicMusic #DarkSynth #UndergroundSynthpop #DarkWaveEnergy #DJSet2025 #RebelSound

Experimental Dark Synthpop ⚡ Live Set (43’48’’) | Original Mix 2025 | The New Of The Tower

© A Long Time Ago

Do not be afraid to treat people how they treated you :)

MERCY

I hesitated to upload this one.  It was written as an expression of my sorrow over the recent loss of a dear friend to illness. I don't believe it's an easy listen and is texturally and harmonically dark at times.  I hope it also expresses at least some of the love I held and still hold for my friend.

Funeral for a Friend

Un temps ou il ne faisait pas bon être différent..
Aujourd'hui non plus finalement..
https://www.youtube.com/watch?v=wJAcSg3seI4
paroles:
On dit qu'il est né, dans le sombre d'un puits,
Qu'il aimait le feu, comme on aime la vie.
On dit qu'il vivait de vols et de larcins,
D'autres modérés, le devinaient malin.
Jusqu'au jour ou vint, l'envie de voir en lui,
Sorcier confirmé, bien plus qu'un apprenti.
Qui courait la lande aux herbes mystérieuses,
Chantant à tue tête, d'une voix pleureuse.

Moi je sais pas lire, moi je sais pas écrire,
Mais je sais les routes qui tracent votre avenir.
Moi je sais pas lire, mais je suis bienheureux,
Car je sais le fluide qui enlève le feu,
Et j 'ai vu l'hiver descendre à la rivière,
Il ressemble à vos terres.

Est ce par vengeance, ou pour se protéger,
Qu'ils ont décidé de brûler le sorcier.
Sur la place sombre bucher lui fut dressé,
Puis il apparut sous les regards inquiets.
Lui n'aura de cesse de chanter son bonheur,
Même quand les flammes ont grignoté son coeur.
Ce temps là n'est plus, mais laisse une question,
Exclusion n'est elle, forme d'inquisition?

Moi je sais pas lire, moi je sais pas écrire,
Mais je sais les routes qui tracent votre avenir.
Moi je sais pas lire, mais je suis bienheureux,
Car je sais le fluide qui enlève le feu,
Et j 'ai vu l'hiver descendre à la rivière,
Il ressemble à vos terres.

On ne sait pourquoi,
Depuis ce jour là,
Une voix s'élève,
Autour du village.

Le feu est ma maison,
Il brûlera vos terres.
Le feu est ma raison,
Vous connaitrez l'enfer.

Christian PERUTI
auteur, compositeur, interprète

A time when it was not good to be different, or to lack faith.

Words:

They say he was born in the darkness of a well,
That he loved fire, as one loves life.
They say he lived off thefts and petty crimes,
Others, more moderate, guessed him to be clever.
Until the day came, the desire to see within him,
Confirmed sorcerer, much more than an apprentice.
Who ran through the moor with mysterious herbs,
Singing at the top of his lungs, with a weeping voice.

I can't read, I can't write,
But I know the roads that trace your future.
I can't read, but I am happy,
Because I know the fluid that extinguishes the fire,
And I have seen winter descend to the river,
It looks like your lands.

Is it out of vengeance, or to protect themselves,
that they decided to burn the sorcerer?
In the dark square, a pyre was set up for him,
then he appeared under anxious eyes.
He will never cease to sing his happiness,
even when the flames have gnawed at his heart.
That time is no more, but it leaves a question:
is exclusion not a form of inquisition?

I can't read, I can't write,
But I know the roads that trace your future.
I can't read, but I am happy,
Because I know the fluid that extinguishes the fire,
And I have seen winter descend to the river,
It looks like your lands.

We do not know why,
Since that day,
A voice rises,
From times long past.
Fire is my home,
It will destroy your lands.
Fire is my reason,
You will know hell.
Ah, ah, ah.

Christian PERUTI
author, composer, performer

L'inquisition

Autumn Changes

HAPPY TUNE (REMASTERED)

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

Experimental Dark Synthpop ⚡ Live Set (43’48’’) | Original Mix 2025 | The New Of The Tower

The New Of The Tower - Official