NG-Xp is experimental music created by naldo & guillaume
https://soundcloud.com/naldeau/tracks
https://soundcloud.com/guillaumelecompositeur/tracks

🩶 Producer/DJ 


trutonebusiness@yahoo.com

Before the Spotlight: The Rise of The Creatures in 1960s Montreal.
In 1963, while Beatlemania gripped the UK and Motown was shaking up the charts, something electric was taking shape a world away—in a small Montreal apartment. Four teenagers, fueled by the raw energy of the British rock invasion and the soulful pull of American R&B, came together to form a band. With the support of our teenage manager—and his ever-patient mother who let us rehearse in their apartment—we found our footing, even if the neighbors weren’t thrilled about it.
We called ourselves The Creatures, inspired by the wave of iconic names that shaped our musical DNA: The Everley Brothers, The Beatles, The Stones, The Animals, Herman's Hermits, Dave Clark Five, Buddy Holly & The Crickets, The Ventures, The Surfaris, The Searchers, The Kinks, The Rascals, Paul Revere & The Raiders, The McCoys, The Righteous Brothers, Paul Butterfield Blues Band, James Brown, The Temptations, Marvin Gaye, Ray Charles, Joe Tex, Little Richard, and so many more. In a matter of months, we had three full sets of covers—both instrumentals and vocals—ready to roll.
It was an exhilarating time. While Petula Clark sang about going “Downtown,” we were playing four nights a week—two for rehearsals, two for gigs. Our sound was shaped by rock, funk, and R&B, and as we played together, we grew tighter, louder, and more ambitious.
Our first professional gig was at École Lajoie in Outremont, Quebec. We didn’t have the best gear, but we had something just as powerful—drive, rhythm, and chemistry. Soon, The Creatures started catching fire. With new equipment in hand and word spreading, we were playing packed shows at high schools, clubs, and major venues. One of the biggest was Dave Boxer’s legendary Bonaventure Curling Club, where 3,000 fans would turn up on a Saturday night. Boxer, a well-known DJ on CFCF Radio, was instrumental in giving Canadian bands their shot—including us.
But the peak came when we played the Montreal Forum the same stage that once welcomed The Beatles—at Dave Boxer’s "Bring Your Lunch Hopsville," alongside ten of Canada’s top acts. The show ran from 1pm to 10pm, and the Forum was filled wall-to-wall with screaming teenagers. For us, it was unforgettable.
The Montreal music scene in the ’60s was alive with sound and style—from Carnaby Street fashions to the explosion of long hair, bell-bottoms, and platform shoes. Local legends like, The JayBees, The Haunted, Les Classels, Trixie & The Inmates, Bartholomew Plus Three, The Rabble, The Mersey Makers, We Five, and All of Us, helped define an era. And in that mix stood The Creatures—young, hungry, and chasing the beat.
Though the band eventually split in the mid-60s for personal reasons, the spirit of The Creatures never faded. Today, that spirit lives on through the original music of Morr Serber, whose songwriting carries the echoes of a time when four teens from Montreal believed they could change the world—with guitars, harmonies, and a dream.
The Creatures Blog as told by: Two of the Original Members:
Walter Posner (a.k.a.: W.P. Wheels)
Morr Serber (a.k.a.: Morr) Member of SOCAN/BMI
www.soundcloud.com/morr-ser

📍 About DJ-Pope
Back from Jamaica Promo! What a great Experience!!

I am a Gen-X musician & producer blending tech house, EDM, reggae, and unfiltered storytelling. Maine-born. Jamaica-inspired. Powered by caffeine, chaos, and an unreasonable amount of 808. Creating wild and fun Festival & Party Music, Bippity Boppin’, at the House of Haiku in the Chemical Carnival, Wild & Feral, dropping house music, electronic beats, and DJ mixes since the 80s. My tracks blend tech house, deep house, dance vibes, and club energy for anyone who loves to move. If you vibe with my tracks, drop a comment, hit the like button, and subscribe for more weekly releases.
Stay wild. Stay kind.

Want to collab? Record a cover, flip a sample, or make a video with my music—life’s too short not to make noise together. Hit follow for new house tracks, mixes, and dance music every week.

Show some love and add me to a playlist!

My curated playlist on youtube --> https://www.youtube.com/playlist?list=PLepQC99gZEJCZo5AEBGi89z0OP71MFOgh

𝓕🅐𝒍𝗹𝖎𝕟𝐠 𝙖𝒑𝒶𝚛𝓉 ⓘ𝘴 𝐣𝘶𝓼𝖙 𝑏𝔢𝑐𝚘𝓂🅘𝙣𝕘 𝗲𝔳𝓮𝖗🅃ⓗ𝖎🅽🅖
ℝ𝕪𝕒𝕟 𝕂𝕖𝕟𝕟𝕖𝕥𝕙 𝔽𝕠𝕣𝕕
𝔼𝕩𝕔𝕝𝕦𝕤𝕚𝕧𝕖: 𝕔𝕠𝕞𝕡𝕠𝕤𝕖𝕣 𝕒𝕥 𝔸𝕦𝕕𝕚𝕠𝕤𝕡𝕒𝕣𝕩
IPI/CAE 1087894598, https://linktr.ee/RyanKennethFord

Bounce, Hard Dance & Trance DJ/Producer From the Northwest

In the WRONG PLACE at THE WRONG TIME with THE WRONG MINDSET, apparently making THE #WRONG #MUSIC, but it feels #RIGHT to ME!

Highly unlikely more than one of my tunes will ever be heard by more than a handful of listeners, so just for the record here is an incomplete list of artists my music has been compared to by other musicians, depending on which tunes they heard, StevenVellou (Gothic Funk)

RESIDENTS, PHILIP GLASS, DAVID BYRNE, FRANK ZAPPA, THE BEATLES, BAUHAUS, SISTERS OF MERCY, DAVID BOWIE, LOU REED, CAPTAIN BEEFHEART, PARLIAMENT, SYD BARRETT, PINK FLOYD, PSYCHIC TV, NEU, MOMUS, MINISTRY, CHARLES IVES, BEACH BOYS, KINKS, THE FALL, JOY DIVISION, DEPECHE MODE, GARY NUMAN, LEONARD COHEN, STONE ROSES, GIORGIO MORODER, GEORGE CLINTON, THE CURE, DALIS CAR, JOHN ASTLEY, KILLING JOKE, ALIEN SEX FIEND, ROBERT FRIPP, DEVO, B52’s, IAN CURTIS, FAD GADGET, TALKING HEADS, GORILLAZ, MIKE PATTON, JON ZORN, LES CLAYPOOL, STEVEN REICH, TOM WAITS, THE EX, TOM CORA, THE CAKE, NAPOLEON XIV, KEVIN AYERS, ROXY MUSIC, FRANK TOVEY, RUPERT HINES, ROBYN HITCHCOCK, DEVIN TOWNSEND PROJECT, SPARKS, BILL NELSON, JOHN CALE, TRIO, JULIAN COPE, HEAVEN 17, LLOYD COLE, TUBEWAY ARMY, FRONT 242, NITZER EBB, COCKNEY REBEL, SHRIEKBACK, VICTOR SNOW, GORDON LIGHTFOOT, THE THE, BABYBIRD, JOHN LENNON, ULTRAVOX, DAN DEACON, BACH, SQUEEZE, ANDREW ELDRITCH, IGGY POP, MIDNIGHT OIL, BILLY CHILDISH, BUTTHOLE SURFERS, VELVET UNDERGROUND, LOVE AND ROCKETS, ART OF NOISE, LOOK PEOPLE, CABARET VOLTAIRE, PRODIGY, et al.
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Don't take sides and I'll respect you for it; take sides and I'll treat you with the same contempt I treat anyone with a mob mentality, because mob mentality invariantly betrays an underlying intolerant right-wing mentality!
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#SUPPORT gathers #MOMENTUM when #RECIPROCATED!
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My tunes are ten times better than you might imagine!
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A lack of listens proves nothing, other than the fact that no one is finding your tunes; it does not prove, as some believe, that your tunes must be crap, so don’t ever take such a ridiculous notion on board—on an internet FLOODED with music no listens rarely has anything to do with the quality of your music, your creative talent, is almost always down to the fact that the right audience can’t find your music, because finding it is now as difficult as finding a needle in a haystack!
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SOMETHING FOR EVERYONE, EVERYTHING FOR SOMEONE!
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For diversity and consistency, I am not hesitant in saying my Soundcloud pages house the most inventive creations on here. There are others making fabulous tunes, but no one is more prolific while maintaining a high standard of pole to pole invention, and that applies to the lyrics too. I won't escape obscurity and oblivion, but that proves nothing, the internet is way, way, WAY overcrowded with unsigned music, way too much mediocre stuff, which obscure anything exceptional out there; the wood hidden away behind lots and lots and LOTS of trees, and no one has the time to look for needles in haystacks, to find a diamond in the rough, it's just way too big a task, not humanely possible!

INVENTIVE, AUTHENTIC, DIVERSE MUSIC, INVENTIVE, AUTHENTIC, IMAGINATIVE LYRICS, but those are the last things the vast majority of listeners are looking for these days!
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Me, I'm awestruck by musicians who can't be pigeonholed, who don't conform to any borders, who don't think about which direction each new creation will take, they just go wherever that creativity takes them; pure, on the fly, innovation, imperfect but 100% authentic, as far a way from manufactured, recipe book, regurgitation, as it is possible to get, totally unforced, inspirational and way, way, WAY outside the box! There ought to be a place for such creativity, there was at one time, but a mercenary music industry put an end to that, leaving us with a situation where those who deserve the most adoration for the talents receive the least!
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Will this ever change, will a yearning for TRUE underground, creativity unique to the individual, ever return, or has the spoon-feeding gone to far this time, is its grip so vicelike nothing can break it!
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I make #INVISIBLE music, perhaps it feels that way to you too!
#Overlooked, #Underrated, Dismissed Without A Listen!
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When Soundclouders follow me or click like without leaving feedback, what is it they are hoping for? That I come listen to their tunes and heap praise on them, what? I mean really, what is the point of following someone, what is the point of liking one of their tunes, if you don't actual think they are deserving of feedback, if you don't think the tunes are as good as what you do???

EXPLODING THE MYTH THAT UNSIGNED IS UNSIGNED BECAUSE IT’S INFERIOR TO SIGNED MUSIC!

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UNTIL this MYTH is blown out of the water we don’t have a cat in hells chance of breaking through. #TheMyth  is the BIGGEST obstacle that stands in our way, it is the FIRST hurdle we must get over, it is the message that should be going #VIRAL, it’s down to each & every one of you to make that happen!
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#ExplodeTheMyth
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Listening to just one of my tunes tells you nothing about my creative approach, listening to ten of my tunes will still tell you very little, listen to a hundred of my tunes and the penny will start to drop, but it's only after hearing 500+ of my creations and collaborations that your eyes will widen in amazement! 
However, if you don't have unlimited eclectic taste none of that applies, and the reality is, who, in this world, is going to listen to every tune I've created, no one--if even one tune is heard from beginning to end it's a minor miracle, because sadly, there is a belief that unsigned means inferior, but I've heard enough tunes by the rest of you guys to know that's a myth, that's bullshit, we create some of the most inventive, authentic, imaginative tunes out there!
Give me unsigned, independent and underground music over signed, safe, predictable, recipe book, music any day of the week!
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I MAKE TUNES NO ONE WILL EVER LISTEN TO!
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Some musicians & music fans don’t want to hear music from the past because they would have to acknowledge IT’S ALL BEEN DONE BEFORE!
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Finally come to terms with the fact that I'm PLAYING TO AN AUDIENCE OF ONE, and even I have to FORCE myself to listen!!!
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My music and lyrics are all about different, but if no one listens no one will EVER know! 
#StevenVellou

I CREATE TUNES ON THE FLY; NO FORMULA, NO PLAN, NO DIRECTION; THEY JUST HAPPEN--I'M IGNORANT OF THE RULES INVOLVED IN THE MUSIC MAKING PROCESS, SO I'M NOT BOXED IN BY THEM, WHICH IS WHY THEY ARE SO VARIED AND UNPREDICTABLE!
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Meaningful yet tongue-in-cheek tunes that can’t be #PIGEONHOLED!
Great production ISN'T my forte, accomplished musicianship ISN'T my forte but #UndergroundInvention, #InfiniteDimensions & LYRICS are!
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Now I don't personally believe I'm in the same league as #Bowie, other than my lyrics, more often than not, making more sense, but I do think I share his ability to adapt to different genres, and his endless, diverse, creativity, just not quite on the same level.
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I'm not proficient/accomplished on instruments, & I have other musical limitations, but most genres come natural to me, and I much prefer having that unforced ability to being highly accomplished on instruments, highly polished on production, or having the perfect voice!
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If I didn't feel I had my own approach, if my music was easy to pigeonhole, I would have quit music a long time ago!
Never been about fame & fortune, just about pushing the boundaries without actually intending to push the boundaries; creativity that's second nature not formula! 
Yes, I want to reach an audience but making money from my music means nothing to me!
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NOT saying I’m THE MOST #talented musician on music promotion sites but I will say I’m one of the most #UNDERRATED! Even so, I would much rather be underrated than overrated!
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Organica is a second project of Piotr Cackowski, polish dj, music producer, live perfomer, also knows as @djzeu5, which produce music in deep house/dub techno style. Under inspiration of many talented artist he trying their hand in slowly electronic music. His music is full of orientalism, space, warm colors and positive vibes. His activites are not limited to djing, he also works at his home studio. He released a few tracks on the labels: trndmsk, O’tawa Records, Kośa musica, Spiritual Nomad Records and Camel Vip.

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

The New Of The Tower - Official is following