Loving the percussion and how it rides along wonderfully with the vocals. well crafted and loving this creative flow

love this vibe, Javier - really great! ♥

RawBeats1

A tribute to #peace #love & #unity. 
Feel free to join me if you know the meaning.

Taking it Over

The mercenary's revenge

The crow's song

The Crow's Song

Chant

Track 9 in "Etats d'âme" (2022) by Alex M: composed, played, arranged, edited and recorded by Alex M in GarageBand iOS and Logic Pro X, 28 April 2022, and mixed in Logic Pro X, 1 and 2 May 2021; posted on SoundCloud on 2 May 2022 (before the release of the album as a whole).

The album artwork cover, also used as the cover of each constituent track, was created in Tayasui Sketches on 4 February 2021, edited and annotated in Paint and saved in its final form on 6 February 2021.

Duration: 3:32 minutes
Tempo: 116 bpm
Time Signature: 4/4
Key Signature: C

Digital instruments used, in the order of playing and recording:

1. Keyboard - Alchemy Synth - Pads - Epic Cloud Formation (Lush)
2. Synthesizer - Bass - Layered Kick Bass
3. Drums - Electronic - Modular Mayhem
4. Guitar - Hard Rock
5. Keyboard - Alchemy Synth - Pads - Analogue Silk (Dark Brassy)
6. Strings - Cinematic - Cello
7. Keyboard - Keyboards - Electric Piano (Tremolo 63% Chorus 69% Decay 50% Bell 50%)

Etats d'âme - (Memories of the) Surreal

Artist Ki~ Earth Spirit

Music by DJ VORDABEATZZ 
(Morning Sun) 
copyrights, 2019-2021

"City Indians" Lyrics and Vocal Melodies 
Copyrights, by Blanca Iris Acuna
 all rights reserved 2022

"City Indians" - (Still in the garden)-(Ft. Ki Earth Spirit)

People's lives are in your hands but someone will die!
Runaway Train Dilemmas

You Will Be Blamed! (Foot 1920-2010 & Thomson b. 1929)

No Driznae

Paul Hardy (baptised David Paul Frederick Hardy) (2 August 1862 near Bath, Somerset – 2 January 1942 Storrington, Sussex), was an English illustrator, best known for his regular illustrations in The Strand Magazine, his painting of Canterbury Pilgrims (1903) and for his drawings associated with the serials of the writer Samuel Walkey (1871–1953). Paul was the eldest child of David and Emily Hardy. Paul's father was also an artist, as was his grandfather James Hardy senior and his uncles James Hardy junior and Heywood Hardy, all from an old Yorkshire family. All Paul's siblings, Norman, Evelyn and Dorothy Hardy, were illustrators.

-------------------------------------------------------------------------------------------
The name of the deity corresponds first to the common Germanic name of the "thunder", *þunraz. He is also found by name in the Gallic Taranis. A thunder god with an analogous name meets us in the Baltic Pērkons. The epithet of Iuppiter tonans is derived from the same Indo-European root (s)ten- "thunder, rush, roar, groan." A remarkable similarity, which could point to the remains of the common Indo-European religion, lies in the fact that the Celtic Taranis, as well as Iuppiter and the Greek Zeus, use as a weapon the stone thunderbolt, which was thrown from heaven to earth by the lightning bolt. Also the fight, which Indra led, is atmospherically represented by lightning and thunder. The New High German word Himmel possibly goes back to an Indo-Germanic word root meaning "stone" or "anvil".

From the Common Germanic *Þunraz it can be said (analogous to Zeus) that its thunder resembles the driving of a chariot over a vault (cf. Old English Þunorrād "thunder ride"). Lightning and thunder herald the approach of Thor in Norse mythology.

The day of the week Thursday (English Thursday, Danish/Swed. torsdag) is named after Donar or Thor. The day was consecrated already in the antiquity to the gods Zeus and/or Jupiter (Latin dies Iovis, from it also French jeudi, Romanian joi, Spanish jueves, Italian giovedì) and with the adoption of the originally Babylonian/Egyptian 7-day week by the Teutons the Latin term was copied.

Source of Text: wikipedia.de
Picture:
https://en.wikipedia.org/wiki/Paul_Hardy_%28illustrator%29

SugarSynth: "Ready for the new me"
--------------

I’m not starting over, I’m just letting go.
Soft reset.. I keep the memories, clear the pain.

breathe in,
let it stay.
breathe out,
fade the grey.

I remember
not a start,
just a calm in the code
of my heart.

the haze lifts,
light comes through.
I remember
how to be new.

soft reset.
no erase,
just enough
to find my place.

just a calm in the core
of my heart.

breathe, release, restore, repeat.
I’m still here. complete.

Soft reset

The newest song from Kevin Robert.

CD "Here For Now" available soon.

Add Kevin on Facebook for more info and updates www.facebook.com/profile.php?id=100009292197104

Kevin Robert - Trouble All On It

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

No Driznae

The New Of The Tower - Official

Recent comments

CW Mullins

Rally

J-Khan

Electrometis

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