About the Album

Revolution: The Remixes of Stephan Nero is a radical reinterpretation of the original Revolution EP by Berlin-based electronic composer Stephan Nero. Reconstructed by The New Ways, this remix album is not a companion piece—it’s a sonic uprising. The New Ways dissects and reassembles Nero’s politically charged material through a cinematic lens, fusing experimental techno, fragmented rhythms, and ghostly atmospherics into something that feels urgent, future-forward, and defiantly unclassifiable. This album reflects the remixes created between 2010-2020.

Where Nero’s original compositions were raw, poetic, and minimalist in spirit, The New Ways leans into maximal contrast: bass-heavy pressure meets ambient breakdowns, metallic noise merges with gospel-tinged vocal samples, and industrial grooves are pulled into lush, dissociative reveries. The result is a remix album that feels like an entirely new artistic statement—haunted by revolution, but dancing in the ruins.

About the Artists

The New Ways is the musical alias of multidisciplinary producer and sound artist Shelbric A. Fuller, based in Berlin. Known for a style often described as “post-genre,” The New Ways blends techno, soul, industrial noise, and political commentary into emotionally charged electronic compositions. Fuller is also the host of The New Ways Podcast, a cultural platform that explores futurism, art, and identity across mediums.

Stephan Nero is a reclusive composer and sound thinker who works at the intersection of electronic minimalism and sociopolitical abstraction. With releases exploring themes of surveillance, resistance, and decay, Nero’s work often blurs the line between music and protest, performance and theory. 

Both live in Berlin, Germany.

WWIII D2 (TNW Redux)

After watching to many news reports about the current actions being taken by the USA government against its own citizens, this just somehow came out of me and matches how I see the overall political and social mood. 

The distortion, the slightly asynchronous beat and the overcompression are deliberate and serves as a metaphor supporting the above stated concept behind the song.  

Song image is a detail from Jack Savage's painting, Requiem 
(https://savaged-art.com/showcase/requiem-8)

Matinee: a Requiem for The United States of America

Writer:
Echoe Melody Paul
Composer:
Shyralee Mitchell - Destin Isaiah Markland

About the Original
More than music: A soul-coded transmission of remembrance, crafted to awaken, heal, and transform your life. It is a luminous and haunting debut—a sonic constellation of play, grief, wonder, and spiritual power. 

With harp, rap, orchestral textures, subtle electronics, layered vocals, and poetic precision, Shyralee weaves a deeply emotional experience that feels at once ancient and intimate. It is an evolution in music invoking seven layers of activation. Which makes it a living, breathing soul technology.

About the remix
This remix immerses the listener in a sonic journey, staging a battle between spiritual energy and dystopian technology. The track opens with the serene chimes of meditative rituals, creating a tranquil space before descending into a gritty, distorted soundscape.

Piercing through the industrial haze, Shyralee’s vocals emerge crisp and refreshingly clear. Her voice acts as a powerful beacon, a constant reminder that the future is not predetermined—the choice of how we live remains firmly in our hands.

Awaken Dear Ones

Awaken Dear Ones (The New Ways Remix)

Born in Miami, forged in New York, and refined in Berlin, Shelbric Fuller—better known as The New Ways—is a genre-defying force in electronic music. With two decades of sonic alchemy under his belt, he’s evolved from house and techno foundations into something far more unpredictable and exhilarating.

His discography reads like a secret history of dance music’s outer limits—from the haunting depths of “The Forgetting” to the warped nostalgia of “The Polaroid Conspiracy.” But The New Ways isn’t just revisiting the past; he’s rewriting the future, one subversive groove at a time.

2025 is The New Ways’ year. Joining the Kneaded Pains roster (home to boundary-pushers like Mark Henning, ONNO, and VONDA7), he’s dropping two explosive tracks—“Concorde” and “I Came Here To Dance”—further cementing his status as a post-genre disruptor. Meanwhile, his own Dysfunct Records unleashes *The Danceables Collection (2010-2024)*, a 14-year odyssey through his evolution from club rebel to unclassifiable innovator, defying house and techno conventions at every turn.

And just when you think the ride is over, The New Ways cranks up the satire with Karen Deluxe—an expansion of his 2024 EP "Karen," a wickedly sharp masterpiece dissecting the internet’s most infamous archetype. If the world’s gone mad, at least the soundtrack is killer.

The New Ways doesn’t just make music—he weaponizes it. And Berlin (and beyond) is dancing to the chaos.

This track is not available anymore.

Other tracks from The New Ways