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Bonita (Remix By DJ Vadim)

LISTEN/BUY: https://rse.lnk.to/OtherRealities
VINYL/CD/MERCH: https://AtmosphereSucks.com

SONG CREDITS:
Written & performed by Slug
Produced by Ant
Guitar, bass, percussion & glockenspiel played by G Koop.
Rhodes played by Graham Richards.

LYRICS:
It’s gonna be alright
It’ll be okay I think that needs to be established
For all of us that are easily distracted
Impatiently waiting for that American dream
Staring at the cracked screen of my anti-facts machine
Crash landed where the woke intersect with the exhausted
They asked if I’m depressed I don’t doubt it
I was told it all began as a quest for some knowledge 
Progress after you process the conflict
I’ll be okay and if I got one wish
I’d probably waste it trying to make myself an optimist
It’s ironic because most of my thoughts are positive
Just hop in the whip I promise not to drive off of the cliff
Happiness is my favorite physical feature
But I’m afraid I’ll figure out that it’s a mythical creature
I need to believe in the simulation that we’re living in
Spent the whole stimulus check on some stimulants
I’ll be okay just freestyle the answers
If you feel it put your hands up in front of surveillance cameras
Okay I don’t take the buffet for granted
Make you understand it when you see me licking my plate
We gotta travel through space to keep the family safe
Check your connections can they can handle the bass
If they reflect your face it amplifies the existence of your significance
But only if you survive the collision
 
It’ll be okay
Even if you’re feeling like there ain’t no way
You’re still with us today
It’s gonna be okay
Okay, alright
It’ll be okay
Even if you’re feeling like there ain’t no way
You’re still with us today
It’s gonna be okay
Okay
I think I’m feeling alright
 
And I’ll admit that sometimes I’m probably tongue-tied
Got me staring at the sun like my shoes ain’t come untied
The clown face got replaced by this mountain of the
Midwest average from the mid-2000’s
And being the best was never the intended destination
I just want appreciation for my presentation
Even if I was the only human left in population
This is dedicated to the dedication
You better love yourself today because tomorrow will be harder
Put your guard up don’t let them penetrate your armor
Collect whatever crumbs you got and keep them in a bread box
You knew I was the one when I was sleeping in the wet spot
And baby if you had a dollar for all of your doubters
Maybe you could grow a salad and water the flowers
I know the zookeeper seen my leash and my collar 
I’m in a tuxedo smoking weed in the shower
 
It’ll be okay
Even if you’re feeling like there ain’t no way
You’re still with us today
It’s gonna be okay
Okay, alright
It’ll be okay
Even if you’re feeling like there ain’t no way
You’re still with us today
It’s gonna be okay
Okay
I think I’m feeling alright

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#atmosphere #okay #somanyotherrealities

Atmosphere - Okay

Stand Up

Produced by Neil To No-One...  Jazz rap by EVeryman…  Inspiration: “When adversity strikes, that’s when you have to be the most calm. Take a step back, stay strong, stay grounded and press on.” [LL Cool J]...

Ill Lumination

Missin In Rap

Missing In Rap

Wake Self - Change The World featuring Gift of Gab (Blackalicious), Poeina Saddarth 
Prod. by SmokeM2D6

"Change The World" featuring Gift of Gab (Blackalicious)x  Poeina Saddarth x Prod. by SmokeM2D6

Saving Souls Prod By Mikos Da Gawd

All The Beauty In This Whole Life

Uncle Usi Taught Me

Check out our BandPage on Facebook: http://listn.to/soulcrate - Brought to you by http://www.rootmusic.com

Oh My...

1. Kali Yuga Ft Ida The High Priestess Of Bali & Boostive (horn Section)(prod By 1 - O.A.K.)

Doomtree- Slow Burn

aesop rock and del the funky homosapien- preservation

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.