Pimps of Joytime new Single "Booty Text" Club Mix and Dubby Mix

Booty Text (DUBBY MIX)

Produced by Jake One

From Grynch's album Street Lights:
iTunes: https://itunes.apple.com/us/album/street-lights/id867615610
Bandcamp: http://grynch.bandcamp.com/album/street-lights

Mister Rogers (Remix) (Feat. Bambu & Slug Of Atmosphere)

"Holidays" is an unfinished B-side from the Hippie Castle EP, but in the spirit of the season, we decided it'd be better for it to be out in the world instead of sitting in our demo vault. A little present from us to you! Happy Holidays, you beautiful hippies.

Get a FREE download at our BANDCAMP page by ordering our limited edition, signed Holiday Card or purchasing any item in our merch store!

https://magiccityhippies.bandcamp.com/merch

Download via Bandcamp!

Holidays [DEMO]

Imani

Escape

Rub n' Alc - Poison IV
Single off our upcoming project: "Increase the Drip"

Produced and Mixed by Rub n' Alc
Music and Lyrics by Rub n' Alc
Artwork by Rub n' Alc
Trumpet: Michael Warner
Mastering: Fionn Hunter-Green

Rub n' Alc Facebook: www.facebook.com/rubnalc/

Poison IV

Bones is track #5 off of Lazlo Hollyfeld's 2nd release "The Pacer EP"

Bones

Get Bad Actress: rse.lnk.to/BadActress

Written and performed by deM atlaS
Produced by Ant
Additional instrumentation by G Koop

For more on deM atlaS –
rhymesayers.com/dematlas
twitter.com/dematlas
facebook.com/dematlas
instagram.com/dematlas

deM atlaS - Can It Fall

Bad Actress

Bad Loves Company

Honey Bear

Song by T.shirt off his mixtape, "The Fuck" produced by Maker. Check out this project and more of Shirt's work here: http://www.illrapper.com/
@shirt

SHIRT spotlight: http://itzdadiabolical.com/2013/04/04/itzme-spotlight-t-shirt/

T.SHIRT SOUTHSIDE PHANTOM

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.