It had been several days since they'd had contact; with each one that passed time seemed to drag, minutes felt like hours and hours felt like days. It seemed like the only solution to their ongoing feud, nothing else had worked for them - time and space was the only way to heal the wounds, if they could be healed at all. It took a lot of will power to stop themselves from connecting... Picking up their phones, flicking through one another's social media accounts, passing each other's houses - it had become ingrained; it was muscle memory.

Loss marks the fourth album from Tokyo-based Bristolian A Taut Line, and his first full length record in over five years. Set for release on his own label Diskotopia, which he co-helms with BD1982, the music represents a smattering of his influences, from dub techno, funk and trip hop to acid, ambient and jungle, all thrown into a pot and stirred up good and proper. Like the title of the LP suggests, the theme of loss contextualises the 12 tracks which for the first time feature A Taut Line's vocals and a palpable sense of expansiveness that has long characterised his output.

DSK063

PREMIERE: A Taut Line - Is It Creation [Diskotopia]

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Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste.

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“One can only arrive at the experience of the transcendental – if it is reached at all – when one is oneself in a position of un-knowing, that is, of humility; namely, while remaining in the world of technê he or she begins to venerate a certain kind of experience, acquires it, makes it one’s own, realizes it, sustains it, repeats it – without burdening its sense, its essence with its own great questions.” - László Krasznahorkai, “The Acropolis in Sunglasses”