Like this. Great bumping beats and lovely sounds

Leftfield - Electro - Deep Techno - Breakbeat - 4

Lil Electronic Speedy G Tune for ya! Its been a while i hope you lot enjoy!

Free Download

Untitled Speed (FD006)

New speed garage with a touch of organ wobbler

MATT DOVEY - BABY [SPEEDY G sample].mp3

Direct Dub System - jungle Juice

Since quite many years we´ve been asking allmost every week to re-release this and that from our past. Here comes the Answere no 1.......
BÖRFT DANCE CLASSICS VOL. 1
Tracklist:
A1. PHER "Tja-Boo" (From börft085 - 1996)
A2. DAN FUN "DFSS1" (From börft092 - 1997)
B1. CRINAN "Killimanjaro" (From börft095 - 1998)
B2. Ü "Smooth Lover" (From börft089 - 1997 - recorded 1992)

*Re-mastered by Andrea Merlini Nov. 2017
*Label design Ola Bergman
*Distributed by Clone.nl

Börft Dance Classics Vol 1 (börft154)

Released 02/03/18 - http://smarturl.it/integrity-outrage

- R&S welcome Dutch dance icon Maarten van der Vleuten back into the fold.
- ‘Outrage’ is a compilation of Maarten van der Vleuten’s Integrity project tracks, originally released on R&S sub-label Outrage Recordings in 1992, now remastered by Matt Colton
- Features collaborations with Mike Kivits (aka DJ Aardvarck).

Maarten van der Vleuten is one of the most influential figures in the Dutch scene, and also a man of many aliases - between 1987 to 2007 he racked up releases with over two dozen projects producing Detroit techno, electro, house, experimental and ambient tracks and remixes.

Still highly active and inspired in 2018, R&S see the Outrage release as a perfect opportunity to re-introduce Van der Vleuten’s masterful productions to a new generation, adding to his existing influential fans such as Optimo, Global Communication, Ellen Allien and Dave Clarke.

During the 90s he recorded mainly dance/techno for R&S Records, as Orpheus, 48V Phantom Power and Mantrax. He also memorably released on Apollo Records (check his excellent In-Existence ‘Moonwater’ album), Djax-Up-Beats, See Saw and Klang Elektronik amongst others. 

Van Der Vleuten’s ongoing collaboration with R&S founder Renaat Vanderpapeliere saw the later set up Outrage Recordings in early 1992 to release Van der Vleuten’s tracks that didn't fit on R&S Records, recording as Integrity, Zimt, Flux and Pultec. 

“Every couple of weeks i would drive up to Ghent with my new tracks and meet Renaat,” explains Martin. "We then went straight to Foon Mastering where we played the DATs and decided which tracks would be cut - i had carte blanche when it came to the 'sound' of the label. 

Van der Vleuten’s music on Outrage Recordings moved in the opposite direction of the contemporary rave and gabber scenes; while Techno became faster and shifted to a more aggressive sound, Van der Vleuten focused more on composing and arranging over danceability.  This resulted in these EP’s being difficult to sell back in 92 but listening now it feels vital and fresh well over two decades since they were recorded which is an obvious sign of 
Van Der Vleuten’s deft talent.

The release also includes Van der Vleuten’s collaborations with another dutch icon, Mike Kivits (aka DJ Aardvarck). The pair first met In 1989 when Kivits would sometimes play his demos on cassette-tapes at local clubs. The pair became fast friends and Van Der Vieuten invited Kivits into the studio where they found a natural chemistry that ultimately resulted in the tracks ‘Nightshift’ and ‘Intens’ which feature on ‘Outrage’, both written and recorded on the same day.

Studio Equipment used on this release:
Mixing console: Soundcraft Spirit Live 24
Computer: Atari 1040ST running Notator
Drum machines: Roland TR909, Roland TR707, Roland TR727, Alesis HR16
Synths / Keyboards: Roland Juno 106, Yamaha DX100, Roland D50, Ensoniq EPS

Effects Processors: Alesis Midiverb II, Boss SE-50, Ibanez DD700

Outrage

Maarten van der Vleuten Presents Integrity - Living In A Fantasy' (1992)

BAVARIAN STALLION SERIES
RFR 002

RELEASE DATE VINYL: 12.07.18 (LIMITED WITH SPECIAL POSTER)
RELEASE DATE DIGITAL: 31.07.18
LC: 85121

B1: Jonas Friedlich's EPs on Molten Moods and Four Triangles are a good example of what Techno's style is all about: tape delay is his weapon of choice, often with vocals and rarely straight beats. With "Jazzersizzzze" he ties in masterfully to it.
www.facebook.com/jonasfriedlich/
www.soundcloud.com/jonasfriedlich
www.discogs.com/de/artist/3722071-Jonas-Friedlich

Bavarian Stallion Series RFR002

Jazzersizzzze

B1_Jonas Friedlich - Jazzersizzzze

The bakery was busy with customers, each came with an extravagant request and wanted only the finest luxury. They were prepared to pay as they each licked their lips with the roll of a delicate tongue...

"Mmmm mmm mmm..."

They could taste the sugar, it puffed and blossomed in the air amidst big clouds of sticky dust. In the back the sounds of machinery whirred and groaned under the strain of mass production. This was life in the modern age of the sweet tooth, a bitter pill to swallow for all involved. 

Ilana Bryne is set to release a new EP on Violet's label Naive, the imprint continues to move from strength to strength with club focussed material for the discerning dancefloor. The EP comes complete with a remix from Ciel, a producer with a singular edge and a promising future.

PREMIERE: Ilana Bryne - Mmm Mmm Mmm (Ciel's Sigh O The Times Rework)[Naive]

A warm groove for your listening pleasure :)
Inspired by Beans n Louis of Chaos in the CBD, and the queen Roza Terenzi.

Ninth Percentile

A1. Skinrat
B1. Thomas

After just 6 months since first seeing Big Yawn perform, we are thrilled to welcome them to the Research family. A compelling prelude to their debut album "No!" due out in late 2019.

Over six years the Melbourne-based group has evolved, with members of the band running various releases through label and collective Fallopian Tunes. As of 2019, Big Yawn had become a four-member music group, motivated by a history of studio production, prolific collaboration and quality hangout time.

The groups freshest effort 'Skin Rat/Thomas' captures the band performing live in the studio, and it's typical Big Yawn: fat and punchy low-end bass; drums and live drum processing; delay fx samples; thick syrupy synths. 'Skin Rat' is a hyperbolically dubbed out, tongue in cheek, magnetic blend of UK garage, footwork and breaks. And 'Thomas' takes cues from a slightly damaged post-punk sound, amplifying a brittle and sinister type of atomic porn-funk.

Limited to 200 copies. Hand numbered and housed in a screen-printed sleeve, artwork by Julian Hocking.

Big Yawn - Skinrat (RREP04)

After releasing on Hot Haus rec(ords) and Pitch Down, Rumore returns home to Discomaths with a collection of tropical beats and healing atmospheres. Cuts that are as deep and thought out, as they are danceable. 
On the A- side “Tucano” is shaking its exotic feathers, surrounded by swirling arpegios and the distant whistles of the jungle. It takes you on a voyage to the deeps of the rain forest, as it alternates between the clarity of its pre-Columbian flutes and the magical mist lifted by its leads.

LISTEN ON YOUTUBE

PREMIERE : Rumore - Tucano

Release Dates: 
Bandcamp + Record Stores: 27.11.2019
Download & Streaming platforms: 13.12.2019

A1: @credit00ratlife – Mind Trip
A2: @gnista – Playtime Worktime
A3: AGB – Brecht hat er
B1: @break-sl – Bye Bye 627
B2: @qnete – In Transit

The clouds pile up in the Dresden autumn sky, but Uncanny Valley still sees a little bit of blue on the horizon. And why not looking on the bright side of life for a change? It’s appropriate. At least if you have five killer tracks in your bag. Anyway, the collaboration with the Leipzig graphic designer Doppeldenk proved to be very fruitful and has now produced the fourth of seven children. So, after PINK, RED and ORANGE, here is BLUE. May life be good to you.

The record opens with the aptly titled, Chicago-inspired MIND TRIP by Credit 00, the Aldous Huxley from your neighborhood. The Leipziger takes you on a journey on your own nerve pathway with occasional stops at the hottest spots in your body. Local buddy Gnista is piling up layer by layer for the UK meets Electro affair that is PLAYTIME WORKTIME. It’s an atmospheric monster that needs to be climbed first. But as soon as this is done, a fresh breeze blows around your nose. In BRECHT HAT ER, the mysterious Dresden underground formation AGB spreads wisdom in staccato mode, accompanied by Cold Wave-like music, which could also have been created in the shadows of the Berlin Wall.

After a long time of hiatus, there is also a sign of life again from Uncanny Valley’s Break SL, who proves with BYE BYE 627 that he still masters the art of producing House music that is as edgy as it is catchy. In similar veines comes IN TRANSIT from Qnete who channels the ghosts in his machines into an emotional and powerful House track.

Uncanny Valley 050 BLUE

In Transit

Bandcamp

Qnete - In Transit

Following his solo 12" debut in November on AC Records, Armec returns with a 4-track EP on Echocentric Records.

The music on offer is rich and emotional - enter microworlds of subtle melodies, pads and sci-fi drones that ooze both melancholy and hope, and will appeal to anyone into electro, IDM and techno.

A-side is a nod to Robbie's IDM roots. Just check the expansive soaring synth-work on "Auden" and the analogue moods of "Conceptualise". The droney, murky & dystopian sci-fi soundscapes of side B offer another view into Armec's production work.

Keep an eye out for Armec in 2020, more quality releases on their way.

PREMIERE : Armec - Auden

'Yelli' is the opening track on 'Cape Cira' - the forthcoming debut LP by K-LONE.

Out on 24th April. Pre-order direct at wisdomteethuk.bandcamp.com/album/k-lone-cape-cira-lp

----

The result of a short creative burst during a grim British winter, Cape Cira explores music as escapism, comprising a series of lush, warm vignettes that demonstrate music’s unique transportive power.

Cape Cira takes place in a sensuous sonic world between the natural and digital realms: FM synthesisers mimic acoustic instruments, tuned percussion and bird song; and found sounds and field recordings are processed with a hyperreal sheen.

In contrast to his clubbier productions, Cape Cira sees K-LONE explore the full melodic and textural potentials of his sound, drawing influence from ambient, fourth world, and modern classical music to create a work more closely related to the outputs of SND, Jon Hassell, Burnt Friedman, or - more recently - Don’t DJ and Visible Cloaks.

K-LONE - 'Yelli'

Dolo Percussion back in effect!
DOLO 5 -------
8 new rhythm tools, OUT NOW > https://futuretimes.bandcamp.com/album/dolo-5

DOLO 5

Dolo Percussion - DOLO 20 - DOLO 5 LP - FTDIGI006

Mad System

Outside

Shaketown

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste.

With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history.

Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture.

We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell.

With love until the grave.

PREMIERE: Ilana Bryne - Mmm Mmm Mmm (Ciel's Sigh O The Times Rework)[Naive]

Ransom Note

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