fanmix of someone somewhere in summertime using multitracks
go to : http://newgolddreamproto.wordpress.com/  for more tracks.

simple minds - someone somewhere in summertime (burning gold memories)

Fade To Grey (Orchestral)

Fade To Grey (Extended Version)

Edwyn Collins - Girl Like You (Dub) (J Edit)

Visage - Fade To Grey [Paralyzed RMX]

Produced and remixed by Moist (David Elfström Lilja)
and That's Life (Marc Chaffe)

Produced and remixed by Moist (David Elfström Lilja)

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Fade To Grey (That's Moist Remix)

Forget It_41

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Supported by Orde Meikle from Soma, Mixmag, Cristian Varela, Mario Più, Pete Carvell from IDJ Magazine. Nick Fiorucci, Neil Brown, Joe from Kings Street Sounds, Dado Funky Poets from Radio Monte Carlo, C-Rrock and many, many more...

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Yello - The Race (Marco Corona Rework)

01 - Visage - Fade To Grey (Extended Version) CLIP

sadly there is no acapella to fade to grey :(  
so here my second edition of visage now with vocal 
all vocal are picked from various remixes and original
and very heavely edit and mixed together

let me hear what you think about this version?

if anyone is interested what is used to make Fade two grey here some details about the track Cubase5.0 : for the bassline i used vst vember audio surge great synth.u-he ACE string.u-he ACE string playing the same as synthbell.the vocal is a rip from the org fade to grey remix.Reason5.0 : sub bassline : subtractor synthbell : is two saw waveform from subtractor and fx chorus/reverb/unison/delay. pizzicato : sound played at youtube time 2:30 is a sample. violin : is a sample. siren : sound played at 0:17 is a subtractor its a saw waveform running through a lowpassfilter and i set the mod envelope to pitch and som reverb and pan about 50% to the right. the second siren : like sound is also a subreactor with automation controlling a lowpass filter and resonans and fx chorus/delay/reverb. real drums : is from som refill bank. analog drums : is also samples but the bassdrum is from korg minipops and the snare/hihat is from roland cr78 and fx is chorus on the snare/hihat. intro sound : is a thor and wavetable osc is ppg 0 harm 1-8 fx chorus/reverb. el tom sound : is two subtractor and one of them are with noise the both subtracor use square wav one with fast pitch down for the punch and the second one for the slow pitch down no fx.



Visage fade to grey cover with vocal

Don't Stop The Dance

Blondie Atomic (MHP Mix)

Visage began in 1978 when Steve Strange and Blitz Club partner-in-crime, Rusty Egan, joined forces with Midge Ure to create a futuristic, synthesizer-led group where style and fashion were matched with experimental, yet accessible music. They recorded their first demos in EMIs Manchester Square studios and soon honed a futuristic, synthesizer-based sound. They recorded their first single "Tar" with Martin Rushent at his Genetic Studio in 1978 (shortly to become the birthplace of the Human League's "Dare" album).

Later in 1978 the group was augmented with members of Magazine (John McGeoch, Dave Formula and Barry Adamson) and Billy Currie from the soon to be leaderless John Foxx incarnation of Ultravox. Their breakthrough track "Fade To Grey" was written with Chris Payne, the keyboard player from Gary Numan’s touring band. It became a European hit and reached number one in eight countries in 1980. The band enjoyed follow up success with the singles "Mind Of A Toy" and "Visage".

In 1980 Midge Ure and Billy Currie returned to the newly reformed Ultravox and recorded the "Vienna" and "Rage In Eden" albums. The pair returned to Visage in 1981 to begin work on the second album. By this time John McGeoch had left to join Siouxsie and the Banshees. "The Anvil" was released in 1982 and named after a nightclub in New York City. It spawned the hit singles "Night Train", "The Anvil" and "The Damned Don’t Cry". Shortly after, Midge Ure and Billy Currie left to concentrate on what became one of the biggest bands of the early 80s, Ultravox. Steve Barnacle joined to replace bass player Barry Adamson in 1982 and played a key role in creating the stand alone single "Pleasure Boys", released in October 1982.

In 1984 the third Visage album "Beat Boy" was released. The single "Love Glove" became a hit throughout Europe and the "Beat Boy" single followed. 

In 2013 the fourth Visage album "Hearts and Knives" was released. The title was not only a paraphrased lyric from the lead single "Shameless Fashion" but also a metaphor for the past 29 years of Steve Strange and Visage. The first song to be written for the album was co-written with former Visage and Magazine keyboard player Dave Formula. "Diaries Of A Madman". Mick MacNeil the creative musical core of Simple Minds contributed to two songs, "She's Electric (Coming Around)" and the radio friendly "Dreamer I Know" (which was also co-written with bass played from Killing Joke, Youth). The comeback was successfully received and had six tracks released as singles.

In 2014 Visage were invited to play alongside a 30 piece Orchestra to close the World Ski Jumping Championships. This led to the band putting a new spin on the traditional "Greatest Hits" album, by performing new versions of their most loved songs backed by Orchestras.The "Orchestral" album featured a new eight-minute-long symphonic version of "Fade To Grey" as its lead single. Logan Sky, live synthesist since 2009, now joined the band.

In February 2015 Steve Strange sadly died whilst on holiday in Egypt. The world had lost one of its most creative music and fashion icons of recent years. After the shock of losing their leader the band rather than leave the fifth and final studio album uncompleted, decided to press on and complete “Demons To Diamonds”. The album cover art was photographed by Boy George. Musical contributions came Mick MacNeil, Didier Marouani ( Space “Magic Fly”) and featured a cover version of the David Bowie song “Loving The Alien”.

With the loss of their inspirational and majestic leader, Visage decided to disband in 2015 after the release of their final work. Their body of work consists of five studio albums, numerous singles and numerous compilations. For the first time in 2016 - and with the participation of all Visage record labels - the compilation “The Wild Life (1978-2015)” was the first release to bring all of their best loved songs together into one definitive release.