5:55 Charlotte Gainsbourg Plaisir De France Remix (unreleased 2007)

Melanie Safka - Candles In The Rain (Young Edits Candles In The Cosmic Version)

Jim James - State Of The Art

Reality performed by The Retrosettes.  This was an alternate take of Reality by Vladimir Cosma, in the end, this version wasn't used in the film 'Youth'.

Reality Take 2 - Alternate version

Observatory

De-Phazz - Nameless Life (RaPoetry)

Christopher Young - Rum diary

Recorded during rehearsals in Bydgoszcz October 3, 2018.
With Orkiestra Wojskowa Bydgoszcz, conducted by Dominik Sierzputowski and Mariusz Zelazek.
Orchestra versions composed by Ole Kristian Wetten.
Strings by Infinito Quartet.
Project manager: Wojtek Trempala.
Watch documentary here: www.youtube.com/watch?v=GsuFfei3v-w

Queen Of The Underground (Rehearsal Orchestra Version)

Songs from the critically acclaimed album Heavy FLowers

Solar

After appearing alongside Clint Mansell and Philip Glass on the soundtrack for Park Chan-Wook's recent psychological thriller Stoker, Emily Wells prepares to release her latest album and single.

Album ‘Mama’ (out June 3rd via Partisan) combines subtle hip-hop inflections and wide-ranging sounds with Emily’s distinctive feline vocals, creating a record that is simultaneously light & delicate with a bold punch of personality.

Contrasting with the heavy layering and electronics of the original, the European version of ‘Mama’ sees Wells re-imagining the entire record acoustically for a second disc and mirror version. These fresh renditions of an already unique record are stunningly austere, recorded solely with voice and guitar. Emily Wells has stripped off her own armour, leaving only her crystalline voice and equally unambiguous songwriting on display.

String-laden single ‘Passenger’ is released on April 29th. Its noir-ish tone is cinematic in its scope - a song that becomes a real focal point of Mama.

Watch the video for ‘Passenger’ here: http://www.youtube.com/watch?v=MXAaPvVaZDQ

From the start of her career, Wells’ musical interests were simply too wide ranging for just one instrument. Trained as a classical violinist, the Texan soon created her own sonic “spaceship,” an ever-growing pulsating arsenal of synthesizers, effects pedals and toy instruments, all tied together with live sampling and a genre-agnostic approach that is diverse, distinctive, and utterly her own. Honing her sound on a series of independent releases, including an acclaimed cover of The Notorious B.I.G.’s classic ‘Juicy’, it was these initial glimpses and the countless live dates both as bandleader and solo performer that carved out the musician she has become today.

The female singer-songwriter stable may be packed with unique voices and varying degrees of talent, but Emily Wells is an artist whose innate complexities lift her out of that particular stable and into a realm all of her own.
