Name: Unfurled (Biosphere remix) by the sight below in project8104
Duration: 8 min 54 s
Description: Remix by Norway's Biosphere of the last track produced at Black Knoll Studios in Seattle. This white label 12" titled "Unfurled" is part of a fundraising campaign launched by Ghostly International to replace all of The Sight Below's stolen studio equipment. More info here: http://www.indiegogo.com/projects/the-sight-below-s-music-gear-data-stolen

how did you get biosphere to remix this ?

project8104

https://soundcloud.com/maguett
Maguett's free edit on Moa Pillar's "Hunting".

http://fslab.net/releases/moa-pillar-hunting

Moa Pillar - Hunting (Maguett Other Edit)

Remix by Norway's Biosphere of the last track produced at Black Knoll Studios in Seattle. This white label 12" titled "Unfurled" is part of a fundraising campaign launched by Ghostly International to replace all of The Sight Below's stolen studio equipment. More info here: http://www.indiegogo.com/projects/the-sight-below-s-music-gear-data-stolen

Unfurled (Biosphere remix)

Walking The Equator

'Dysnomia' out on June 1, 2015 via Erased Tapes.

Order 2xLP/CD/DL here:
http://www.erasedtapes.com/store/index/ERATP068

Dysnomia

Algol

Dawn of Midi – Algol

Unknown Mortal Orchestra - “Can’t Keep Checking My Phone” from the album ‘Multi-Love’ out May 26th, 2015 on Jagjaguwar

Jagjaguwar: http://smarturl.it/umo?iQid=sc.cant // Amazon: http://smarturl.it/umo_amazon?iQid=sc.cant // iTunes: http://smarturl.it/umo_itunes?iQid=sc.cant // Indies: http://smarturl.it/umo_indies?iQid=sc.cant

Unknown Mortal Orchestra
Artist Page www.jagjaguwar.com/artist.php?name=umo
Website unknownmortalorchestra.com/
Facebook www.facebook.com/unknownmortalorchestra
Twitter twitter.com/UMO
Instagram instagram.com/unknownmortalorchestra

Unknown Mortal Orchestra - “Can’t Keep Checking My Phone” from ‘Multi-Love’ out May 26th, 2015 on Jagjaguwar

Lyrics:
Aurora Borealis, me for her for real it’s lust
The love can’t be heard above
Everyone acts like a day drinker (yeah)

We eat crickets 
In the future
Just tastes like 
“Far-from-home”
Drink Chicha
In the Jungle
That sounds great
Im kinda busy, could you call back again?
Im sure you’ll come back
Til then I

Can’t keep checking my phone (no)

We read the universe might be holographic
Traffic lights might reverse my love
Go ahead and traverse the winter (yeah)

We eat crickets 
In the future
Just tastes like 
“Far-from-home”
Drink Chicha
In the Jungle
That sounds great
Im kinda busy, could you call back again?
Im sure you’ll come back
Til then I

Can’t keep checking my phone (no)

Can't Keep Checking My Phone

Pre-order on iTunes

Unknown Mortal Orchestra - "Can't Keep Checking My Phone"

Title track from Leafcutter John's new album, Resurrection(Pathway009)

A panoramic sound world of drifting vocals over a densely-processed terrain of mud-caked percussion and guitar, Leafcutter John’s new solo album, Resurrection, is a characteristically unique blend of the electronic and the acoustic, the hi-tech, the human and the homemade.
Resurrection is the sixth Leafcutter John album and his first solo release since 2006’s The Forest and The Sea CD/LP(Staubgold). In the intervening nine years, John has toured from Vietnam to Venice, appeared live with Beck Hansen and Imogen Heap, and provided the score for Crow, a major theatre project by Handspring (creators of War Horse). 

During this time, John has also maintained his permanent role as the unpredictable, electronic antagonist in Polar Bear, the twice Mercury Music Prize-nominated, genre-defying jazz band.
This new record marks fifteen years of releases by Leafcutter John. Born John Burton in Wakefield (Yorkshire, England), his highly original musical voice was first spotted by Mike Paradinas, label boss of Planet Mu Records. Over the course of his first three albums (2000-2003), John established and developed his idiosyncratic London-based studio, and his skills as an inventor of unusual instruments and extraordinary music software.
Resurrection begins with the sound of a single bell, in homage to one of John’s major influences, Bernard Parmigiani’s De Natura Sonorum (1976). From there, the album unfolds over five cinematically varied tracks, “like floating above a world in constant flux,” in John’s own words. In fact, aerial photographs of the Japanese tsunami of 2011 were a direct inspiration for the record.
“I would create complete, fully-formed compositions,” says John, “then later, I’d come back to them, playing the part of
the destroyer, scraping and smearing away elements, weathering, piling up and re-ordering them, as if they’d been hit by a natural disaster.”
Not content with the usual tools available to the electronic musician, John has created innovative new systems and techniques for both live performance and production. This includes a light-controlled instrument that allows him manipulate his live sound through gesture, flickering candles, flashing torches and pyrotechnics. For the track “Gulps,” John coded special software to layer huge swathes of sound. Using a recursive system, he created 7.1 billion layers of a recording of the North Sea, one for each human alive on the planet at the time of writing.
Featuring a guest appearance by Shabaka Hutchings (Sons of Kemet), “Gulps” is a poignant demonstration of John’s
approach: Hutchings’ intimate clarinet is gradually engulfed by a (literal) ocean of sound. This is sculptural sound design
where technological innovation is always at the service of the emotional impact of the music: deeply human at its root, and
mind-expanding in its ambition.

Desire Path Recordings
www.desirepathrecordings.com | leafcutterjohn.com

Credits
Written and produced by Leafcutter John, with Varpu
Kronholm playing additional percussion on “I Know You
Can” and Shabaka Hutchings playing Clarinet on “Gulps.”
“Endless Wave” contains elements of “Forest Of Spades” by
Strings Of Consciousness, used with permission.
Mastered by James Plotkin
Photography by Max Baillie
Design by Chris Koelle, Leafcutter John, and Varpu Kronholm

Distributed by Revolver

Leafcutter John - Resurrection

Unanswered Question by Charles Ives (1913) Performed by Brandon Norton, Trumpet

Taken from 'At The Dam' LP by Mary Lattimore, out March 4, 2016.

Pre-order at The Ghostly Store: http://www.theghostlystore.com/collections/music/products/at-the-dam
Or at the retailer of your choice: https://Ghostly.lnk.to/mary-lattimore-atthedam

At The Dam

Mary Lattimore - Jimmy V

Track taken from the new album 'Dropped Pianos' released through Kranky.

Fluid Radio review:

www.fluid-radio.co.uk/2011/10/dropped-pianos/

Tim Hecker - Sketch 4

Not even a month after dropping his entrancing In Stereo session, ex-Emeralds member Steve Hauschildt returns with more ambient hypnosis. This time, it's a track off the soon-to-drop remix EP for composer and artist Christina Vantzou's no. 3 album. Steve's undertaking brings seven minutes of sheer serenity, slowly soaring and regressing throughout its duration. True magic from the pro himself.

3.5 is out on March 18th.

Pre-Order

Christina Vantzou "Stereoscope (Steve Hauschildt Remix)" - Boiler Room Debuts

From "1979: Remixed", on Friends of Friends, released April 29th.

Digital and vinyl restock available here: 
deru.bandcamp.com/album/1979-remixed

All other digital and streaming services here:
fofmusic.lnk.to/1979Remixed

1979 - Remixed

Midnight In The Garden With Ghosts (Remix)

Origin and Echo

Snow Palms - Rite

from 'The Endless Sea' [CD|LP|DIGITAL]
Denovali Records · den300
available on all formats at [http://denovali.com/terminalsoundsystem]

From Rebirth and a four track recorder in the year 1999 to broken tape machines, untuned guitars/synths and extreme signal processing an eternity later, Terminal Sound System has remained the primary musical outlet for musician/producer Skye Klein.

It is about stories. There is a narrative, albeit disjointed. Tends to come in threes, like dramatic characters; introduction, exploration, disintegration. It’s about stories, creating a world with sound and words and exploring that until it (inevitably) folds back on itself and starts to self-reference, decay, but also sprout appendages, potentialities.

Roughly a dozen releases have tracked the evolution of Terminal Sound System from post-techno dub experiment to post-everything world-building/destroying. The Endless Sea is the third part of a trinity that began with 2013's 'A Sun Spinning Backwards'. Worlds fell, necessary actions were taken. What happens after exodus, when all is left behind and you get a blank slate? Do we replay the past? Recreate or reimagine?

2015's 'Dust Songs' and 'The Endless Sea' bleed into one another, drawing to conclusion this particular arc. The wave curls back on itself, corrosion amplified. There are more questions here than answers, far more uncertainties than truths. Post-industrial folk stories from a barren earth. Scorched and infinite.

The Endless Sea

Terminal Sound System - The Endless Sea

Mirall

Rauelsson - Sierra

Track taken from the new album 'Rites', released via Subtext Recordings.

Read it:

www.fluid-radio.co.uk/2013/04/paul-jebanasam-rites/

Buy it:

www.subtext.bigcartel.com/product/paul-jebanasam-rites

Paul Jebanasam - Rites III

bookings: mo(at)media-loca.com
direct: info(at)irisarri.org
mastering inquiries: blackknollstudio(at)gmail.com
support: irisarri.bandcamp.com

Unfurled (Biosphere remix)

the sight below

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