Because it can&#x27;t be all pop in life.  N.O.S.-Howard Nishioka&quot;Carnivourous Dogaramus&quot;Arthur Russell&quot;This Is How We Walk On The Moon&quot;Lobi Traoré&quot;Wolodennu&quot;Delia Derbyshire&quot;Mattachin&quot;James Ray&amp;The Performance

I GO THERE A LOT

GARAGE/PSYCH

Ro's wedding

Quarentena Flaneur

Dancemix Go 1960 Go-Go by Starmix Dj

FOUR SEASON | La Vida Moderna

Hardcore Henry's Hardcore Playlist For Hardcore Kids

The Road to Punk Rock

The Wedding Present - My Favourite Dress

Main Offender - The Hives (Cover)

The Sonics - The Witch

The Big Bang - The Best Of MC5

Looking at You

The Seeds: Can't Seem To Make You Mine

Wolfmother

Joker And The Thief

96 Tears

Kinda Kinks

Come On Now

I'll Cry If I Want To

It's My Party

Sings Lonely and Blue

Only the Lonely

Aural Sculpture

Let Me Down Easy

Georgia Sunshine

Amos Moses

Cuentame

Bring a Little Lovin'

Destroys The Invaders

Conspiracy On Neptune

Singles 1965-1967

Get Off Of My Cloud ((Original Single Mono Version))

THE PALE EMPEROR

Killing Strangers

Mony Mony

Siamese Dream

Cherub Rock (2011 Remaster)

New York Dolls

Personality Crisis

Marquee Moon

Definitive Rock: Black Oak Arkansas

When Electricity Came To Arkansas (2006 Remastered Version)

Off The Bone

Human Fly

True Love Stories

Jilted John (Single Version)

The Meters

Cissy Strut

Stranded in the Jungle

Love Bandit

Hold Dem Endz ( Mildew Riddim )

World Eater

Please

An updated fresh version of a 60's classic, done the Satchmo's Ghost way. Alan and Rod take turns on the lead vocal here.

Dyin' to Dance

Treat Her Right (Roy Head cover)

Rock & Roll High School

Be Bop A Lula

Funk Wav Bounces Vol. 1 Out Now - http://smarturl.it/FWBV1

Feels

Feels (feat. Pharrell Williams, Katy Perry & Big Sean)

Rockin´Pneumonia? The Boogie Woogie Flu  Huey "Piano" Smith

The Kingsmen - Louie Louie (1963)

I Fought The Law by the BOBBY FULLER FOUR

Biting Elbows - My Woman (Electrical Infernal Rmx)

Alyans - Na Zare

Spellbound

(She Put The)Wamee(On Me)

"Casa de Pai" é a primeira música divulgada do disco de estreia do Letieres Leite Quinteto, com lançamento previsto para junho de 2019. O maestro da Orkestra Rumpilezz assina as composições e arranjos, além de tocar flautas e saxes. Completam a formação: Ldson Gualter (baixo e direção musical), Marcelo Galter (piano), Tito Oliveira (bateria) e Luisinho do Jejê (percussão). O blog Radiola Urbana divulga a faixa com exclusividade -- Letieres avisa que ainda falta a mixagem final e que cerca de três minutos da música foram editados. Já é possível perceber, no entanto, como a intimidade do músico com os ritmos afro-brasileiros confere ao trabalho uma abordagem jazzística extremamente autoral. A Orkestra Rumpilezz talvez seja o principal acontecimento da música brasileira recente e o quinteto surge para expandir essa força criativa em uma outra linguagem. O disco foi gravado em processo totalmente analógico e será lançado em vinil duplo. Mais novidades em breve!

Álbum de RAMIRO ZWETSCH

"Casa do Pai" - Letieres Leite Quinteto

Bending New Corners

Arroyo

The Sonics - have love will travel

Maintaining My Cool

Psycho

Beginning in 1963, The Sonics created an uncompromising, overdriven brand of rock 'n' roll whose musical and emotional intensity had no precedent at the time, and has yet to be bested in the years since.  Driven by Gerry Roslie's fearsome, bloodcurdling howl, Larry Parypa's pummeling, distortion-heavy guitar work and Rob Lind's greasy, squalling sax, the Tacoma, Washington-bred combo delivered a brutal, propulsive sound and a swaggering, primal attitude to match.  By taking rock 'n' roll to the edge, the Sonics helped to lay the groundwork for punk, garage and heavy metal, decades before those genres existed.  

The Sonics became regional stars throughout the Pacific Northwest, where their over-the-top performances made them a consistently in-demand live act.  But their assaultive approach proved a bit too extreme for national mainstream exposure at the time.  The original Sonics splintered in 1967, but the band's influence and mystique continued to grow steadily in the ensuing decades, as their vintage work was rediscovered by succeeding generations of fans and musicians.  Meanwhile, such Sonics standards as "Psycho," "The Witch," "Strychnine" and "Have Love, Will Travel" continued to turn up in film soundtracks, TV commercials and the set lists of the countless Sonics-loving bands who emulated—but never duplicated—the band's sound.

As The Sonics' posthumous profile grew, the band members stubbornly resisted a steady stream of lucrative offers to perform reunion shows.  Instead, they maintained that the Sonics would only reform when they felt that they could equal their original onstage energy level, and when they could record new material that would equal the intensity of the old stuff.  

The Sonics finally ended their four-decade hiatus in November 2007, with a pair of rapturously received shows in New York.  Although the band had intended those shows to be a one-time-only event, word of the performances quickly circulated amongst Sonics fans, resulting in performance offers from around the world, and turning the temporary reunion into a permanent one.  Since then, The Sonics have performed for rabid crowds across the United States as well as England, Spain, Belgium, Sweden and Norway.  They headlined a sold-out concert at Seattle's Paramount Theatre, where they had performed their last show back in the day, and at the SXSW music-industry conference in Austin, Texas, and the NXNE festival in Toronto.  

Having reconquered the live stage and built a new, multi-generational fan base, the reactivated Sonics have set their sights back on the recording medium, enlisting noted producer Jim Diamond (White Stripes, Dirtbombs) to record THIS IS THE SONICS —the Sonics' first album of new material in nearly half a century—at Diamond's Detroit studio Ghetto Recorders.  

The 12-song set finds The Sonics channeling their original savage, primal essence on such new originals as "Chaos," "Sugaree," "Bad Betty" and "I Got Your Number," while continuing their tradition of audacious cover material with raucous reworkings of Ray Charles' "I Don't Need No Doctor," Bo Diddley's "You Can't Judge A Book by the Cover," the Kinks' "The Hard Way," Hank Ballard's "Look At Little Sister" and the rousing Motown nugget "Leaving Here."

THIS IS THE SONICS shows the Sonics' original sound and swagger to be fully intact, and ready for 2015.