bowzer

the jam

specials

garys

music

modism

fun tracks

Stereo-Typical: A's, B's & Rarities

Why?

Back To School

Ghost Town

Too Much Too Young

Rat Race

Stereotype

Let Us Unite

International Jet Set

80's - The Platinum Collection

A Message to You Rudy

The Specials

Nite Klub (2002 Remaster)

Compact Snap!

That's Entertainment (Snap! Demo Version)

See You Up There!

Tin Soldiers (Live From Brixton Academy, London, U.K/1988)

One for the Road

You Really Got Me (Live at Lowell Memorial Auditorium, MA / March 1979)

The Anthology 1964 - 1971

Days (Session Excerpt) [2014 Remastered Version] (Session Excerpt;2014 Remastered Version)

Afternoon Tea (Alternate Stereo Mix) [2014 Remastered Version] (Alternate Stereo Mix;2014 Remastered Version)

Loonee Tunes!

Lorraine

Ska 'N' B

Special Brew (Single Version)

Special Brew

Woolly Bully

Lip up Fatty

Just a Feeling

This Old House

Let It Rain

Pieces

Angels On My Side

Wish Away

What makes a protest song? The Specials should know. First time around, back when the 70s were lurching into the 80s, they sang of racism, war, unemployment and the rough edges of urban life, and never in the same way twice. As the multiracial flagship of the 2 Tone movement, they made a political statement every time they stepped on stage. June 2021 saw the 40th anniversary of their last and greatest protest song, Ghost Town, a record that will retain its eerie power as long as there are concrete jungles, empty dancehalls and desperate spasms of violence.
 
It's fitting, then, that in 2021 the Specials are releasing Protest Songs 1924-2012, an unpredictable collection of unique takes which celebrates the long history and endless versatility of the form, from folk to post-punk, from righteous uplift to biting satire, and from Kingston to Alabama. It’s a potent reminder that there are no fixed rules to templates for a protest song. All that’s required is the combination of something that needs to be said with music that needs to be heard. “People have been using music as a vehicle for protest since time immemorial,” says bass-player Horace Panter. “Injustice is timeless.”
 
“2020 was the year of protest, wasn’t it?” says Horace. “It was in the air. The hardest part of the whole record was deciding what songs to use.” Following the musical liberation of Encore, genre was no obstacle. Each song demands a different arrangement or tone of voice. “We thought, let’s throw out the musical constraints of the Specials. There’s not a tonic suit or Fred Perry in sight. We don’t want to deny our past, because that enables us to do what we do now, but we have our own creative minds to make up.”