Code Walk - Aim

Jamming with myself. These ten-minutes-tracks are part of my virtual live-set NOINTENTION. House meets tribal, meets Krautrock, meets minimal, meets techno. Just rhythm, just moving, just fun.

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LIES-101
S.English-Land Lock
to be released August 5th 2017

Buy Direct

S. English-Land Lock (LIES-101)

Aqualat

@yuyuclubmexico x Infinite Machine V/A is a collaboration whose result is a compilation of 14 tracks designed for the dance floor; solid, functional and esoteric. This is a selection of tracks produced by Mexican artists involved in the Club movement from different cities in Mexico, all of them with a conceptual and geographical separation, but with common features that synthesize the essence of the national scene.

Definitive proof of the maturity of the Club scene in Mexico, this compilation is born as an initiative by the most important venue in the capital of Mexico: Yu Yu, which joins forces with the pioneering label Infinite Machine to curate this compilation. An avant-garde ensamble of projects which aims to exhibit a shared imagination through the unification of different styles and music genres. All of this comes from the perspective of Yu Yu's resident, Mexico City-based label, Infinite Machine. A label that has a direct correlation with the global club scene.

This effort also has the goal to financially support the artists involved due to the delicate situation we are going through. As they are part of Yu Yu's community, which is unfortunately closed at the moment. Artists involved from the likes of Nico, AAAA, Microhm with worldwide recognition to up and coming artists like Benfika, OMAAR, CNDSD and the current, most fresh national acts like Loris, KOI and El Irreal Veintiuno. Among other key pieces of national electronics, united in this soundscape of volatile frequencies.

1. El irreal Veintiuno - Demagogia
2. Turning Torso - Los Dos
3. Benfika - Torrente
4. AAAA - Phased Flashing On a Building
5. Microhm - Kyoke
6. Viiaan - Garble
7. OMAAR - Sabe
8. Camila Fuchs - Settle Down
9. CNDSD - Leitmotiv
10. KOI - Kaan
11. Loris - Jaras
12. Nico - Walk
13. Undefined Pattern - En Contra
14. Deeplinkin - Neuphaset

A initiative by Juan del Valle
Design and Artwork by Luis Tomita
Art Direction by Charlie Juárez
Curated by Charlie Juárez & Juan del Valle
Mastered by Fausto Mercier

YuYu x Infinite Machine V/A

Viiaan - Garble

Крюкаст двадцать один
Однажды скинул мне
Камин

КРЮКАСТ 21: Camin'
https://soundcloud.com/camin-mraz-1

1.tau contrib - ev0
2.Andrew Pekler - Hy Brasil
3.ᕦ(ò_óˇ)ᕤ - Vast
4.Pavel Maximov - volga dvizh 
5.Erofeev - hidden trace
6.Ulla - Soak
7.SERWED - initial 2
8.Rob Clouth - A Pareidolic Sequence
9.Paleman - Ice Parade
10.T++ - Worn Down
11.-
12.Grand River - Secondaria (Original Mix)
13.Awo Ojiji - Laura's Lodge
14.Rob Clouth - into
15.Rave Retirement Community - Magneto Optical Stimulation
16.Klahrk & CITYTRONIX - Plastic Womb
17.Monophonia - V

Original photo: unknown.

КРЮКАСТ 21 [crewqast21]

КРЮКАСТ 21: Camin'

Pan Sonic - Vaihtovirta

Halim El-Dabh - Element, Being, and Primeval

Töria - Wet Walls

Harry Partch - Pray For Me Again

Igor Wakhevitch - Amenthi (Attente de la seconde Morte)

Pan Daijing - Encounter

Hiro Kone - A Fossil Begins To Bray

Orphx - Tidal

Orphx - Vita Mediativa

Jean-Marc Vivenza - Simultanéité Aérienne

Esplendor Geométrico - Pradillo 12

Maryanne Amacher - Living Sound

Jahiliyya Fields - Narrow Cross

Mauro Bortolotti & Walter Branchi - Paesaggi Intravisti (Parte Seconda)

Colin Potter - Rooftops

Grebenstein - No You Don’t

Nagamatzu - Watch and Waste

Drew McDowall - Tell Me The Name

Surgeon - Dark Matter

Mika Vaino, Ryoji Ikeda, Alva Noto - Movement 4

Chafik Chennouf, Katsunori Sawa - Mimicry

JK Flesh - Hide & Seek

Christoph De Babalon - Opium

Rinse FM Podcast

Download

Kaos London with Proteus - 21 June 2020

HOA011

D. Strange - They Gonna Shoot (HOA011)

Code Walk - Problem

Code Walk - Casing

Code Walk - Stretch

Code Walk - Eighteen A

Code Walk - Slip

Nazanin Noori - FARCE (ENMX-09)

A series of bleak, blustery scenes make up Nazanin Noori’s Farce. Noori, who also works as a theater director, conjures glacial storms and buzzing subterranean server farms on this album; but such scenes were far from the artist’s guiding narrative as it was being produced. The two tracks, clocking in at 80 minutes total, were envisioned as an enraged argument (or a "modular heartbreak") unfolding between two groups of people about a pothole in the road, told from the perspective of the road, and then the pothole.

This surreal, mundane plot device is nowhere to be found on Farce in any concrete way. And this is intentional. Noori, inspired by Artaud's concept of the theatre of cruelty, wants listeners to develop their own sensorial world separate from the musician's. When not darkly ambient, the tracks are full of drama and whimsy, as if a spotlight is following a character along a wayward path, into the hands of fate. The emotional hooks in the sound include a sense of desperate desolation, optimistic reprieve, and of course, the sense that ritual repetition is both a curse and a blessing—but they resist obvious imagery. Exactly what kinds of characters or settings get hung on the album's scaffolding is up to the audience. Listening with a hi-fi sound-system is highly recommended.

Nazanin Noori is an Iranian artist living and working in Berlin, Germany. Her work includes theater and radio play direction, music, and text. She focuses on atmospheric narratives in sound, and works to overcome cultural reliance on sentiment by making dramatic adaptations of non-dramatic texts. She studied theater, film and media sciences at Goethe University in Frankfurt and worked at Deutsches Theater and Schauspiel Hannover. She currently selects Acid Folk for POMP, a sound scenario series on Retreat Radio, and is an artist-in-residence at the Young Academy of the Arts in Berlin. 

releases August 25, 2020

mastering :: Martijn Comes

all proceeds to Afrorack (Chicago, IL, USA) - www.afrorack.org

preorder :: https://enmossed.bandcamp.com/album/farce

Premiere: Nazanin Noori - IMAGINE ALL IN A HALL (INTRO EXCERPT) [enmossed]

releases October 15, 2020
mastering :: Giuseppe Ielasi
artwork and design :: Bill Nace

all proceeds to Junglekeepers (Madre de Dios, Peru ++ Oakland, US) :: www.junglekeepers.com

"Field recording, that cherished technique of electroacoustic artists, gets fresh conceptual treatment with “Eaves Drop” by Horaflora, one of the aliases used by Raub Roy (Oakland, CA). Using a Sennheiser AMBEO binaural headset, he collected a year’s worth of public and private footage, then collaged it with sparse, yet pointed, instrumentation. Straddling diarist and voyeur, Roy evokes and lingers upon questions about field recording in the context of surveillance capitalism—and the purposes of music made in its purview.

There’s kids’ playground babble. The artist striking a piano key on his porch, as a train sounds in the distance. Like rummaging through the NSA’s trash, these sounds are irrelevant to governments or corporations (for now), but fruitful for more generous listeners. The crow caws, the dog barks, the door creaks. And then a firecracker explodes, and you throw off your headphones as it seemed a real firecracker actually exploded just above your right temple.

The realistic yet aestheticized arrangement of sounds in space is where the dynamism of this album lies. There’s a moment of beautiful clarity when we hear a woman singing along to Jazmine Sullivan’s “Bust Your Windows.” Her voice, going along with the song that’s playing in her own headset, cuts through all the noise, making a poignant threat. But then she’s drowned out by some bureaucrat’s intercom as the album flows onward, each cataloged and collaged sound seamlessly shifting into the next arrangement.

Lines between composition and chance blur; the tapping on a snare, the languid strumming of strings could be read as a musician’s self-surveillance. The fact that these are recordings from the Bay Area, where he lives, is not coincidental. Such methods are at the heart of big tech’s empire, and though “Eavesdrop” is not explicitly confrontational regarding such concerns, the album does tap the sense that we, as privacy erodes and mutates, are becoming voyeurs of our own lives."

Eaves Drop

Horaflora - Scrubby Foreland [Excerpt] (ENM06)

God is War "Scanned Into The System" Excerpt

Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a live show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for Karenn’s Voam label. 

As a prolific collaborator throughout his career, Mannerfelt has veered from the orchestral tension of Roll The Dice (with Malcolm Pardon) to the anything-goes maximalism of Aasthma (with Pär Grindvik). As a producer, he’s worked on every one of Fever Ray’s acclaimed albums and live shows, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. His Peder Mannerfelt Produktions label has become another outlet for his singular approach, presenting his work alongside similarly experimental operators like Sissel Wincent, Machine Woman, Klara Lewis and Hodge. 

More recently, his PM+ series celebrates the immediacy of club-focused tracks, and Mannerfelt thrives on the energy and community of contemporary club music. What makes him different is his response to that energy, as he pushes the music’s possibilities in wild, unpredictable directions.

Code Walk - Casing

PederMannerfeltProduktion

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