One year on from his first appearance on the PM+ series, Glasgow’s LWS returns with another two surefooted club cuts shot through with the emergent producer’s trademark flair and laser focus. Matching crisp functionality with dance-melting peaks, he’s zeroed in modernist machine music to incite a feverish response in the firmly established format of the PM+ releases. 

‘Oop’ ratchets down its rhythm section in an instant, leaning on a hefty sub payload and sprinkling some lopsided spectral synth work up top. It’s the buzzing sawtooth bass which will really cast brains and bodies asunder though, gouging a path through the springy groove like a hyped raver making a beeline for front left dosed up on Irn-Bru. 

‘Routine Supreme’ has its own share of fireworks to set off, maintaining the instinctive bounce of ‘Oop’ before derailing the circus train with staccato tech triplets to get gun fingers twitching manically. There’s space for pitch-sliding breakdowns and subtly euphoric peaks, but the rhythm section remains front and centre for maximum club capability. 

Road tested by the trustiest of turntable botherers, both these cuts come with a rave-wrecking guarantee, but that’s no surprise as LWS confirms his prime position in the liminal zone where house, techno and bass coalesce.

Artwork by Håkan Ullberg 
Mastering by Isle Audio

LWS - Oop / Routine Supreme [PM+ 10]

One year on from his first appearance on the PM+ series, Glasgow’s LWS returns with another two surefooted club cuts shot through with the emergent producer’s trademark flair and laser focus. Matching crisp functionality with dance-melting peaks, he’s zeroed in modernist machine music to incite a feverish response in the firmly established format of the PM+ releases. 

‘Oop’ ratchets down its rhythm section in an instant, leaning on a hefty sub payload and sprinkling some lopsided spectral synth work up top. It’s the buzzing sawtooth bass which will really cast brains and bodies asunder though, gouging a path through the springy groove like a hyped raver making a beeline for front left dosed up on Irn-Bru. 

‘Routine Supreme’ has its own share of fireworks to set off, maintaining the instinctive bounce of ‘Oop’ before derailing the circus train with staccato tech triplets to get gun fingers twitching manically. There’s space for pitch-sliding breakdowns and subtly euphoric peaks, but the rhythm section remains front and centre for maximum club capability. 

Road tested by the trustiest of turntable botherers, both these cuts come with a rave-wrecking guarantee, but that’s no surprise as LWS confirms his prime position in the liminal zone where house, techno and bass coalesce.

LWS - Routine Supreme [PM+ 10]

LWS - Oop [PM+ 10]

Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a live show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for Karenn’s Voam label. 

As a prolific collaborator throughout his career, Mannerfelt has veered from the orchestral tension of Roll The Dice (with Malcolm Pardon) to the anything-goes maximalism of Aasthma (with Pär Grindvik). As a producer, he’s worked on every one of Fever Ray’s acclaimed albums and live shows, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. His Peder Mannerfelt Produktions label has become another outlet for his singular approach, presenting his work alongside similarly experimental operators like Sissel Wincent, Machine Woman, Klara Lewis and Hodge. 

More recently, his PM+ series celebrates the immediacy of club-focused tracks, and Mannerfelt thrives on the energy and community of contemporary club music. What makes him different is his response to that energy, as he pushes the music’s possibilities in wild, unpredictable directions.

LWS - Oop / Routine Supreme [PM+ 10]

PederMannerfeltProduktion