Queue pt 2

Queer Cult Take Over : Blew Velvet - 30 Juin 2025

Another one of the hours off my 4h set at Canary Test, LA.

DJ Plead - 03 July 2025

The second single taken from yingtuitive's highly anticipated debut album 'Letters To Self 寫情書' - the Singaporean experimental artist presents an intricate new glimpse into her sacred world with 'braided cords'.

Releasing via Will Hofbauer’s acclaimed imprint, Third Place on July 11th ahead of the full LP release on July 25th, 'braided chords' is an illustrious and delicately assembled electronic fragment of yingtuitive's expansive sound. An infinitely oscillating and glistening gem, accompanied by a beautifully crafted jungle reworking from Wisdom Teeth & Leaving Records artist Tristan Arp.

Buy: https://thirdplacerecords.bandcamp.com/album/yingtuitive-letters-to-self

PREMIERE: yingtuitive - Braided Cords (Tristan Arp Remix) [Third Place]

The Medellín maverick opens RA.997 with another mind-altering home run.

As part of our countdown to the 1000th edition of the RA Podcast, a milestone in the 18-year history of Resident Advisor's weekly mix series, we're switching up the usual format.

This week, following heady excursions through Lagos, Kampala, Detroit and Chicago, our focus shifts to Latin America—arguably the story in underground electronic music since the pandemic.

After years of being all but overlooked internationally, the explosion of distinctive club sounds emerging from Peru, Brazil, Colombia and beyond has finally begun to get its due.

Among the movement's great success stories are two artists who exemplify its refreshingly undogmatic energy: Verraco and Bitter Babe, and the former handles the A-side of RA.997. 

Is there a more compelling electronic artist around right now? Both in the studio and behind the decks, the Medellín-based DJ and producer currently sits in that coveted creative sweet spot, where every fresh musical morsel feels like a moment. To bask in any of his singular tracks on VOAM, Timedance and now XL Recordings, is to be bowled over by their rhythmic brilliance, madcap hooks and whirlpool basslines. ("Basic Maneuvers," anyone?)

His mix is tough to pin down—a blend of dubby techno, tribal atmospheres, slanted bass and sharp edits. Or, as he puts it in the accompanying interview: “an intersection between dub-infused techno but with some flow, reduced atmospheric tribal, edgy bass cuts, mental emo-tek.”

There’s plenty of unreleased TraTraTrax material here, alongside tracks from artists like Virginia, A Made Up Sound and a euphoric flip of Ploy’s “Ramos.” Slippery, emotional and surgically precise, it’s Verraco doing what he does best.

Find the tracklist and interview at ra.co/podcast/1001

RA.997 Verraco

Last episode of the season! Artwork : camille giunti

Trois-Quarts Taxi System - 11 Juillet 2025

Bergsonist is the moniker of Moroccan-born, New York-based producer, DJ, experimental musician, and multi-disciplinary artist Selwa Abd. Constantly working on music, she has issued several albums and dozens of EP ranging from gritty industrial techno often incorporating Middle Eastern rhythms and samples, to abstract sound design composed for art installations. She is the founder of artistic platform Bizaarbazaar, was a member of the Discwoman collective, and has hosted a monthly program on NTS Radio since 2018. In addition to numerous self-issued recordings, she has released music on labels like Clan Destine (2017's From Dualism to Monism) and Optimo Music (2020's Middle Ouest). In 2024, she released As If Reality, an experimental album created during her artist residency at ISSUE Project Room, as well as the more techno-leaning full-length Maghreb

Maoupa Mazzocchetti : Wondrin’ with special guest Bergsonist & G Zifcak - 30 Juillet 2025

Legendary dub techno artist Paul St. Hilaire (AKA Tikiman) announces new collaborative album, marking 10 years of Kynant Records. 

Building on the success of Paul St. Hilaire’s landmark solo album for Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.

Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.

The album marks 10 years of Kynant Records, with label owner Richard Akingbehin curating an eclectic but sonically connected group of producers. These include luminaries such as Digital Mystikz boss and dubstep trailblazer Mala, or the elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.

w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds.

Mastered by Stefan Betke
Artwork by Grant Gibson
Distributed by N.E.W.S 

C2 Paul St. Hilaire & Azu Tiwaline - Let The Night Start

London-based Oblig's (@djoblig) sound is closely intertwined with the rich DNA of UK club culture. Bass, garage, grime and techno all influence his robust rhythms, whether he's going dark at 140 bpm or hypnotising with sleek techno. His label Obligated Records and regular shows on Rinse FM are extensions of that, as are his razor-sharp DJ sets across the world.

Hot on the heels of Volume 2 of his label's latest compilation, he's put together an hour mix that smudges the lines between his go-to genres. The selections are punchy and uptempo while twisting through mysterious late-night grime, kinetic club cuts and pneumatic bass workouts, all with a constant low-end pressure that keeps lips curled and heads nodding. 

Dekmantel Mix 494 - Oblig

Live recording front closing set - Ubfold Steam Room 10th August 2025

Wes Baggaley Live at Unfold 10th Aug 25

Cissi Moon changed my life! It was in a now refurbished part of Stockholm in a futuristic cafe/club called Holger that i had my first encounter with loudly played club music. The night was called dB and we lined up with our fake IDs every Saturday to hear Cissi Moon spin Drum & Bass records and let the bass engulf our beings.

At the time the art of making electronic music was totally alien to me, I could not for the life of me work out how to ever make music that carried the same emotional and physical impact as I felt on that dance floor .
I have spent the last 17 years or so trying to get back to that state of being at one and completely lost with the music. 

This record concludes a trilogy of EPs by Peder Mannerfelt on his eponymously named label. What comes next is everything and beyond.

http://www.decks.de/t/peder_mannerfelt-pm003/c5n-sm

Mach 2

dB at Holger

Acid Drop

The Limits of Control

"Crude noisemaker..... I like the glow that flashes red like our Krypton sun. But not this irritating noise. Make way."
 
Support From:

Kuljit, DJ Thanagarian Snare Beast, Nimble Phillip, (the real) DJ Dance Music, Creepin' Jesus, Solemn Sam, Tam Sheed the Unicorn Heed, Geoff Mills, Mr. F, Rasputin aka Extreme Hand Skillz, Moon, Dru Hill, Snodgrass, DJ Feedback, Tony Rimkiss, Mikey From Big Brother, Frank Bruno, The Mate I Like Day 3 Collective, Lips (Anvil), The Nation of Arseholes, Teamy.
 

Diddies

RA.472 Lakker

Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a live show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for Karenn’s Voam label. 

As a prolific collaborator throughout his career, Mannerfelt has veered from the orchestral tension of Roll The Dice (with Malcolm Pardon) to the anything-goes maximalism of Aasthma (with Pär Grindvik). As a producer, he’s worked on every one of Fever Ray’s acclaimed albums and live shows, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. His Peder Mannerfelt Produktions label has become another outlet for his singular approach, presenting his work alongside similarly experimental operators like Sissel Wincent, Machine Woman, Klara Lewis and Hodge. 

More recently, his PM+ series celebrates the immediacy of club-focused tracks, and Mannerfelt thrives on the energy and community of contemporary club music. What makes him different is his response to that energy, as he pushes the music’s possibilities in wild, unpredictable directions.

The Limits of Control

PederMannerfeltProduktion

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