🇫🇷DanielVangarde

Mantra

Worldwide ethnic music

Celebrate Me Playlist

King Mensah_Djena

Excerpt from the C60 Unchi Neko VII cassette on The Trilogy Tapes.

http://www.thetrilogytapes.com/ttt

unchineko.blogspot.com

UNCHI NEKO VII - (UN)RADIO (excerpt)

DIZZEE - STREET FIGHTER

From the Togo, Musique Kabiyé LP on Ocora

Lithophone, picancala

John Jacob Niles - Who Killed Cock Robin?

masques à la grosse voix / masque petit oiseau / masque mange de l'eau

Bella Bellow (1945–1973) was a Togolese singer, who created an international career and recorded several albums. She died at the age of 27 in a car accident in Togo. She performed at the Paris Olympia and recorded with Manu Dibango.[1] Angélique Kidjo[2] and Afia Mala[3] have been influenced by Bella Bellow.

Bella Bellow (Vicky Bila)   Nye Dji

Dagbénéva

Emonkula

Producer Morgan Greenstreet follows the trail of West African Vaudou spiritual music to a very unlikely place--Utrecht, Netherlands--for the first edition of the Voodoo To Go Festival. The three-day festival, pioneered by Togolese entrepreneur Leopold Ekué Messan, set out to demystify Vaudou/Vodun/Voodoo spiritual practices by featuring music and dance from Togo, Benin, Haiti, Cuba and Suriname and bringing people together for films, food and a panel discussion about "Good and Evil in Voodoo." From the opening ceremony, to the climactic final moments of the festival, the music at Voodoo To Go was filled with the spirit: Trance-inducing traditional music from Togolese/Beninois diaspora group Djogbé; heavy, retro Vaudou funk from Togolese musician Peter Solo and Vaudou Game, based in Lyon, France; Surinamese Kawina music from Rotterdam-based dance band Dray-ston; Late-night Haitian Vaudou-jazz from Erol Josué; and, finally an intense collaboration between Cuban jazz maestro Omar Sosa and Togolese musician and dancer Ayaovi Kokoussé. Alongside the excellent music, we hear from various participants in the festival discussing what Voodoo means to them: a Winti priestess; fascinated Dutch music fans; and, of course, the musicians who make music inspired by the spirit.

Voodoo To Go Festival

Ç¥♪ß Secret Track

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Out Of Phase

A track from the album Terelan Canyon out 08/05/16 on Constellation Tatsu.

Mary Lattimore & Maxwell August Croy - Dominant Eye

A hocket (Akazehe) sung by two young girls from Burundi. From the Ocora Records label

boingcuts

Akaheze par deux jeune filles

Dropsonde

Dissolving Clouds

This inspired Jew's harp track recorded in 1963 from the Senoi of Malacca in Malaysia , the "dreaming people" which inspired Jon Hassell, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2018/11/malaysia-malaisie-senoi-of-malacca.html

Malaysia A1b Jew's Harp (Juring Rangguin) Of The Temiar The Senoi of Malaysia

This fascinating anthology of the music of the indigenous people of Siberia, from a remarkable 10-LP collection on the Russian Melodiya label, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2018/12/siberia-siberie-voyage-en-urss-n-10.html

Voyage en URSS – n° 10 Sibérie/Extrême Orient/Extrême Nord  – Anthologie de la Musique Instrumentale et Vocale des Peuples de l'URSS – Melodiya C90-23261 004

Spacy throat singing and lute from Siberia

Fantastic Jamaican Folk and Traditional music, ranging from Mento songs to cult music, lullabies and worksongs. These “riddims fulla culture” are available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2017/11/jamaica-jamaique-from-grass-roots-of.html

From the Grass Roots of Jamaica - Dynamic 3305

Jamaican roots music - From the Grass Roots of Jamaica

Waiting in the Light
A Soundscape Created by Nailah Hunter 
For Union Station 2021

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This original composition by Nailah Hunter is inspired by the morning light in Los Angeles Union Station’s historic Ticketing Hall, the luminous anticipation one feels before embarking on a long journey and what that might sound like. In this sonic landscape, we are transported to a shimmering space for restoration: in ourselves and for each other.

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Written, performed, and produced by Nailah Hunter
Featuring flute performance by Cadmar Fitzhugh
Mastered by Matthew "Matthewdavid" McQueen

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Available for Download 
March 1-April 26

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Presented in collaboration with Leaving Records
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Nailah Hunter is a multi-instrumentalist and composer from Los Angeles. She combines harp, synth, found sounds, and voice to create reflective sonic landscapes that promote healing and self-awareness for herself and the listener. Her ambient music conjures unique sonic locations forged by imagination, drawing listeners into a tranquil world of rest, contemplation and color.  Her recent releases include Bassin Bleu (Mexican Summer), Spells (Leaving Records), and Black Valhalla (single available on Bandcamp) which was created to support the Loveland Foundation.