nice tempo, good story lyrics and drum beat.... song bit to long and personally without finger clicking  would of been better.

Both Sides Now (sung by Claire Devitt)

Voice - Amy Clarke
Additional 'Sail' Voice  - Gail Spencer
Little 'Sail' Voice - Oscar Ferguson
Synthesizers/Drum Machine programmed By Mark Ferguson
Bass Gtr / Synth / Guitar : Mark Ferguson

Engineered / Mixed - Mark Ferguson
2015





Sail / Coma White (awolnation Cover) - Amy Clarke & Mark Ferguson

Awesome Vocal - Amy Clarke
Synths and Drum Machines programmed By Mark Ferguson

Recorded and Mixed By Mark Ferguson

Partition/Crazy In Love (Beyonce Cover) - Amy Clarke & Mark Ferguson

follow me:
• YouTube: http://www.youtube.com/c/FranckChoppin
• Facebook: https://www.facebook.com/franckchoppinmusic
• Instagram: https://www.instagram.com/franckchoppin/

▶ follow Ingrid Alcalde:
https://www.instagram.com/ingridgaral/
https://soundcloud.com/user-884790587-99361613

gear used:
• synths and drum machines:
E-MU ESI-2000, Yamaha DX7, Roland Juno-106, Korg M1, Roland TR-707

additional instruments:
• follow Karaoke Version and Tency Music (acoustic guitar):
http://www.karaoke-version.com
http://www.tencymusic.com

• follow JamKazam (electric guitar and lead guitar):
https://www.jamkazam.com

mastering:
• follow Julien Lesueur (sound engineer):
https://www.facebook.com/onlinesoundstudio

note:
• Monte Pittman (Madonna's long-time guitarist) discusses why “Papa Don’t Preach” by Madonna is “One of the greatest songs ever written”:
“I always use that as an example of one of the greatest songs ever written, because of what that song does structurally. The beginning is just strings, which is a completely different kind of music, or genre or texture of music, then what the song actually is. And then the song kicks in and it’s the verse played instrumentally before she starts singing… [and] it’s not just verse, pre-chorus, chorus, post-chorus — every part has an A and a B to it, the melody kind of questions and answers [itself], they balance each other out… then you get to the bridge, and the bridge has the same thing, it kind of has an A, B, and C to it… and then you get to the end of the song, and then she changes the chorus. It’s like she’s got the main chorus… but then she flips it, and it’s like she’s added ANOTHER chorus on top of that [first one] that works.” (source: http://www.metalsucks.net/2016/10/07/monte-pittman-discusses-papa-dont-preach-madonna-one-greatest-songs-ever-written)

photo credit:
• follow Graham Savage:
https://www.graham-savage.com
https://www.flickr.com/photos/129313538@N07
https://www.facebook.com/graham.savage.35

▶ original track: "Papa Don't Preach" by Madonna (1986)
Written by Brian Elliot and Madonna
Produced by Madonna and Stephen Bray

Music Video on YouTube

Papa Don't Preach (feat. Ingrid Alcalde)

Acoustic americana, multi-tracked, guitar, harmonica and vocals on this original track. A track I wrote about masculinity and looking out for each other. A subject close to my heart.
https://www.youtube.com/watch?v=OeyRyZIkBvo&feature=share

Keep On Brother

Audio

Available on all platforms now: https://awal.lnk.to/ThatWouldBeALie

https://www.instagram.com/kirasongs/
https://twitter.com/kirasongs
https://www.facebook.com/kirasongs/

That Would Be A Lie

Wanna Go Back

Love Story

Close

Look Alive

Vocals - Jon Peach
Wah guitar - Jon Peach
Synthesizer and D Drum Machine - Mark Ferguson

Recorded in Lowestoft 16/09/2019

Partition/Crazy In Love (Beyonce Cover) - Amy Clarke & Mark Ferguson

The Wind Machine Studio

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