Mac , music , lyrics ,vocals
Scotty , lyrics and vocals
Shane , lyrics and vocals

Jimmy really should have learned how to drive 
But he thought he was the last of the lads alive
He never knew his signals or emergency stops
Took a blind side right with his headlights off
And that was the end of that 
But there’s always some daft twat
Who dabbles in disaster for a silly laugh
Perhaps it’s apt 
But Christ it’s proper sad
He was probably an arsehole but someone’s little lad
And it makes em mad in the daily mail
When every little jimmy fails
“They should be building bigger jails , these criminals shall not prevail”
Fuck off Doris ,I’ve got news for you 
You can climb down off that high horse
Cos it ain’t fit for glue

Those with glass minds throwing rocks tonight
Knowing that they never lived a day in their lives

Well, Linda sits upon her porch 
with cigarettes and beer,
waitin' for her cheque and askin'
the mailman each time he's near.
She lives with other women,
who are very much the same.
Seven babies from eight daddies.
Makin' them is just a game
for them to live in ignorance,
sit and do nothing, 
but complain about the immigrants 
that make them quite insane,
even though they're working difficult, shit jobs 
that they're too proud to do.
Entitlement based on their skin
colour and where it was they grew.

There’s two sides to a coin
When judgement calls
Those opinions are the shovel that will bury us all
And that’s all 
X

Fit for glue

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

these are short songs ,poems more than musical songs really,that are meant to emphasize the lyrics that address what I think are critical issues for all of us : our relationship to each other/the planet/ourselves.. so please have a listen and let me know your thoughts. nothing fancy/cell phone recordings/take care be safe

Scratch The Dark: a divinely inspired duo working from opposite sides of the globe to create music that heals and conveys something vital to the listener. They fuse the synths and drum machines of electronica with the acoustic instruments of folk music. Meet them here, as they share the essence of what music can offer to uplift, enlighten and strengthen the human spirit.

Please note! 
🤍 We support other human artists wholeheartedly 🤍
We will not support AI in any way. 
🚫 We do not consent to our work being used for generative AI purposes 🚫

Hi , we’re Mac , Scotty and Shane and we’re alright if you like that type of thing

Find Mac here : https://on.soundcloud.com/ykKOMJaT5S08shXQ2x

And Scotty here : https://on.soundcloud.com/CLSShQ7jOlAo9gXH6h

And me in random hedge bottoms

aimlessambience is the culmination of my 25 years of musical exploration, a project driven by a relentless desire to evolve and grow in both musicianship and production. With a deep-rooted passion for sound design and composition, I craft immersive landscapes that blend ambient, electronic, and experimental elements—each piece unfolding like a cinematic journey through emotion and soundscapes.

Music has always been a space for me to aimlessly explore, to capture fleeting moments of introspection, tension, and beauty. My sound is constantly shifting, shaped by a love for synthesis, glitch aesthetics, and the raw imperfections that make music feel alive. From intricate synth layers to hypnotic textures and evolving soundscapes, I aim to create something that resonates—not just as background ambiance, but as an experience that pulls listeners into a world of emotion and movement.

This project isn’t about staying in one place, it’s about growth and taking on new elements and techniques. Every track is a step forward, an experiment, a challenge to break past creative limits. aimlessambience is a reflection of that journey, and I’m excited to see where it leads next.

Now available on all major platforms.

https://www.facebook.com/aimlessambience/

https://www.tiktok.com/@aimlessambience

https://www.instagram.com/aimless4111/
 
https://open.spotify.com/artist/23UMSuRDwu5TYFRrh39NME

https://music.apple.com/us/artist/aimlessambience/1801413918

https://www.iheart.com/artist/aimlessambience-46068925/songs/

https://www.youtube.com/channel/UCgidoj5GXsdpcWgpA62UZ8A

lolothebee@yahoo.com

Lamentablemente no puedo seguir a màs artistas, no es porque me crea estrella.

Psych sounds, dub vibes and a whole bunch of FX in operation
SoundCloud collabs most welcome. Remixes, guitar bashing, conceptualising (a big word for a guitar player, I know) or whatever you have 😎

Member of the transatlantic music machine that is The Eclectic Collective

Member of Mid-Wales’ premier cheezepunk band The Recursives - watch us get down and boogie!!

https://youtu.be/f0CnN7FsIzM?si=4yCzlCMsylbIjKLx

https://youtu.be/E_tYwc83XPs?si=MjmQbwNeRpNXRhQS


Logo and cover art by Marianne

You may wish to check out my older dub based stuff here 
https://soundcloud.app.goo.gl/TwJYv9QgWsDdKNvu9

Keeping on fiddling while Rome is burning. Some of my therapists say that music is sublimation which is a good thing.

Profile pic by Antonino Muscarello :-)

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.

Fit for glue

The wrong song club