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MASTERED BY OLIVER TORR
ARTWORK BY ZHU JINKHUN

TEEETH

✤ [SWINE PREMIERE] ➔ The song is from Prague-based producer's @ancestralvision upcoming EP "Sidecar Dream Session" via UK label @line_156

Sidecar Dream Session, to be dropped via Leeds-based label LOFS, is what it claims to be: a dream session, vividly observed from a passenger‘s seat. 

✤ The 5-tracks EP takes listeners through constantly evolving sonic motifs, painting hallucinogenic tapestries of sounds that melt and mold into one another, creating a dimension that is both epic and intimate, crafted with the deft touch Ancestral Vision‘s productions are known for - organic sound design structures, rich melodies and (not only) granular textures, blended with clubby various influences and enhanced by the producer's field recordings library. Reconstructed big room with post-club echoes at its best!

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Sidecar Dream Session

[Swine Premiere] Ancestral Vision - Sidecar Dream Session (LOFS)

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Charli XCX - Spring Breakers (Sectra Flip)

Plasma Sources marks its 5th release with Cortical’s debut EP, Wretched Patterns and Terrible Mistakes. Pulling from both the extreme fringes of experimental music and the minimalistic tendencies of the UK bass continuum, the duo’s much-awaited first release acts as the locus point between dance floor sensibility and sonic exploration in its most immersive, visceral sense. 

Cortical are world builders first and foremost. With backgrounds rooted as much in the visual arts as audio, the duo’s live AV show has already garnered critical acclaim after standout performances at Sonár and Lunchmeat. Coupling this with their list of past collaborators - which includes the likes of Holly Herndon, Arca and Skrillex - and it becomes easy to see why there’s so much hype around Cortical right now. Indeed, this EP is the culmination of months of building excitement amongst those in the know, as fragments of raw footage captured from Cortical’s shows begin to amass on social media. 

Wretched Patterns and Terrible Mistakes itself feels like the auditory equivalent of a fragmentary existence forming, fragmenting and reforming again. Noise and distortion act as integral threads throughout the EP, but on Telúrica, they takes centre stage. Brittle percussive calls give way to a thick wall of bass-laden, cinematic viscerality which hits the listener almost as hard as the ensuing rhythmic carnage which erupts halfway through. 
Mortar, immediately fires away into more rhythmic madness, as elements of dubstep, metal and grime coalesce into blasted kick patterns which sound like the contractions of an eldritch machine’s digestive tract. Noise-tainted bass tones take over, tearing in and out of reality as Mortar progresses into deeper territory.

Up next, Shiny Surgery provides a respite, with electro-tinged drippings of lasers and wet gloops lifting the listener into a more sanitised and lighter space than its predecessors. Cortical’s extreme musical influences are still at play here with their signature eroded bass weight and splintered percussion on display, but in a more restrained sense. As the halfway point comes in, so too does the most introspective section of Wretched Patterns and Terrible Mistakes, as cinematic floating pads de-sterilise the space. 

Finishing things up is the namesake of the EP and arguably the most anthemetic listen of the release. Demented vocal chants call out across a disintegrating claustrophobic space, before grime kicks and fragmented breakbeat loops explode into existence, demanding full dance floor attention.

Cortical - Mortar

The work centres around a synthesiser timbre that precisely drifts between semitones, cleverly breaking away from traditional tonal frameworks while creating a stark contrast against the rugged, distorted bass in the lower frequencies, establishing distinct layers in the acoustic space.

As the track progresses, the tension between these auditory elements gradually builds momentum, unleashing an aggressive sonic storm before ultimately returning to rationality and order. This dramatic sonic narrative runs through the entire work.

The single also serves as the musical component of the audiovisual installation '1D985'. Within this broader artistic framework, 3ASiC's sound design engages in dialogue with visual artist Raven Kwok's algorithmic imaging system. Kwok's visual system, employing a unique k-dimensional tree algorithm framework, generates flowing visual imagery through complex recursive structures that resonate with the sonic evolution of the music. The work premiered at the exhibition 'Loading... Access' at Shanghai's UFO Terminal, where it was presented on a circular LED display system, offering audiences an immersive audiovisual experience.

Music: 3ASiC
Mastering: 3ASiC
Cover Art: Raven Kwok
Visual: Raven Kwok

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