Someone bombed the Marathon two miles from my office. Then they shot a cop in front of a building where I get lunch sometimes. Then they carjacked an SUV on a street I'd been on myself just a few hours earlier, on the way home from work. Then work told us all to stay home the next day, because of the lockdown.

Not the quietest of weeks. But "Boston Strong", indeed...
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Used Audacity to decode and excerpt the required source material. Created variants of each sound to use as raw materials, then played/mixed/effected in Ableton Live.  
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Disquiet Junto Project 0068: deriv.deriv.cc

This is a shared-sample project. Create a single new piece of music by employing the selected material (see below) of each the following three tracks. All three were initially released on the new netlabel deriv.cc, and were posted to the Internet with a Creative Commons license encouraging derivative reworking. In fact, the impetus for the label, which was founded by C. Reider, was to draw attention to the intrinsic benefits of allowing for derivative works. Like deriv.cc, this project — one in an ongoing series of netlabel remixes undertaken by the Disquiet Junto — is intended to address the unfortunate popularity of “ND” (i.e., “no derivatives”) licenses among netlabels. Please only use the following material in your piece; you can transform in any way you choose, but do not introduce any new source material.

1: The final 20 seconds of “The Find Beauty, Even in the Mundane”:

http://deriv.cc/stream/d1/02.ogg

2: The first 20 seconds of “Immaterial Girl”:

http://deriv.cc/stream/d1/04.ogg

3: The portion of “Libertarian Entertainment Automaton” that runs from 1:10 to 1:30:

http://deriv.cc/stream/d1/06.ogg

More on this 68th Disquiet Junto project, the intent of which is to draw attention to the benefits of a Creative Commons license allowing for derivative works, at:
http://disquiet.com/2013/04/18/disquiet0068-deriv/

More details on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto

This track is composed from material extracted from three pre-existing tracks (“The Find Beauty, Even in the Mundane,” “Immaterial Girl,” “Libertarian Entertainment Automaton”) by C. Reider, all of which were released on the album The Conjuncts on the deriv.cc netlabel, and were themselves derived from the following: “Garden City” and “Ventilation” from Tulse Hill by Hannah Marshall; “LichenWall” from Gardening by Steve Moyes; “Eighteen Events” from Not One Nor by Daniel Barbiero; “Awkward Customer” from [m2012/30-09] by Restive; “cues two three” and “cue six” from Cue Sheet by Sighup; “Sending Dreams to She Downstream” from Pocket Suite by He Can Jog; “The Palsgraf Scale” from Weights and Measures by Gurdonark; “Bonus Track” from Pale by Leo Bettinelli and Pol Nieva; “Haunted Grace” from Haunted Grace on SoundCloud by Jess Lemont a.k.a. Be A Waterwolf; “Ochiita” from Gently Annoying by Xesús Valle; and “Once More With Intellect” from [m2012/30-09] by Restive.

you cannot hide [disquiet0068-deriv]

would-be messiahs: ambient texture and dub tempo fugues, layered samples underpinning incessant static raining affected vocals and found sounds to create noisescapes that are part dub, part late night analog television signal, part self-fulfilling neurosis and part self-medicated psychosis.
would-be messiahs: scavenged, ravaged, distorted, distended... 
(older material can be found on my bandcamp page)


you cannot hide [disquiet0068-deriv]

the bell mechanical