POOL PARTY!!!

Summer 2025

9.5 HOURS of amaze 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

summer sounds to stay cool 100 EXCELLENT TRACKS

DROWN ENERGY SINCE THE TIME WE MET

Related tracks: CAN I TAKE YOUR STRAIT JACKET, SIR

Schmuffig ix

A soundtrack from the double star system Døåregæan 51

Hybrid Symphony Nr°3

Drip, Drop, Jump & Run

l'art pour l'art - Chiaroscur
April 2025
Duration: 3:10
Listen to the Playlist, l'art pour l'art: https://soundcloud.com/bruce-klepper-1/sets/lart-pour-lart
Cover art painting: Carol Klepper
Cover art lettering: John-Marc Ventimiglia
For guitar, harp, bansuri, Bhutan bells, Tibetan singing bowls, brushed gong, gong, virtual instruments and percussion

l'art pour l'art - Chiaroscur

My new song is about feeling hope. What is under the man's waist? It could be a huge drum of nuclear waste, or race, or an immature system of society that denigrates poverty. But the man has hope. It's also a form of hope that wants the music to be as beautiful as possible.

Projecting hope (235)

A quiet chill jazz fusion atmosphere perhaps NuJazz with minimal percussion but a throbbing beat and electro, including one synth — a marimba sounding arp like a ticking clock — that I use in this  composition and a few new songs such as Hidden Room. Time Machine is the title track from my upcoming Time Machine EP. 
..................
With respect to H.G.Wells, I daresay that the brain, and more expansively, the mind is the best time machine of the cosmos. In fact, it created the idea of a time machine and discovered the physics that can someday engineer a time travel device. Time itself is a construct or an invention of the mind.

Our minds as time machines can instantly travel to the past — retrieving data about history and the physical world, and experiences from memory as if they happened today. Our minds can also zoom out to the future — conjuring a vision of how the world could look as a mental rehearsal, a daydream, a thought experiment, and a creative process for solving problems and making art. Or building time machines. 

We, humans, may be physically limited but our minds are not. And that gives me hope, even in the midst of chaos.
..................................
An original composition, no AI, produced digitally using a MIDI keyboard and DAW.

76 bpm

DAW: Apple Logic Pro X
MIDI: Akai Professional keyboard

E-INSTRUMENTS:
Concert Grand 
Ambient Lead
Cinema Strings
Violas
Lunar Chords
Rain Harp
Robot Talk
Deep Round Synth Bass
Upright Ballad Bass

E-DRUM KITS:
Drum N' Bass Remix
Trance Remix

COVER ART: AI-generated images via the DaVinci app and composition of the final art using Photoshop
..................................
.

Time Machine

Silence By Zitou Itou & Albert Paule

Cast of characters:
Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar foundational rhythm guitar
J.J. Terrell– @j-j-terrell – organ, envelope synth, and vocals
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass and vocals
Llanpsych– @llanpsych –Tez– Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen–Fender Nashville Telecaster electric guitar, sitar, mix, master, and production

This song began its life in Poland, where our resident surf rock specialist, Artur, composed it on his giutar. He is a brilliant composer and expert player, so we're always glad to receive music from him. 
  Artur gave it to JJ to start the project, so JJ was first to the trough here, adding his breathy, moving organ throughout, as well as some slick envelope synth. Ken came along shorly after to give the song its heartbeat, adding his triumphant drums. As soon as he had a beat to play to, Josh added his four string fretless bass to the mix, completing the rhythm section. 
  Now it was the other guitarists turn to take a whack at it. Tez was first up, adding the magical the first and third solos, in the verse sections. He also lit up the intro and outro sections with some dynamic guitar solos, as well. Stephen went last, filling in the second and fourth solo sections in the choruses, as well as a textural guitar that you hear throught most of the song. He also added the exotic sitar you hear in about the middle. After all the music was laid down, Artur had the idea to add the vocal chorus towards the end, which Josh and JJ sung in four part harmony.
 Once we had it in the bag, we asked Stephen to produce it for us, which he did in his always trained, professional manner. 
  This is the eighth song we've done with Artur over the past about year and a half. We adore his music and him as a person, too. If you dig this song, you should hop over to his page and have a listen in case you're not already familiar. He loves surf music, and wanted to note the passing of surf rock legend, Brian Wilson this week. Wilson was more than just Pet Sounds, although that album is top class. He was a surf rock pioneer, who influenced a whole genre of music; a genre that's near and dear to Artur's heart. 
  We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Surfers Like Us:
We all live between Sun and Moon
Love and Peace
That's all what we do

Between Sun and Moon (Eclectic Collective with Surfers Like Us)

Au café      (Translated after the French text )

Vidéo :   https://youtu.be/w2khMpQoAHc


Texte     :  Yves Marilier
Chant     :  Muette
Musique :  Alain Illos

Nous avions rendez-vous
à "La Petite Madeleine"
où nous étions chez nous.
Un café comme on l'aime.
C'est jour anniversaire
de la première fois,
mais tu es à la guerre
et tu ne viendras pas.

J'ai commandé un verre
comm' si tu étais là ;
peut être, je l'espère,
le vin te remplacera.
Tu veux m’écrire une lettre,
je suis venue pour ça,
s'il l’vin tourne la tête,
je crois qu'il m'aidera.

Pour essuyer le fard
qui coule de mes yeux,
je me sers du buvard,
mais je n'y vois pas mieux.
Tu n’as pas écrit une
seule ligne, tu vois,
vu que le porte-plume
se refuse à mes doigts.

J'ai bien peur que la page
ne reste toute blanche
autant que ton visage
qui pleure sur tes manches.
Mais il faut qu'elle s'en aille
te dire tout là-bas
que j'ai le cœur en bataille,
prêt à mourir pour toi. 

Ici, dans notre café
où j'ai vidé mon verre,

l'alcool fait son effet,
elle est finie la guerre
et ma lettre s'envole
pleine de mots d'amour
te dire ma joie folle.
Je rêve à ton retour.
 
Nous avions rendez-vous
à "La Petite Madeleine"
où je suis un peu soûle ;
Dépêche-toi, je t'aime !
Et fais-moi oublier
mes frissons et ma peine,
car je n'ai pas pensé
à mettre une petite laine.
Il faut que tu reviennes.

At Café 

Our appointment was
at "La Petite Madeleine"
where we felt right at home.
A café just the way we like it.
It's the anniversary
of the first time,
but you're at war
and won't be coming.

I've ordered a glass
as if you were here;
maybe, I hope,
the wine will replace you.
You want to write me a letter,
that's why I came,
if l'vin turns his head,
I think he'll help me.

To wipe the blush
from my eyes,
I use the blotting paper,
but I can't see any better.
You haven't written a single
line, you see,
since the
penholder refuses to accept my fingers.

I'm afraid the page
will remain as blank
as your face
weeping on your sleeves.
But it's got to go
tell you all the way over there
that my heart's in knots,
ready to die for you.

Here, in our café
where I've emptied my glass,

the alcohol takes its toll,
the war's over
and my letter flies off
full of words of love
telling you of my mad joy.
I dream of your return.
 
We had an appointment
at "La Petite Madeleine"
where I'm a little drunk;
Hurry up, I love you!
And make me forget
my shivers and my pain,
because I didn't think
of putting on a little wool.
You've got to come back.

Au café avec Muette

The only bomb that should be acceptable to mankind.

"Sex Bomb" is a song by Welsh singer Tom Jones (you probably waited for this ;)). Performed in collaboration with German DJ and producer Mousse T., it was released in November 1999 on Jones' 34th album "Reload".

Guitar by my son Gideon.
We hope you'll enjoy the show.



Sex Bomb (Tom Jones / Mousse T. - Giddy & Rob Jam)

Yecidera Ondiver

Basic track by Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
https://soundcloud.com/paploviante-and-friends/turn-of-time-open-collab-offer
joerxworx: alto saxophone, final mix & mastering

Turn of Time by Paploviante // sax remix

Joy Swirl - AfterHours

My new song "New Dawn, New Day, New Life" is now available to listen on SoundCloud. 🤩🥳🎉🎊

This track was born from the raw, powerful soul of my earliest inspirations 'Nina Simone' and reimagines it for the club. It’s an ode to that timeless, soulful energy, now channeled for the dance floor when the lights are low and the heavy bass hits your chest. 🪩💃🕺

I have to take a moment to say thank you, from the bottom of my heart. I’m still carrying the incredible energy you all gave me from my last song release 10 months ago. You didn’t just listen to the music, you gave it life and illuminated the path forward and for that, I am deeply grateful. 💛🙏

"New Dawn, New Day, New Life" is the first step into this new era of my music, but the story is just getting started. ☀️✨🌻🌈 Thank you for being part of the journey and let me know what you think! I'd love to hear your thoughts.💛🫂

New Dawn, New Day, New Life

BEFORE THINGS WENT AWRY
>
TAKE OFF THAT STRAIT JACKET
MAKE YOURSELF AT HOME
NO NEED TO BE BOUND BY CONVENTION
IN THE EVENT OF AN EMERGENCY
FUMBLE FOR THE PHONE
YOU CAN ASK FOR ANY EXTENSION
TAKE A BREATH, COUNT TO THREE
MAKING SURE YOU’RE QUITE ALONE
THEN LISTEN FOR THE LIST OF DIRECTIONS
>
LIE BACK, CLOSE YOUR EYES, CONCENTRATE ON MY VOICE
>
I KNOW AT HEART YOU HAVE THE BEST INTENTIONS
YOU ONLY FALL APART WHEN I FORGET TO MENTION
THAT YOU WERE ONCE THE GO TO PARTY GUY
MAGNET TO THE MINIONS BEFORE THINGS WENT AWRY
>
BLAME THE LOSS OF CONTROL ON THE DEVILS IN WHITE COATS
THE STEALER OF SOULS
WILL EAT YOU WHOLE
ONCE YOU ARE LOST
>
ONCE YOU ARE LOST
ONCE YOU ARE LOST
>
ONCE YOU ARE LOST
YOU DON’T WANNA BE FOUND
>
LISTEN TO THE VOICES THEY ARE CALLING YOUR NAME
TELLING YOU, BE PATIENT, AND NOT TO RUN AWAY
(JUST BIDE YOUR TIME AND WAIT)
SO STAY AND PLAY THEM AT THIER OWN GAME
THEY WANT SOME PROOF THAT YOU’RE CLINICALLY INSANE
>
FLYING SO HIGH REQUIRED YOUR BEST DISGUISE
BUT ALAS IT TOOK ITS TOLL ALWAYS LIVING A LIE
SWINGING BACK AND FORTH BETWEEN LOW AND HIGH
RESULTED IN DIVORCE BETWEEN HAND AND EYE
>
CAN YOU HEAR THE VOICES
CALLING YOUR NAME
CALLING YOUR NAME
>
THIS JACKET ISN’T MEANT TO STRAIGHTEN YOU OUT
IT WAS SPECIFICALLY DESIGNED TO LOCK YOU IN
FUNCTIONS LIKE AN OUTER SKELETON AND SKIN
PLACING UNDER LOCK AND KEY THAT MANIACLE GRIN
>
THE AMICABLE SPLIT DIDN’T HAPPEN BIT BY BIT
IT HAPPENED IN A BLINK BARELY LEAVING TIME TO THINK
ONE PERSONA KEPT A GRASP ON WIT 
(HE’S A FUNNY GUY)
THE OTHER WANTS TO QUIT
ONCE THE TWO LIVED SIDE BY SIDE BUT NOW NO LONGER FIT
>
CALLING YOUR NAME


CAN I TAKE YOUR STRAIT JACKET, SIR

Music by GRENZLICHT | Music & Lyrics by REKHA a.k.a. REKHA - IYERN [Fe] | GOTH ROCK | YT VID

A fire burning dark-goth-rock song about how love is now dead & gone but the memory still remains! The forever longing continues to haunt but we can only re-visit the grave, re-visit the once cherished love of all loves...sadly, it's now, all-only-dust!

Music: Composed & Produced, Recorded & Performed, Mixed & Mastered by GRENZLICHT in Germany | Vocals: Composed & Produced, Recorded & Performed by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Cover Art Design & Video: Graphics & Light FX by REKHA - IYERN [Fe] | AI Royalty Free Heart/Thorn/Vines Image

Old Energy, YT Vid Here: https://www.youtube.com/watch?v=vja0TOjvfSU

Our other track, Bottle: https://www.youtube.com/watch?v=8vhVGS2PHi8

Listen to the amazing music of GRENZLICHT here: https://soundcloud.com/grenzlicht

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved

Old Energy - Music & Lyrics by REKHA - IYERN [Fe]
 
Wo Oh Oh Oh
Ah Ah Ah Ah Ow
Old times
When we were alive

Old time energy 
It's comin' over me, me
Just wanna feel you 
In my veins

Babe we are long gone
Eh Ee Yeah
Eh Ee Yeah
Eh Ee Yeah
In the grave, grave

Eh Ee Yeah
Ahn Wo Wo Wo
Oh Oh Oh Oh
Wo Oh How

Well, well, well
We are once alive
Heart to heart

Once alive 
In that old time energy
That keeps me movin' on
Even though we are 
Lost and gone, Yeah
Lost and gone Babe, Oo

Yeah Ee Yeah
Can you hear me callin'
Do you hear me call
Call your name, a name

And the fire burns me
In, in the grave
In the ground
It's only dust

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved



Old Energy 24 bit final

Old Energy

Old Energy - Music by GRENZLICHT | Music & Lyrics by REKHA - IYERN [Fe] | DARK GOTH ROCK| YT VID

A dark psychedelic rock track fused with industrial beats and hypnotic mantra-like vocals. Heavy, relentless, and immersive. Thank you for the listening.

Psy Rock Invocation

new collaboration just dropped with the one and only BobbybPhoolan bringing lyrical assassination and rhetorical evisceration on the track. Check out her page for more ice cold dopeness: https://soundcloud.com/bobby-b-phoolan

samples
-Scenes de Guerriers, Lee Gagnon
-The Mob, Macbeth 1954 (film)

Rude Gyal ft BobbybPhoolan

The fourth track of CHEMICAL is BEGINNING 3. 140 BPM. 6m1s. This is avant-garde and lacks any clear scale-based melody. In that sense, this may be similar to Polygon Window QUOTH. Dance music consists only of beats, sound effects, and noise. I guess I just hate common sense and preconceived notions. CHEMICAL Link in Bio!

BEGINNING 3

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Drown

speed_this_train_is_going

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

THE BOY NEW EP SUPERNOVA OUT NOW💫

THE BOY is a Japanese singer-songwriter. He is disabled, but he keeps making original music alone.