BEST CAR MUSIC

THE LAST WALTZ NEVER STARTS ON TIME

This playlist is a tribute to all the amazing musicians and friends who support me on my journey. Here you’ll find their tracks – each one representing creativity, passion, and community. Music connects, inspires, and builds bridges – and that’s exactly what this collection is about.

Circle of Sound

ZITOU ITOU

Related tracks: The Get Down (Eclectic Collective)

Copy of Your Mix 5

🎸JIM🎙

Unlike our previous two collabs, Dan does lyrics, vocals and lead guitars on an instrumental by me.
I made a 7/4 track for him, knowing he can sail odd waves, and here you are the fantastic result !!

https://soundcloud.com/user-276716031: lyrics, vocals, guitar solos and fills, percussion, artwork on logo by WouWou
https://soundcloud.com/ruizzoidman21centurions: instrumental idea, rhythm guitars, bass, drums

Verse 1:
A promise was made
And It shouldn’t fade
The words were spoken
Then they was broken

We were in the bright sunshine
I thought she was mine
It’s not something you can pawn
And asa now she is gone

I was here forever beau
It was years ago

Verse 2:
But I thought it still held
Like a solid weld

A promise is a promise
Even for a doubting Thomas
It should carry some weight
It doesn’t have an expiration date

But a last I find
That things can unwind
And we are not together
In this Summer weather

Verse 3:
She made her assurance
But I had no insurance
From the broken promise she made
Yes our romance began to fade

Now I am in the dark
What was there was just a spark
Now I Don’t know
Which way to go

No direction in my life
Yes I’m living in such strife
Wondering if life means anything
My joy has no more spring

I am that sad guy you passed by
Not noticing the tears in his eyes

B E T R A Y A L (with Daniel Lockhart)

Hey! Here is a master of my friend @specialececilia beautiful song Fly High!   Enjoy!!
Dx

Den Grant  Album

FLY HIGH ** CECILIA AND RICØ

Hello everyone,

Many of you probably know this feeling. You start making music and completely lose track of time. The hours fly by, and suddenly it's late in the evening or even nighttime. I wanted to capture this theme in a lighthearted and humorous way.

I'm really happy that I was able to produce this song together with Mike Fox. Mike liked my idea for the arrangement and lyrics right away, and he was immediately on board. How much we appreciate each other can definitely be heard in the lyrics.

For this song, we were also able to bring in two guest singers—but just listen for yourselves! What they sing is probably something everyone in a relationship has heard at some point – or am I wrong?

Mike and I certainly hear it very, very often! 😆

------------------------------------------------

"We Should Be Asleep By Now"

Axel walks in, right on time,
Says “let’s rehearse” – I pour some wine.
He’s got a plan, I improvise,
But rock ain't played by suits and ties!

Mike plugs in, makes feedback scream,
Calls it “tone,” I call it a meme.
He swears his solos shake the land,
But his hands shake more—he can’t withstand!

We should be asleep by now,
But here we are, we rock somehow!
One more song, then one more beer,
Proud and loud we still are here!

You press one key, a full band plays,
No fight, no sweat—just modern ways!
I bend my strings, I break my bones,
You sip green tea and check your phone!

Oh please, Rockstar, not so loud,
Last night you snored and shook the crowd!
You call my sound too clean, too bright,
But at least my back don’t ache at night!

We should be asleep by now,
But here we are, we rock somehow!
One more song, then one more beer,
Proud and loud we still are here!

My riffs still shake my hometowns sky!

My chords still make the neighbors cry!

Six strings, raw soul, full of might!

But my keys sound’s programmed right! (Here we go)

We should be asleep by now...

Come on, Mike, let's listen to the backing singers.

You should be asleep by now!

Oh Axel, put on your glasses, these are our wives.

You should be asleep by now! 
You should be asleep by now!

Alright, Axel, your keys ain’t bad…

And Mike, your solos (still) drive ‘em mad!

We battle, we clash, we push the fight,
But side by side, we light the night! 

We should be asleep by now,
But here we are, we rock somehow!
One more song, then one more beer,
Proud and loud we still are here!

__________________________________

Credits:
Guitars / Vocals: Mike Fox
Keys / Vocals: Axel Menningen
Background-Choir: „The wives“

We should be asleep by now

We Should Be Asleep By Now

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, composition
J.J. Terrell– @j-j-terrell – organ and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — drums and percussion
Mistermark-- @user-432503709 -- Mark –- clavinet, VST saxophone solo, VST horns, effects, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HHS electric guitrar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song began back at the beginning of the summer, when Josh was messing around on his electric piano and found a structure to which to add his bass. As soon as he opened the project to the rest of Eclectic Collective, JJ jumped right in, adding his thrilling organ and ethereal background synth. Thus, Josh dropped his original e. piano part in favor of JJ's new parts. Ken was next up, adding the drums in reverse order from how he and Josh usually do it. Ken is very skilled at being able to add drums to a pre-existing bass line, which he displays in here. He also added the clever auxilary percussion you hear throughout. Mark was next to the trough, adding his funky clavinet, as well as his sax solo you hear lighting it up in there. He also added some well composed horns toward the end, not to be confused with JJ's synth. 
  Then it was time for the guitarists to do their thing. Stephen added the strong, melodic solos in the first two breaks with his guitar and wah pedal. After Tez added his thrilling solos at the end, Stephen went back in and added the funky rhythm guitar part. Tez also added the funky guitar riffs throughout the verses.
  All that was left was to get Carl in on the action, as he is the newest core member of Eclectic Collective. He wrote a poem and sung it in his signature, wild style for us.
  This is Eclectic Collective at its almost full strength, pulling six musicians from two different continents and four different countries together to create a song. We hope you enjoy listening to it as much as we enjoyed creating it.
   On a side note, this will be Eclectic Collective's last song for two weeks. As most of you know, we release a song every Thursday at midnight. Due to vacation and travel at the end of summer, we'll be skipping  next Friday, the 15th, but should be returning the following Friday, the 22nd. We may also put something out this coming Tuesday, the 12th, so please stay tuned. Can't thank enough those of you who tune in regularly and support us every week. 
Original lyrics by The Beautiful Dark:
Hey Human
It's official
The get down on fire funk
Future sizzle
All members agree
Gotta collect that love
Then give it back and well, we see
Fuel for that musical party

Initition ceremony
Transcontinental spanking machine
Uh oh it's a musical tri sexual
Try anything that melody mentioning
Do it for the song
We gonna right some wrong
Rolling rhythm unkown
The human touch
The get down

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Aw man, I'm feeling back tingle
Lads, go tell Fiona Apple I'm single
Llanspych, nudge PJ Harvey
Jamming that genius soul new wave!

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Thrust that rush
Sine waved funk
Flying musical J's
Aw man it's Mike like dunk
Thrust that rush
Sine waved funk
To musical 24
You get a song
Drained 81 now on this floor

The get down
Friends don't frown
We got each-other man
Music, keep that campfire warm
The get down
Love legends loud
Rest in peace good Kobe one
This one's for you
Good G.O.A.T of stun!

The Get Down (Eclectic Collective)

82_ Lovely Punch - released on 12 August 2025

I was trapped in dreariness. And that in the middle of summer! So, get out of there! With a really punchy beat and beautiful guitar sounds ;-)#electronic #techno #trance #liverecording

(produced with BlocsWave & LaunchPad)

Lovely Punch

Angel Aura Dust

Written, Arranged, Performed, and Produced by Kyle Bolan
art by Kyle Bolan

Lyrics:

Salt air
Land locked shore
Clipped hair
Clipped hair
Dusting the floor

When the reason's her
When the season's here
Not stuck anymore 
When the reason's her

Going stir
The voice of an Age
Cut off
At the fur
At the fur
Red apple rage

Windowless her
Windowless her
Nausea I could not 
assuage

Tongue tied blur
Tongue tied blue
At the hopelessness
of the page
All the hope I have/hold 
of you

Windowless her
Windowless her
            April 24, 2025

Windowless Her

Cosmic Plant

M A G I C A L 

A Cinematic Orchestral Musical Nature Landscape ..

AMA on Insta: www.instagram.com/alexmusicart/
on Twitter: mobile.twitter.com/AMAAlexMagicArt
YouTube: www.youtube.com/user/alexmagicartworks/videos
HEARTHIS.AT all AMA Tracks: hearthis.at/alexmusicart/

Created Arranged Produced by
AMA - Alex Music Art - Alex Magic Art Productions
2025 All rights reserved.

M A G I C A L

JOY RUSH

Recorded in Modesto, Ca.  Featuring Sarah Golding on Vocals. Fender Bass. Roland Synthesizer Bass. Steinway & Sons Acoustic Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Alto Saxophone solo. Gibson 335 Electric Guitar solo. Trumpet solo. Acoustic full Drum kit set. Percussion Tree chimes, Cow Bell, Congas, Bongos, Ago Go Bells, Timbales, 22" Zildjain Ride & Crash Cymbals.

Carmel

I'm Walkin'

This is a track from my album TALES OF A NOMAD, a collection of impressions from decades of living a nomadic life for professional reasons. It is inspired by the famous ballad by Johann Wolfgang von Goethe from 1782.

The Erlking

In the dusty attic of his grandfather’s old house, Dan, who suffers from insomnia, finds a yellowed parchment in the middle of the night. Part of the old eccentric’s legacy? Long ago, he had roamed dark forests, crossed deserts, and explored inaccessible mountains.

The parchment shows, though only faintly, a location in El Caramar — the legendary place his grandfather had told so many stories about. Without delay, Dan sets out in search of further clues. The route leads across the storm-lashed Horka Sea, inhabited by dark creatures. Upstream, through narrow gorges, he must face the natives who guarded the entrance to El Caramar and the secret it conceals.

Watch the video: https://youtu.be/Q4sya2M4UdQ

This purely orchestral music draws on the clichés of film scores from the 1980s to the 2000s. Instead of a clearly recognizable theme or leitmotif, I tried to express rapidly shifting moods through specific instrumentation.

A gentle melody with harp arpeggios immediately transitions into a menacing rhythmic section with chromatic harmony, followed by a tension-filled passage with a strong element of aleatoric writing. The now accelerating tempo leads to the main motif but shifts directly into an action-packed part with string staccatos.

The motif is then varied and played at half speed by solo strings, taking on a very sorrowful tone. But then the mood turns serious. Low brass and a string ostinato lead to the climax of the piece, another variation of the theme in which the choir joins in at full volume.

Call of Adventure

Original composition Neno j., september 2025.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi midi interface Behringer UMC204HD

Hypnotic waltz (For two + guitars)

"What Remains Unspoken" is a melancholic, cinematic piece inspired by Thomas Newman and James Newton Howard. 

The piece will be available on all major streaming services from September 19.

https://open.spotify.com/intl-de/track/1sVtFKWKwYSsa7nb9ZgpPt

Instrument libraries:
Piano: Pianoteq 8 Hamburg Steinway
Solo Cor Anglais: Berlin Woodwinds
Strings: Spitfire BBCSO Core, Cinematic Studio Solo Strings
Woodwinds: Spitfire BBCSO Core
Brass: Spitfire BBCSO Core, Spitfire Symphony Orchestra (Solo Trumpet)

What Remains Unspoken

So, our friend (assuming he really is our friend) is no longer alone at home. The work week is over, it’s been a hard one. Maybe for both of them: for him, and for the woman now leaning out the window. There’s a touch of unease in the air, and it’s not necessarily connected to how things are going between them. Maybe something is about to happen. Or maybe not. The only sure thing is that they’re not interested in finding out.

This is the fourth in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. This time I struggled to make it to the end, adding and removing, changing and restoring and working to the mix. I probably messed things up a bit (thirty recorded tracks, twenty of them muted...), but never mind.

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 5 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-5-night-again
Part 6 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-6-dawn-again

Composed by Michele Ansani (2025).
All the ambient noises are taken from public sound archives. Saxophone is courtesy by Diamond Hues. Male vocals are mine, female by Spitfire Labs.
Posted on SoundCloud: 2025, September 19.

In case nothing happens - part 4 (late afternoon)*

Sea of contemplation By Zitou Itou & Wonie Z.

Super impressed by my buddy @dough-factory 's rhyming skills on here! This one started out as a beat from Ryan, I added trippy synth, organ and guitar noodling then sent back to him. He mixed, arranged and added the killer vocals as well as some record skips that add a nice touch.

Faded (What a Day)

Auteur : Claude Moine \ Compositeur : Pierre Papadiamandis
ISWC : T-003.027.119-2
Editeur : EM Production
Sortie : Octobre 1977

**********************************************************************
English translation below the French
Lyrics link : https://www.google.com/search?sca_esv=637c0e90f834ed3d&q=paroles+de+eddy+mitchell+la+derni%C3%A8re+s%C3%A9ance&si=AMgyJEv17PWw0XQW3IlwXAKl7dSlPQF61q4qYdeyP6OamT3IFLvfsHCnTLI6T2AU5LF_XJ4OKyr6tEmG0ZJsdUWQElQ8NnRIp-z2Hek1emPY8Pj1C2qrK7U93ENbHWPLErKRx-DCe27eXLWdj15N3v-U80CJ6cJ1IflPjmzacLsAwgSPShJgsUp8ONjbP55km6uSH10vz30m&sa=X&ved=2ahUKEwi4it-1wu6PAxWQfaQEHXChD_MQv_UKegQIDBAD&biw=1406&bih=685&dpr=1.25

**********************************************************************
Encore une fois, je fais honneur à la chanson Française.
_________________________________________________

J'aime bien ce morceau et cet artiste qui est très connu,
mais on n'entend pas beaucoup parler de lui...
Ce morceau est un extrait de l'album
"La Dernière Séance" enregistré à Nashville (Tennessee)

Cette chanson figurait dans le générique et
donnait son nom à une émission de télévision
animée par Eddy Mitchell lui même, de 1982 à 1998
qui était consacrée aux classiques du cinéma américain.
(dont je raffole)

J'adore aller au cinéma et toujours à la "dernière séance"...

**********************************************************************
Once again, I honor French songs.
_________________________________________________

I like this track and this artist, who is very well-known (in France),
but we don't hear much about him...
This track is taken from the album
"La Dernière Séance" recorded in Nashville, Tennessee.

This song was featured in the credits and
leaved its name to a television show
hosted by Eddy Mitchell himself, from 1982 to 1998
dedicated to American cinema classics.
(which I love)

I love going to the movies, and always to the "last screening"...

------------------------------------------------------------------------------------

Vocal : Anh
Arrangement (Yamaha PSR-SX900) : Phong
Recorded : August 26, 2025

__________________________________________________

La Dernière Séance - Cover (Eddy Mitchell)

Time Turns Back / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
 BPM 85
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Time Turns Back Open Collab Offer

It's a Japanese song. A song from my EP SUPERNOVA. I made this with the image of U2 playing slow tempo EDM. 95 BPM. 4m25s. The main genre is Rock. The lyrics are important for this song. I put my actual feelings into the lyrics. It's a very emotional song. Please listen carefully to the lead guitar in the last part. Link to major platforms : https://linkco.re/E2aRhZS6

Lyrics :
(1 2 3 4)

素晴らしい夜
とてつもない夜
重くのしかかる
今でも

何か変だと
僕は思った uh huh
その瞬間に
君は消えてた

捨てないで 僕を
捨てないで 僕を
捨てないで 僕を
捨てないで
捨てないで 僕を
捨てないで 僕を
捨てないで 僕を
捨てないで
捨てないで

捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
(I love you)
(I love you)
Wooo Hooo
(I love you )
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you oh)
(I love you)
(I love you)
(I love you Wooo Wooo)

OH GHOST


from the EP "Funny Days" 
available on
open.spotify.com/intl-fr/album/10…3Ds20LZwmXCscjae
music.apple.com/us/album/funny-days-ep/1822802207
www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg

recorded in Area 52 Studio, Saugerties New York
Steve Rust on Bass, Harvey Sorgen on Drums,  Barbara Browning Vocals Imre L. Vocals, Guitars, Hammond organ


FUNNY DAYS FUNNY WAYS
PERDU DANS LE PURPLE HAZE
DANS LA VALLÉE DES SYCOMORES
UN PARADIS ARTIFICIEL
A L’AUTRE BOUT DE L’ARC EN CIEL
ET TANT ET TANT DE TEMPS DEVANT
QU’ON EN VOIT PAS VRAIMENT LA FIN

FUNNY DAYS FUNNY WAYS
PERDU DANS LES CHAMPS DE FRAISES
DANS LES BRUMES DU NEVERMORE

UN PARADIS CONSENSUEL
PEUPLÉ DE FORMES SENSUELLES
AVANT D’ALLER SE FAIRE AVOIR DE L’AUTRE CÔTÉ DU MIROIR

FUNNY DAYS FUNNY WAYS
JUSTE FILER À L’ANGLAISE
ET RESSUSCITER LE MATAMORE

FUNNY DAYS FUNNY WAYS
YELLOW SUNSHINE PURPLE HAZE
ET NO FUTUR DANS L’ANGLE MORT

FUNNY DAYS (Lyrics + notes)

I used a phrase from a comment I received from Stars Mighty Fine as the title.
First, I see a chaotic array of tones, and then I try to create some kind of structure from that chaos. I think the process of composing is simply trying to control the song and sound with all my might.

We Control with All My Might (357)

Im trying to get back into the swing of things ...the sound needs  work. I apoligise.. its about being in the momenent,  wondering?  what is going to happen next.

Much Love and Grace G

Impromptu

Was discussing The Replacements with a friend and had the urge to write a tune in that vein, and, gosh, there was inspiration right there in the daily news.  This was a quick & dirty one day write &  record, but then quick & dirty seems to be the order of the day.

hey mr tangerine man you're not fooling me
I'm not stupid and we all know what you're trying to do
hey mr tangerine man you're not fooling me
and you know we won't be mourning when they're burying you

you rake the air incessantly with your heinous flapping lips
while your golf shirt hides your tits
and your tiny grey hands twitch
all the citizens feel gypped
we're all waiting for a massive stroke to do you in
i'm ready to move anywhere I want to emigrate
but come back for the parade past the golf course where you're laid
i'll fight the urge to urinate

Mr Tangerine Man

Timeless Floating In Space / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 69/138
Painting Perchance AI
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Timeless Floating In Space / Open Collab Offer

WELL I’M TALKING TO MYSELF AND TELLING MYSELF TO KEEP COOL
YES I’M TALKING TO MYSELF YOU STOP ACTING LIKE A FOOL                          
I’M A ROCKER I’M A ROLLER SOMEWHERE OUT THERE MY HEART IS LOCKED IN A LOCKER 
I NEED A SHELTER I NEED A SISTER BUT ALL I HAVE IS NO ONE AS A FLOATER

SO I’M I’M TALKING TO MYSELF AND TELLING MYSELF TO KEEP COOL YEAH
YES I’M TALKING TO MYSELF SITTING NEXT TO SITTING BULL
COS AND I’M A LOVER NOT A FIGHTER TO ME THIS WORLD IS MUCH TOO MUCH A ROLLER COASTER
I NEED NO BOTHER I NEED A BROTHER
OR ANYONE TO LEND A HAND IT DOESN’T MATTER

TALKING TO MYSELF

AND I’M A CHOOSER NOT A BEGGAR THIN ICE BROKEN GLASS I’M A DANCER
AND I’M A LOSER NOT A WINNER LOOKING UP HIGH FROM DOWN IN THE GUTTER

SO I’M I’M TALKING TO MYSELF AND TELLING ME JOHNNY BE GOOD
YES I AM TALKING TO MYSELF JUST LIKE YOU KNOW YOUR MOTHER SHOULD
BUT I’M A JOKER I’M A SUCKER I AM MY OWN SELF-MADE TROUBLE MAKER
I GO MEANDER UNDER THE WEATHER LOOKING FOR ONE SWEET SMOOTH OPERATOR 

SO I’M I’M TALKING TO MYSELF TELLING MYSELF TO LET GO
LET GO!



TALKING TO MYSELF (Lyrics)

The music for this song was written years ago for a different band I was in.  The original title was "Where's Tomorrow Go?" and had different lyrics, and was sung by another singer.  Unfortunately, that band is no longer active, and I always liked the instrumental I'd made for this tune, so I finally decided to redo it with my own lyrics and vocals.  I figure a more serious song is in order after my last upload.  I hope you enjoy!

Lyrics:

Another wasted day has come to pass
Another page left blank in my book
Even if I try to scribble something down
Who the hell would ever want to take a look
I just can’t think of where to start it all
But I think I know how it will end
The second act is dragging on for too long
As I figure out the message it will send

Always find myself needing to be the villain
Could never see myself being the lead
A good protagonist needs to be stimulating
Something to relate to that I don’t have, but I need
I suppose I’m just looking for an excuse
To justify my existential dread
The prologue doesn’t lead up to any intro
Will I have the nerve to write any words before I’m dead 

Sometimes I wonder if it’s my vocabulary
Or if it’s lack of motivation
That prevents me from articulating the words
That would paint the mental illustration
A picturesque account of something more than life
To be remembered for the ages to come
Can I be the hero, or the mischief maker?
Can I find the courage to do what must be done?

In a hundred years will there be anything
Left to prove that I existed at all
What would it take for people to remember me?
A legendary rise to fame, then perhaps a great fall
Good deeds are so often forgotten about
Yet evil doings are immortalized
Who remembers the benevolent Roman Leaders
When the evil ones intrigue us more

The Book Of Life

out of my mind

Musik & Text: Gabriel Thomas
ENGLISH TRANSLATION
OF THE LYRICS CAN BE FOUND HERE:
http://www.dieziemlichguteband.de/dieziemlichguteband-manchmal-schlaf-ich-ein.htm

Manchmal schlaf ich ein

It is a great honor to introduce this special musical project set to the powerful and beautiful poetry of the extraordinary Nobel Prize-winning Chilean poet Gabriela Mistral. This work was made possible with the kind permission of the Gabriela Mistral Foundation.
I want to give special thanks to the remarkable soprano Maribel Villarroel, whose stunning voice gave life and soul to each piece. Her deeply personal interpretation and awe-inspiring vocals brought authenticity and passion to this music. I am equally grateful to the brilliant pianist and arranger René Calderón, whose sensitivity and artistry are infused into every note. Their talent, dedication, and collaborative spirit have taken this project to levels I could only dream of as a composer.
Gabriela Mistral’s poems speak to the heart with timeless emotion, strength, and depth. Creating music for her words was both a challenge and a privilege, an emotional journey that led us to deep connections with her legacy and message.
The visual side of this release is also something I’m excited to share. The album cover was created by the outstanding Chilean artist Giovanni Gellona, whose artwork beautifully reflects the emotion and atmosphere of the music and Mistral’s poetry, and projects both her dignity and lovingness.
This album is not just a musical interpretation; it is a tribute to Chilean culture, poetry, and artistic collaboration. I hope listeners around the world can feel the love, effort, and respect behind every note.
I invite you to experience Gabriela Mistral’s poetry through this musical lens and share it with others who might be moved by it. 
With gratitude,
Pamela Illanes-Tatsuoka
©2025Pamela Illanes-Tatsuoka.All Rights Reserved.

La Medianoche
(Letra del poema “La Medianoche” de Gabriela Mistral)

Fina, la medianoche.
Oigo los nudos del rosal:
la savia empuja subiendo a la rosa.

Oigo
las rayas quemadas del tigre
Real: no le dejan dormir.

Oigo
la estrofa de uno
y le crece en la noche 
como la duna.

Y después nada oigo
sino que voy cayendo 
en los muros de Arlés
llenos de sol…

La Medianoche

C'est aujourd'hui !!
Digérer le repas de Famille
M'Z
Conceptuel rock expressioniste 
C'est en écoute ici :
https://music.imusician.pro/a/TPzeVOPs
Régalez vous ^^

Digérer le repas de famille

Les chemins de nos vies sont souvent parsemés de questions.
The paths of our lives are often filled with questions.
Philippe SEGUINARD : Composer Arranger / Guitar / Bass
Régis GAUBERT : Arranger / Keyboard
Guillaume DULER : Songwriter / Singer

Lyrics
Au tournant de nos routes on laisse des visages
Des amitiés dissoutes ou parties en voyage
Il y a les heures qui tournent et le temps qui se fige
Des naufrages qu'on détourne mais qu'on garde en vestige

Tous les si j'avais su , et si , ou pourquoi pas
Interrogent nos vies à chacun de nos pas
Quand on se dépoussière on retient l'essentiel
Ça brille à la lumière juste un confidentiel

En détournant nos doutes on gomme des images
Des erreurs qu'on redoute comme un droit de passage
Y'a ce train qui s'en va et toi qui reste en gare
Le prochain est pour moi attention au départ

Tous les si j'avais su , et si , ou pourquoi pas
Interrogent nos vies à chacun de nos pas
La vie n'est qu'une seconde pas une minute à perdre
Faisons le tour du monde au risque de tout perdre

En parcourant les routes on voit des paysages
Des clichés qui s'ajoutent à nos maigres bagages
Ces années qui s'échouent qui ne reviendront pas
Autant de rendez vous où l'on n'était pas la

Tous les si j'avais su , et si , ou pourquoi pas
Interrogent nos vies à chacun de nos pas
Avant qu'elle ne s'achève vivons à l'heure d'été
Si le ciel n'est qu'un rêve rien qu'une absurdité

At the turning point of our paths, we leave behind faces
Friendships dissolved or gone on a journey
There are hours that pass and time that stands still
Shipwrecks that we turn away from but keep as relics

All the “if only I had known,” “what if,” and “why not”
Question our lives with every step we take
When we dust ourselves off, we remember what's essential
It shines in the light, just a secret

By turning away our doubts, we erase images
Mistakes we dread like a rite of passage
There's that train leaving and you staying at the station
The next one is for me, watch out for departure

All the “if only I had known,” “what if,” and “why not”
Question our lives with every step we take
Life is just a second, not a minute to lose
Let's travel around the world at the risk of losing everything

Traveling the roads, we see landscapes
Shot that add to our meager baggage
These years that are running out, that will never come back
So many appointments we didn't keep

All the “if only I had known,” “what if,” and “why not”
Question our lives with every step we take
Before it ends, let's live in summertime
If the sky is just a dream, nothing but absurdity
© Philippe SEGUINARD/Régis GAUBERT/Guillaume DULER Novemdre 2025

Tous les si j'avais su  TRANSLATED

SharlaMae My Heart Remembers .mp3

New single PLAY LOUDER out now❣️
You can listen on major platforms👍
Click link & Enjoy🌈

THE BOY is a Japanese singer-songwriter. He is disabled, but he keeps making original music alone.