Ninu kori varanam

K.Classical

beauty

Hindustani classical violin

Violin

Indi Go

Ninu Kori

A minimalist Piano and Violin version of Ilayaraja's How to Name it (http://www.youtube.com/watch?v=wz-MTrlIG_8). The violin recording was lying around for a while now so I added the piano score. This is an adaptation, so the opening interlude is extra and I've stopped where the Simhendramadhyamam stops and the Shanmukhapriya starts. 

Simhendramadhyamam is the raga (mode)the first part of this composition is set in http://en.wikipedia.org/wiki/Simhendramadhyamam. It then segues into Shanmukhapriya (http://en.wikipedia.org/wiki/Shanmukhapriya) in the original full version of this. 

How to Name it

India's classical music is deeply bound to the country's ancient mystical traditions. This unique Rough Guide brings together the greatest names in Indian Classical music, performing some of the most beautiful ragas of India’s classical legacy. Enjoy the musical artistry of legendary performers such as Shivkumar Sharma, Hari Prasad Chaurasia, Zakir Hussain and Ravi Shankar.

For more information, visit www.worldmusic.net/indianclassical

THE ROUGH GUIDE TO INDIAN CLASSICAL MUSIC

India's classical music is deeply bound to the country's mystical ancient traditions. Stretching back  through time to the Vedic period musical historians encounter the Rigveda, an ancient collection of Sanskrit hymns, and the Sama Veda, a text which begins to discuss the origin of seven shruti (notes) from the sounds of nature. The practice of combining tones in certain sequences and the notation system that was developed during this era is connected to the development of the Indian classical raga form. 'Raga' literally translates as a 'hue' of colour and is a musical method of constructing melody through prescribed conventions. Ragas are linked to different moods and times of the day. Amjad Ali Khan's ‘Raga Chhaya Nat’ is in the Hindustani (North Indian) chhayanat mode and illuminates his crystalline prowess on the sarod, a stringed lute that is played with a plectrum. Uppalapu Srinivas' song 'Sankari Sankuru' is played on his mandolin in saveri raga, which is said to bring about the mood of pity and was originally composed by one of Carnatic (South Indian) music’s greatest figures Syama Sastri (1762-1827). 

Indian Classical Legends Shivkumar Sharma, Hari Prasad Chaurasia and Brij Bhushan Kabra are heard delicately delivering a Hindustani bhairav raga on ‘Ahir Bhairav’. This raga is related to Sikh tradition from northern India and appears in the Guru Granth Sahib (the central religious text of Sikhism). Ravi Shankar’s radiant sitar shines bright on the fast-paced track ‘Devgiri Bilawal Dhun’. Shankar’s name and ascendant international career is now synonymous with Indian classical music. Widely regarded as a musical sage or pandit, his definition of raga touched upon its vast and complex nature, describing it as a ‘scientific, precise, subtle and aesthetic melodic form’. Another sitar scholar, Vilayat Khan is heard on ‘Dhun Punjabi Ang’. The Khan musical lineage traces all the way back to the court musicians of the Mughal Empire.

Father and son duo Allah Rakha and Zakir Hussain enter into percussive playoff on the live track ‘Ek Taal’. Tabla virtuouso Zakir Hussain remains grounded by the musical discipline and natural flair he inherited from his father who he regarded as ‘a spirit who was created to work for music by God’. Carnatic vocalist Dr M. Balamuralikrishna’s marvellously melodic instrument sparkles on ‘Sadhathava Pada’. His formidable range and versatile tone mark him out as a legendary singer. He is also credited with popularising the jugulbandi concept in Indian classical music – when two soloists of equal skill perform together. Riverboat Records artist Jyotsna Srikanth contributes ‘Annapoorne’, a work crafted by the famous Carnatic composer, Muttuswami Dikshitar. The subject matter concerns Annapoorne, the Hindu goddess of nourishment. The raga used is sama, one that denotes peace.

Uncover the mystery and beauty of India’s verdant classical tradition on this excellent introduction to one of the world’s most valuable musical repertoires. 

Jyotsna Srikanth: Annapoorne (taken from The Rough Guide To Indian Classical Music)

‘Moham’, an instrumental interpretation of the song, Moham Kondujaan’, a song originally composed by music director Johnson Master, one of Baiju Dharmajan’s biggest musical inspirations.

Download

Moham

Indian classical raga (Kosh Pal Ji on raag Puria dhanashree)

Ninukori Varanam

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YT: http://tiny.cc/flutevijaykannan

It had been a long pending one, the desire to compose something in the raga sahana. Sahana is one of the very beautiful ragas and has a few pieces in film songs which are all huge blockbusters. 

Similar to my composition Beauty of Nalinakanthi, I made this as Beauty of Sahana. Do check this one and if you like it, do share it with your friends (Reposting, facebook, twitter and what not ;)).

Cheerio!

Vijay Kannan
Subscribe to YT: https://youtube.com/AboutIndianMusic
Connect on Facebook: http://facebook.com/FluteVijayKannan

Beauty Of Sahana - Vijay Kannan

Manavyala in our Mind, one of our early Carnatic adaptations, became synonymous with our sonic character and theme. Our live version on YouTube that we had played three years ago at my sister's wedding was the first time we had ever performed it. While recording our album IndoSoul we decided to make a studio version of this song as well. There's something about this Thyagaraja krithi in raga Nalinakanthi that continues to fascinate through decades and centuries. Vibrant and positive it can never grow old! Here's our humble tribute to the great composer.

http://www.karthickiyer.com

Performed by Karthick Iyer Live
Karthick Iyer (Violin)
Vikram Vivekanand (Guitars)
Sumesh Narayanan (Mridangam, Konnakol)
Naveen Napier (Bass)
Ramkumar Kanakarajan (Drums)

Recorded by Bjiu James at VGP Studios, Chennai
Mixed by Bob Phukan at Aura Studios, Chennai
Video

Karthick Iyer Live seeks to introduce IndoSoul to people around the world, and inspire them to appreciate music that they might not have sought out on their own.

“The Indian civilization has stood the test of time, welcoming and absorbing numerous cultures along the way - reinventing itself with every addition, but never losing its depth. In a similar vein, IndoSoul goes beyond the confines of genre, seeks out and welcomes other musical influences - while retaining its core identity of Indianness” - Karthick Iyer.

For enquiries:
Email:  karthickiyer.music@gmail.com
Mobile Number: +91 77009 08966
Facebook - https://www.facebook.com/karthickiyerlive
Twitter - https://www.twitter.com/karthickiyer

Manavyala in our Mind(Studio Version) by Karthick Iyer Live

A collection of small sargams of the Hindustani classical genre along with some songs popular in Carnatic music!

Ninnukori Varnam - Mohana Ragam - Adi Talam

Dear all, here am playing a few notes of Idukki Song - Maheshinte Prathikaaram , composed by Shri. Bijibal Maniyil and penned by Shri Rafeeq Ahammed from recently launched Shri. Fahadh Faasil starrer malayalam hit movie Maheshinte Prathikaaram directed by shri. Dileesh Pothan and produced by Shri. Aashiq Abu
i hope you like it.

Idukki (Maheshinte Prathikaram) - Violin MP3 By Roopa Revathi

Unplugged version of the beautiful song Anuragathil Velayil from the awesome malayalam movie Thattathin Marayath.

original Music - Shaan Rahman

Anuragathin Velayil | Roopa Revathi | Violin mp3

My humble pranams and tribute to the legend Shri . Sreekumaran Thampi sir on his 50 years of musical life. 

Violin : Roopa Revathi
(https://www.facebook.com/RoopaRevathi...)
Keyboard : Sumesh Anand

Songs in this medley 

1.Vaikyathashttami Naalil..
2.Nin Maniyarayile..
3.Hridayasarasile..
4.Oru mugham maatram kannil..
5.Raajeeva Nayane..
6.Malarkodipole..
7.Swarnagopura..
8.Aalapanam..

Sree Ragam Violin MP3 By Roopa Revathi

Tribute to Indian Classical Music

Innum Konjam Naeram | Instrumental | Roopa Revathi

Instrumental(LIVE) version of the beautiful song "Innum Konjam Naeram" from the beautiful Tamil movie "Maryan".

Violin : Roopa Revathi
Keyboard: Sumesh Anand

Original Song Details

Movie - Maryan
Singer - Vijay Prakash & Shweta Mohan
Music - A.R. Rahman
Lyrics - Kabilan, A.R. Rahman
Director - Bharatbala
Starring - Dhanush, Parvathy M

Innum Konjam Naeram | Instrumental | Roopa Revathi | Mp3

Our humble pranams and tribute to the legendary music director Shri . Johnson master who has gifted many ever green melodies to the malayalam film industry 

Violin : Roopa Revathi
Keyboard : Sumesh Anand

Evergreen Songs included in this medley ..

1.Melle melle mukhapadam..
2.Swargangal swapnam kaanum..
3.Vellithinkal poonkinnam..
4.Moham kondu njan..

Johnson Master Hits | Roopa Revathi | Violin

Mohanam Varnam

Ninukori Varnam (MOHANAM)

ninukOri vaRnam - mOhanam - Shankari Sis

Adiga Adiga | Ninnu Kori | Unplugged
By Dr. Arun S Son
Video : https://youtu.be/58wipJFZ6X4

Website - arunsson.com
Instagram - instagram.com/arunkikku
Facebook - www.facebook.com/arunsson/


Adiga adiga yedhalo layanadiga
Kadhile kshanama cheli yedhani
Nanne maricha thana perune thalicha
Madhine adiga thana oosedhani
Nuvve leni nannu oohinchalenu
Na prathi oohalonu vethikithe manakathe
Neelone unna ninu kori unna
Nizamai nadhicha jathaga

Gundelothullo undhi nuvvega
Na sagame na jagame nuvvega
Nee snehame nanu nadipe swaram
Ninu cheraga aagiponi payanam
Alupe leni gamanam

Ninnukori Varnam - Mohana Ragam - Adi Talam

theabhinavdas