More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Disquiet Junto Project 0169: HTML505

12月17日(土)農事センター「やり残したこと」
で制作した楽曲

Ultra

naviarhaiku473 
sudden breeze
every strand of the spider’s web
in tune

Mark Miller is an award-winning poet and photographer who has published four books of poetry, the latest being Light and Counterlight (Ginninderra Press, 2020), a selection of his haiku from over 400 that have been published in international journals and anthologies. His haiku have been featured on buses and trains, on the walls of a public swimming pool, and on art installations in parks and malls. Mark lives in Shoalhaven Heads, Australia.

The spider's web (naviarhaiku473)

winter dawn
all forest paths
are mistakes

---------------------------------------------------------------
Haiku by Yossarian https://twitter.com/InFacsimile
Picture by Simona D'Auria https://unsplash.com/@sidphoto
Music : Nukumori Eugene / Nx  https://a-tale-of.bandcamp.com/
IG: www.instagram.com/jinsei_books

Winter Dawn - 雪路  [naviarhaiku474]

naviarhaiku474 – winter dawn
winter dawn
all forest paths
are mistakes

An ardent student of history and the English language, Yossarian is an entrepreneur in the electronics industry. Married to an artist, he is blessed with an impetuous ten-year-old son. His other pursuits include poetry, reading nonfiction and basketball. An amateur poet, Yossarian dabbles in various genres of poetry, with a keen interest in all and mastery of none.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 8th February 2023

haiku by Yossarian https://twitter.com/InFacsimile

picture by Adriann Meyer https://unsplash.com/@adriannm

all forest paths are mistakes (naviarhaiku474)

For the Disquiet Junto Project 0579: Memory Serves
The Assignment: Rerecord a piece of music.
What would it sound like if a funk band covered one of our songs? This is the posthumous question explaining this loose approximation of the Creatures Once song Only (https://youtu.be/8ts7z71310M). The song is one of the first we made, and one my favorites. The original drums were step sequenced when I was first learning Ableton and the Push. A little too on the grid rigid maybe. So as the drummer in my imaginary funk band, I have always wanted to play live drums along with this song to get a looser groove going. So that’s how I started. After playing some busy live drums (I was excited), the imaginary funk band’s bass player and dual keyboardists decided to try and recreate the bassline, and some of the melodic parts. I (they) did this by looking at the steps lighting up on the Push pads, listening to the guitar, then trying to play them from memory. So it came close (not really) but much looser and not exactly the same, which is fun. Something the imaginary funk band would do if you played them a song once and said, “ok, go play it!” I kept jus a few snippets from the original in here for flavor.
I have always wanted to try and re-learn and recreate a previously recorded song (maybe try and play something live). Now I know it will be as hard as I imagined, but fun. Also a good way to create something brand new.

More on this 579th weekly Disquiet Junto project, Memory Serves (The Assignment: Rerecord a piece of music), at: https://disquiet.com/0579/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0579-memory-serves/

Only Memory -[disquiet0579]

Thalweg

20230304 Wallgazing [disquiet0583]

Samples include power saws cutting through drywall and shaving warped 2x6 framing on 20221012 for a return vent installation, and playback of Auxy samples/instruments recorded through a basement wall on 20230305.

Return vent installation recording: https://soundcloud.com/wagneric/20221012-553a/s-G5vZWc0vzgB?si=066b78016e6d40e29a05d723e66bc1e1
HW: iPad Air, Crown D-150, AR-2ax, Schoeps CMC621, Tascam DR-680
Auxy 6 project: https://app.auxy.co/projects/BpVRwmz3Sos4Hn60yqB5Og==

------
More on this 583rd weekly Disquiet Junto project, Wall to Wall (The Assignment: Use a building as a filter), at: https://disquiet.com/0583/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

20230304 Wallgazing [disquiet0583]

Beethoven gradually transformed. The original is a 1938 Columbia recording of the Rondo from Piano Quartet in E flat major, op 16, performed by Robert Schmitz & the Roth Quartet, chosen at random & downloaded from the Internet Archive.

More on this 584th weekly Disquiet Junto project, Generations (The Assignment: Bridge a gap in your musical taste), at: https://disquiet.com/0584/

More on the Disquiet Junto at: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0584-generations/

Deromanticizing (disquiet0584)

Der Titel "I forgot to mention the moon" stammt aus dem Gedicht "The Moon" von David C. Berman (aus dem Band "Actual Air").

ulrich langenbach/michael goering - I forgot to mention the moon

Original Track :
https://soundcloud.com/applicant/open-sky

Applicant - Open Sky (Senglar Rmx)

one thing i wish the html5drummachine had would be mute buttons, but then again it's about the limitations in this case

(another limitation i discovered by pressing Backspace before i saved)

additional limitation was not using perc1, perc2 and crash sounds from the techno pack as i couldn't fit them in any way

some programming on the fly and also since it can switch between 2 patterns i took advantage of that

no layering, no additional processing, direct output from the browser

---

Disquiet Junto Project 0169: HTML505
Make a track using only an HTML5 drum machine.

Step 1: Go to the following webpage in a browser that supports HTML5:
http://html5drummachine.com

Step 2: Create an original track using only this tool.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 30, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:
http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:
http://html5drummachine.com/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

antipattern [disquiet0169-html505]

Single live track = Sound of 12 FireFoxes battling for CPU cycles. Minimising the windows doesn't stop them, but has drastic effects on the tempo. Maximising them all makes them glitch along eccentrically, in a manner I found satisfying.

OK - so it's mobile and cross-platform (if it works with your browser at all...) but, sheesh, 8-bit micro's sure did it better!

Wasted couple of hours trying to reverse engineer a local cached version of the app; to apply own sound sets, or modulate the controls algorithmically. Concluded there was no point.

--------------------------------------------

Disquiet Junto Project 0169: HTML505
Make a track using only an HTML5 drum machine.

Step 1: Go to the following webpage in a browser that supports HTML5:

http://html5drummachine.com

Step 2: Create an original track using only this tool.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 30, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0169-html505” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

HTML12 [Disquiet Junto Project 0169: HTML505]

Created using the Techno drum machine at http://html5drummachine.com/, played live and recorded into Audacity. No other processing.

////

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

HTR909 - disquiet0169-html505

I don't usually work with beats or drum machines - so I found this week's assignment a bit challenging. I played with the app for a while, to figure out what to do... recorded a few live performances and tried tweaking it to it's limits fast/slow/high&low pitches... But I really wanted to make a poly rhythmical piece, so I ended up oppening Firefox and Chrome each with the HTML505 drum machine, playing the same beat at the same tempo - 120...that happened not to be exactly the same tempo, so the rhythm goes from in sync slowly shifting to out of sync and then back into sync after a while.... quite lovely I think. 
The title is a homage to Steve Reich who composed a few pieces with a similar ideas... 

Disquiet Junto Project 0169: HTML505
Make a track using only an HTML5 drum machine.

Step 1: Go to the following webpage in a browser that supports HTML5:

http://html5drummachine.com

Step 2: Create an original track using only this tool.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 30, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0169-html505” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

- end -


“disquiet0169-html505” I'm Clapping in the Rain

I've been messing with some some self similar melody ideas, thanks to Tom Johnson's book of the same name. These patters are built on brief self similar melodies. 

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


C63874e2 - 2ff5 - 4bc2 - B892 - 7497b7d50725 [disquiet0169-html505]

My goal was simply to try and make each bar unique, I got a little distracted near the end when my wife came in to ask a question, but mostly made it through.

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

#!/138 [disquiet0169-html505]

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

#!/138 [disquiet0169-html505]

The Atlas Room

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