The first single released ahead of the self-titled Havana Swim Club album, out June 11th

Lagoon

Produced by Clark Barclay
Bobby Salehnejad: electric guitar, bass guitar
Gabriel Soriano: bongos, congas, cowbell, shaker, tambourine
Michael Birnbryer-lao: saxophone
Jasmine Smith: violin
Clark Barclay: keyboard, sampler, turntables
Add'l production: Scott Zschomler

Happiness Complete

Beijos

be free.

Stream 'My Love Is True' here: https://orcd.co/myloveistrue-loverground

Kevin Erlicher aka Loverground is back with a second seductive EP My Love Is True whose eponymous track is featuring the young producer bb.sway. The two musicians will make you flutter with lightness to the rhythm of the overpowering synthesizer notes. Their airy vocals are mixed with a house melody and thus, they deliver to their listeners a feathery track that has one goal: make love great again﻿.

My Love Is True

Stream

Loverground - My Love Is True ft. bb.sway

The new single from French & American duo, Freedom Fry.

Out now.

Freedom Fry - Hot Tub Time Machine

these days

Eponymous lead single from Private Agenda's forthcoming EP, released 7th June 2019 worldwide via Lo Recordings

Aura

Together Whatever

a shuggie otis cover
NEW MIXTAPE « sushi boubou 2 » OUT NOW
merch: https://superparka.bandcamp.com/
listen: https://IDOL.lnk.to/Sushi_boubou2

written, recorded & produced by superparka
mix & master by harrry
artwork by paco

follow superparka:
https://instagram.com/superparka/
https://facebook.com/superparkaa/

special

Champagne - Angus1

Acoustic guitar performed by Mark Harding
Mixed by Jack Prest http://jackprest.com
Mastered by Steve Smart 
Cover photo by Seiya Taguchi https://www.seiyataguchi.com

The pitched down sample in Champagne is a group of Wodaabe girls singing in a dialect of Fulah. Thirty percent of royalties from Champagne are going to Fulbe Australia, who work to promote Fulbe language, culture and the betterment of Fulbe communities in Australia: http://fulbeaustralia.org.au

Champagne

More U Know

From rocks to coins to comic cards, Clark Barclay was a kid obsessed with collecting. Today, his grown-up fixation lives in the secondhand bins. Using rummaged found sounds, percussion instruments from all over the world, and strictly dollar bin records, The Bins tediously arranges sonic fragments into a mosaic; capturing an array of genres, cultures, and histories.

Beijos

The Bins

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