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Cantautor dentro del genero de los boleros y la trova.

Jillian Bessett is a live looping musician who specializes in live vocal performance. Using the Boss RC505 like a palette, Jillian creates audial landscapes lush with harmony and filled with a gripping raw story line.

BMU is a very well connected group of businesses managing and promoting artists worldwide.



Music is life itself, it is love and emotions, and reflects who we are, who, we want to be and finally, who, we all consciously and unconsciously adhere and can become.


It is the universal language that we defer to throughout our lives. It does not matter where the music originates from, which continent or which person, but it is alive and will speak for itself no matter what the message may be. 


Music is to the soul, like water to the desert, rose, emotions, energy, peace, sadness, bliss, and no matter what the feeling or the message, it is entwined in the soul itself. We nurture the idea of one world, universal soldiers of peace, love and understanding which is imperative for world survival, to live in a world where fear is no more where nature will sprinkle its dew upon all our faces as the sun will shine on the just and the unjust so that we may unite and live as one. 


It is our goal to unite with our brothers and sisters worldwide to carry that torch of light love and oneness with the idea that the multitude can move, think, dream and become as one.

WHAT WE DO


We promote all artists of different genres and of diverse backgrounds showing and, spotlighting them on various universal platforms, auditions for artists, advice, support all leading to record labels and music distribution worldwide.


Our primary goal is the understanding, selecting and connecting of all musicians worldwide no matter what the music style may be, will all come together as voices in a choir to make that unified and unique sound. 


We connect the artist to the connections that matter most to progress in the direction of success. 


We make global music decisions based on facts and trends at the time involving the backgrounds and the cultures of the peoples involved and the sensitivity and awareness 


We have teams that listen to a diverse range of music then we examine and apply market research, all tested methods of past and current global music management topics, ideas, and submissions, of worldwide international market research. 


We also plan our global target markets internationally, how to make precise decisions, and to use the internet to our advantage in order to be in the position to predict diversity culturally, in all music trends and issues that might occur. 


The Four Horsemen/Woman of the Rockpocalypse. Harlette rises like a phoenix from the sandblasted desert of Tucson, setting you ablaze with our siren's call. 
A powerful and energy driven sound fused with hints of alt rock, metal, blues, and funk, Harlette has created a unique style for the Tucson area.

It was a day not unlike today. Wait, remember that nice day last week? It was more like that. 
As a young boy, Michael sat in his room practicing his guitar day after day. He knew he had a destiny, a fate. He knew it involved his guitar. Finding that destiny would lead him on an adventure in exploration and spelunking dreamed of by many, attempted by some, achieved by few. He had not the foresight or skin to predict that he would be an instrument of prophecy.
Kayla's childhood was that of lollipops and unicorns. That's what she dreamed of while working the rice fields. Butterflies danced gayly around her every step as birds sang their sweet songs of happiness gently into her ear. The reality is that she was living in a self-induced fantasy, fully manifested to protect her young mind, while her body was forced into hard labor. She would sing back to the birds, and eventually learned their songs. She didn't know why she felt the definite and un-ending urge to sing, controlling her like a hunger. She knew not the power in her voice.
Travis was raised in the comforts of luxury. He wanted for nothing. Being a Maxwell III came with not only privileges, but unalienable rights. Every night at dinner, he refused the silverware given to him. He did not know it then, but this was a test from his father. No Maxwell III should be forced to eat off of silver! Only gold is acceptable! To his father's dismay, Travis was not interested in the goldware. He felt the urge to only use his fingers; on everything! He was becoming a true bass player, and he didn't even own one. His fingers hardened with every use. They were the only tool he would ever need. It was when he picked up a bass for the first time and felt a rumble like a warm summer day's thunderstorm that one more piece of the prophecy came to fruition.
Randall can't remember most of his childhood. That's what happens when you're raised by hippies. The one thing that does stand out in his memory is his need to bang on everything. When the clouds of smoke cleared and the acid wore off, there was little Randall, sitting on the kitchen floor behind the most brutal pots and pans drum set ever conceived. His audience at that time mostly thought he was a hallucination. They barely knew where they were. But that didn't stop him from performing every opportunity that he was afforded. Until the munchies struck. Then his beautiful kit would be dismantled and food stuffs would be prepared in it. He knew one day he would have a real drum set, and running water. And when that day came, he played his drums in the shower. Somehow he managed to electrocute himself just enough to give him a glimpse of the future. He knew what he had to do.
Through the trials and tribulations of life, the four found themselves in Tucson as adults. There was an almost unnatural energy drawing them together, cosmic. It is believed that when the four elements combine, the end will be near. They became the Four Horsemen/Woman of the Rockpocalypse. Voice, tone, frequency, and concussion unite to bring an end to the world as we know it. Nothing will ever be the same... Ever.

The Borderline Sound is a power trio started by Abby Corcoran, Alex Nelson, and Clarissa Sarabia. Abby, an acoustic solo artist for the past decade, met Clarissa and Alex after they left an alternative group with hopes of starting a new project. It quickly became evident there was an undeniable chemistry between the three. Essentially a jam band, the group "accidentally" concocted their first three songs within the first week of collaborating. Since then, The Borderline Sound has evolved into an indie rock band, lightly salted with blues. The three members have just begun exploring the Tucson music scene. 

This Project started when i was a senior in high school making music for my senior project in Nogales Arizona . I was trying to prove how technology has changed music and how a 18 year old kid can make amazing music with just a laptop. I am 23 now living in Scottsdale Arizona and I finally taking things more serious with this project . I was playing drums for a band called Clint Stevens for 2 years and I got my massage therapy license the year before that . I been busy and I put this project on the back burner but now I am back in full effect and ready to make my first album next year . Till then listen to my new singles from next album Bridges and Retro.

The Borderline Sound is following