Name: Elders Acoustic by The Brother Moves On in smallz
Duration: 4 min 45 s
Description: This was Nkush's favourite track and we haven't as yet had the chance to record it properly as its been evasive. In the interim the amazing Makongela aka Zelizwe Mthembu composed a new version which me and him just recorded on a phone for you to listen to. Check out the Thandi Ntuli rehearsal version and look for it on our new album "Things we lost in the fire"

Hi. This is phenomenal. How can l get this record? 

smallz

Secrets (Tell your Truth)

Sondela Kum

This is a simple story of rural meeting urban, a vivid description of a song being written for how "the chase" often does not end up with a "catch" as well...


Umleqwa

Afro drum and bass... Vocal rhythms. Buy on iTunes

Baleka

Download Link :http://get.tndn.io/l/7aMabck9Zn

We kick things off with a tune that's all Heart; and all soul. 'Voice Message' is an original song written and composed by Ndumiso Manana. Enlisting the help of the ever-talented Elizabeth Gaylord (Piano)  and the relentlessly barefoot Sean Sanby (Bass), Manana achieves a breathtaking 1st episode that's all FEELS.

Manana - Voice Message (Live) UCT Live Room

An art peace that effortlessly echoes what African Music is all about. Written from a metaphorical stance, the song speaks about the love that was once known by an African family until the head of the family decided to leave their home. The song tells a story of how the family's joy and happiness vanished when that happened.

Enjoy the music. #MusicForYourSpirit

BOOKING DETAILS:
nomadictribemusic@gmail.com
0114251024 

Zibuya Nini?

Strings

Nomad is a collaborative project from Nono Nkoane and Gally Ngoveni

Nomad

UCT Jazz Choir of 2013, featuring Zoë Modiga sing this beautiful Caiphus Semenya song.  A shortened edit of a longish arrangement. 

Nomalanga Demo - UCT Jazz Choir feat. Zoë Modiga

Album

Lonely Heart

This was Nkush's favourite track and we haven't as yet had the chance to record it properly as its been evasive. In the interim the amazing Makongela aka Zelizwe Mthembu composed a new version which me and him just recorded on a phone for you to listen to. Check out the Thandi Ntuli rehearsal version and look for it on our new album "Things we lost in the fire" 

Elders Acoustic

Collaborators: Bantu The Consciousness 

The production of the track and ownership thereof belongs to Sydnfrome Beats.

Easy chilling (x Bantu The Consciousness)

Unmastered version.  Us peoples dont know where or how to find ourselves.

~ 8 Bars Short
Itani on a vocal and a guitar. Pelonomi on a vocal and a guitar.

Kombela

Your love is like a flower that keeps growing. Like a seed embedded deep in my heart's soil.

Ntyatyambo

"As soon as you touch me I change" – Mr Gold, 

Self proclaimed art movement The Brother Moves On is an ever-evolving performance art collective founded by Nkululeko Mthembu and his brother Siyabonga Mthembu. Determined to belie any one definition, the collective’s work is often deliberately improvised and unpredictable. Collaboration drives the collective, which strives to undermine the traditional authority of individual artist practice and ownership.
Long term members of the collective include Siyabonga Mthembu, Zelizwe Mthembu, Ayanda Zalekile, Simphiwe Tshabalala, Oscar Kgware, Itani Thalefi, Hlubi Vhakalise, Malcolm Jiyane ,Raytheon Orion,  Nolan Oswald Dennis and Stuart Cairns but membership is constantly fluctuating and transient.
Various performers, writers, artists, musicians and activists may collaborate at any given time on different projects before moving on.
The collective create live performances and installations so that meaning is generated through an experience rather than contained within one object. Fiction, re-enactment and the fantastical are utilized in performances like The Afterlife of Mr Gold, which chronicles both the life and afterlife of a supernatural fat cat – and The Brother Breaks the Bullion and The Brother Burns the Bullion – where real word economics and queer identity are amalgamated into a fable of greed and power.
In combining elements of fiction, the supernatural and the fantastical with factual history or recorded ‘truths’ in their installations and performances, The Brother Moves On defamiliarises our experience of both our present and our past. Performative fiction, which drives so much of The Brother Moves On instigates the altered realities through which the collective critique and comment on the socio-political issues of our own reality.

Elders Acoustic

The Brother Moves On

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