That opening track....it's such a classic...Pure bliss!! Thank you for this share!! ;)

Wow.... that Protection....rework....heat miser?

love this B2M, one of my favourites -- but its Talvin Singh not Morcheeba. Molvaer in a deep dope groove.

This is not Morcheeba, it's Dave Seaman's Back to Mine

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

The Invasion

Late Night Tales Groove Armada

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Buy on Discogs

244 - Back To Mine - Morcheeba (2001)

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246 - Lazy Dog Volume 2 mixed by Ben Watt (2001)

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Back to Mine

403 - Back To Mine - Death In Vegas (2004)

MR SCRUFF ESSENTIAL MIX TRACKLISTING

1.	Body & Soul ‘In The Beginning’ (National General)
2.	Leroy Hutson ‘Lucky Fellow’ (Curtom)
3.	Eddie Kendricks ‘Girl You Need a Change of Mind’ (Motown)
4.	Zed Bias & Jenna G ‘Let Me Change Your Mind’ (Development)
5.	Mr Scruff ‘Give Up To Get’ (Ninja Tuna)
6.	Mr Scruff ‘Rocking Chair’ (Ninja Tuna)
7.	Theo Parrish ‘Chemistry’ (Sound Signature)
8.	Arcadion ‘Ghostfeeder’ (DC Recordings)
9.	Ragga Twins ‘Wipe The Needle’ (Shut Up And Dance)
10.	Q Tip ‘Manwomanboogie’ (Motown)
11.	Mr Scruff  with Skuff & Inja ‘Zen’ (Ninja Tuna)
12.	James Brown ‘Get On The Good Foot’ (Polydor)
13.	Mr Scruff & Quantic ‘Donkey Ride’ (Ninja Tuna)
14.	Mr Scruff ‘Fish’ (Ninja Tune)
15.	Mr Scruff ‘Get On Down’ (Ninja Tuna)
16.	Thomas Bangalter ‘On Da Rocks’ (Roule)
17.	Psychotropic ‘Only For The Headstrong’ (Raw Bass)
18.	Mr Scruff ‘Chicken In A Box’ (Ninja Tune)
19.	DJ Mitsu The Beats ‘Kuro Fessional MC (Instrumental)’ (Mukatsuku)
20.	Color Climax ‘Disque O Heights’ (Breakin’ Bread)
21.	Jazzanova ‘Boom Clicky Boom Klack (Mr Scruff Mix)’ (Sonarkollektiv)
22.	Talking Heads ‘Once In A Lifetime’ (Sire)
23.	Mr Scruff ‘Kalimba’ (Ninja Tuna)
24.	Sweet Salvation ‘Rock Steady’ (Elektra)
25.	Cosmic Force ‘Ghetto Down (Kenny Dope Mix)’ (Truth & Soul)
26.	Mr Scruff ‘Sweetsmoke’ (Ninja Tuna)
27.	Benny Ill, Kode 9 & The Culprit ‘Fat Larry’s Skank’ (Tempa)
28.	Nicolette ‘Dove Song’ (Shut Up And Dance)
29.	Channel One ‘Jungle Skank’ (Channel One)
30.	Junior Delgado ‘Fort Augustus’ (Fort Augustus)

This was recorded live at my monthly 'Keep It Unreal' residency in Manchester, plying mostly vinyl with a couple of cds thrown in there too. The venue at the time was the Music Box, a sweaty, dark basement, which is now a Tesco. Listening back, I can feel the atmosphere, the heat, and a room full of lovely people enjoying the music. Now that same room is full of stock assistants & chilled celery. Oh well! We have since moved the night to Band on the Wall, and will be celebrating the 15th year of Keep it Unreal in June 2014.

Mr Scruff Essential Mix, broadcast 7th feb 2009

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---

About the CD:
005 of the 'Classic Mix CD' collection brings a much slower affair. From the superb 'Back To Mine' CD series. The first I purchased was actually Danny Tenaglia's disc, which I bought out of curiosity being a fan of his house DJ sets. That disc almost made it here, but it was the Groove Armada release which really got hammered on my old Sony stereo. No other disc reminds me of lazy summer sundays more than this. And it was really the first musical selection that steered me towards collecting and playing a mix of music all together. Going from A Tribe Called Quest, into Barry White's incredible "Playing Your Game Baby" then house and other genre's coming in.... really resonated with me and elevated the way I put music together. Both listening to and playing out. A truly seminal release.

005 - Back To Mine - Groove Armada (2000)

Fatboy Slim

Fatboy Slim Late Night Tales continuous mix

Back to Mine: Nightmares on Wax

Back to Mine Nightmares on Wax (Continuous Mix)

TRACKLIST
1. Tosca    Work Song
2. Colossus   Lick It
3. Lucky Sun     Cycles
4. Manjane     Need Your Love 
5. Fried Funk Food   In Dub
6. Mass Influence      Atlanta Instr.
7. Ugly Drums and Chesney  Girls Girls Girls
8. Cloud 9   promo
9. Phat Kat  Don’t nobody instr. 
10. Question    Spiked punch
11. Joachim    Open Out 
12. Molemen    Face East Instr. 
13. Critically Acclaimed   Road Trip instr.
14. Matt Caine   Love the Way
15. YSE Saint Laur’ant       Bowza Locks 
16. Lou Courtney    Somebody Is Lovin’ on You   Mannmade mix
17. Elisa Fiorollo   Oooh This I need      Blaze Mix

Mushroom Jazz mix for Gramaphone Records Worldwide FM takeover. February 21, 2021.

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

244 - Back To Mine - Morcheeba (2001)

The Classic Mix CD Series

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