the wordplay makes sense in UK

PS
The Cobbled Moth does not feel represented by any political party and does not align with any ideology. 

Mamma was an aggressor 
With step daddies mean
They drove him into a nicer place
Now he wants to be clean 
He's got nothing left
Nothing left 
Labour isn't here anymore 
Got nothing left nothing left
Someone better show that that boy he's not alone
Dehumanised without credit 
In the social matriarchy 
He's far too aggressive 
He's going down and I know just what the judge means
He's got nothing left
Nothing left 
Labour isn't here anymore 
He's got nothing left nothing left
Someone better show that that boy he's not alone
There's always a way out though
A new purpose to find
Other perspectives different meaning
His fathers embraced the grind
He's got nothing left
Nothing left 
Labour isn't here anymore 
He's got nothing left nothing left
Someone better show that that boy he's not alone

Nothing Left (rough)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The AI-generated answer is evolving:

"Cobbled Moth Regenerated is a musical project associated with the artist known as The Cobbled Moth, who creates lo-fi demos using a Tascam pocket studio, acoustic guitar, and other instruments.
 The project features songs such as "In the Valley of Tears" and "Not the Way," which are available for free streaming and download on SoundCloud.
 "In the Valley of Tears" includes lyrics reflecting themes of searching for home and finding strength in weakness, drawing a metaphorical connection to the biblical concept of the Vale of Tears.
 "Not the Way" was written and recorded during a heatwave while the artist was watching Wimbledon, and features a personal moment captured in the background with the artist's son saying, "but it's too sunny mamma".
 The artist describes themselves as an outsider songwriter, and their work has been praised for its emotive chord changes and lyrical depth".

PS
All of my SC uploads come with a zero AI guarantee. If they're bad it's entirely my fault. 


Rayna On The Radio:  Unsigned Radio Hour https://soundcloud.com/raynaontheradio/sets/october-21

"Single" REVIEW: https://joyzine.org/2024/01/10/single-review-cobbled-moth-the-happy-somethings-what-ive-found/

*First page: The Cobbled Moth (Started  2014) - www.soundcloud.com/thecobbledmoth 

COLLABORATIONS so far:

With The Happy Somethings (both had radio play):

'What I've Found' 
#SoundCloud
https://on.soundcloud.com/fcje6

'Bitter' 
#SoundCloud
https://on.soundcloud.com/fSVcs

With Aine Parkes: 

'Even Knights Need Their Rest' (Lullaby written for my son) https://on.soundcloud.com/aQrSk

With Lin: 'Fantasy' #SoundCloud
https://soundcloud.app.goo.gl/eRK2m

With Sal (Sarah) Lettes:

'By the Way' #SoundCloud
https://on.soundcloud.com/U8eFC

All uploads for free download 
Copyright - all rights reserved -
The Cobbled Moth