Big start,  string voice , punk, grunge, mix of sounds

Se escucha muy bien la guitarra y la batería

So amazingly awesome to hear metal is still alive with a new generation touch!!

Very interesting vibes. so modern , i like it

Keep up the good work ✨the grind never stops

Lines cut deep behind the mirror today
Break these chains I need to live my own way

Yeah I’m gonna walk the edge
I wanna ride that wave until the bitter end

Judging minds try to infect my new skin
Walk away from all the old and has been

The Bitter End

Symphonic Dances - 1. Call of the Reeds | for Wind Symphony Orchestra (Work in Progress)

isolamento

Lyrics:
Jesus Christ, let me live
I've been around since Lilith and Adam wed
I've seen your wars, seen the things that I can't forget

We met in pre-Adamite paradise, before time
I knew when I saw your face, how your voice sounds
You cracked some jokes but didn't know why you were funny
I spent a thousand something years looking over my shoulder
And there you were, in the Hanging Gardens
Tigris shon off your skin in the moonlight
I smiled at you, you took a hundred second glances
Your name echoed

Jesus Christ, let me live
I've been around since Lilith and Adam wed
I've seen your wars, seen the things that I can't forget

(Jesus Christ, you bastards win)
(You left me broken, bloodied and all beaten in)
(Not wings, suspended on a shoestring)

(Jesus Christ, you bastards win)
(You left me broken, bloodied and all beaten in)
(Not wings, suspended on a shoestring)

Empires fell and the bronze age collapsed
We just lay in our house, and I read you the greats
In Alexandria, we saw the library stormed
And you cursed their bloodlines for ruining your bed time story

Now our hair dragged behind us for a mile or two,
And our nails were as long as addition arms
One night you fashioned your nails into sixty daggers
And slayed the Caesar but never came home
That place had too many memories, so I burnt it to the ground
I cut my hair in the ashes and left for a new world

In sauna, I saw her, a fading angel
I thought I knew her face and her voice, it felt like home
She opened the wrong doors and
Didn't know why I found her funny
I hadn't felt this way for someone since I met you
I read her the classics, by my definition
Even the lost ones she said, sounded familia
And finally came the conversation of "how old you are"
I couldn't get a straight answer
I finally knew.

Jesus Christ, let me live
I've been around since Lilith and Adam wed
I've seen your wars, seen the things that I can't forget
Jesus Christ, you bastards win
You left me broken, bloodied and all beaten in
Not wings, suspended on a shoestring

APOCORAX

My second EP. This has a more singer/songwriter feel than the first. Hope you enjoy :)

Come Home

Home

Lunchtime

I thought that I would try working to a Drum & Bass beat and see what happens.

Drum & Bass Fishing (Ron Snyder) INSTRUMENTAL

The message of the song is a reflection on the innate biases and instincts embedded in human nature, which shape perceptions and judgments often unconsciously. It acknowledges the challenge of overcoming these ingrained tendencies but emphasizes the power of reason and conscious effort to break free from their influence. The lyrics encourage self-awareness and mental adaptation to rise above primal impulses and rewrite one's understanding of truth and beauty.

Bias in the Blood

Ezüst Szárnyak

Extreme metal album with 13 tracks that cover different genres, from heavy metal to black metal. Its lyrics reflect a touch of anarchy and rebellion against the powers that dominate and control us.

Offitial web-Site

Robot

Bandcamp:   https://theseguitarssaysorry.bandcamp.com/album/pros-id
Spotify: https://open.spotify.com/album/5tdYQhRecHM6cwWaHflIKP

“That's What Friends Are For” by These Guitars Say Sorry

Recorded between Yakima and Oslo, That's What Friends Are For is a reflective, bittersweet track about holding on to connection in a world that doesn’t always make sense. Built around a simple, lyric-driven structure, the song blends acoustic guitars with gentle percussion and layered voices. The Choir of Phantoms lends a ghostly warmth, while Melina Oz (vocals), Marius Ihler (bass), and Gunnar Kjellsby (guitars, percussion, mixing, mastering) add texture and depth. There’s sadness here, but also a quiet resilience — a sense that even when “the sparrows... are flying” and things fall apart, some friendships remain.
LYRICS


**That's What Friends Are For**

You and I, a sunlit sky, and them
We close our eyes and sometimes we pretend

Walk on water, swim against the tide
Gazing at my shoes, I wonder why

But it doesn't stop you trying
And now the sparrows — they're all flying

That's what friends are for
You know the score
That's what friends are for
That's what friends are for
You know the score

Shadows fall on leaves as they descend
Stand beneath the trees with my old friends
Laugh at jokes I've heard ten times before
It doesn't matter — that's what we're here for

I can't help feeling that they've trained us well
Promising us heaven
While we're living here in hell
How it works out — well, it all depends
On you and I, a sunlit sky, and them

But it doesn't stop you crying
And now the sparrows — they're all flying

That's what friends are for
You know the score
That's what friends are for
That's what friends are for
You know the score

Prosōidē

That's What Friends Are For

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Heavy rock and metal artist! 🤘
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The Bitter End

The Corrupt

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