@rxstymusic 
Rxstymusic@gmail.com
Listen to me on Spotify: https://open.spotify.com/artist/2qa6fzlFG06Y7y37xy1wJd?si=14Km0ze3TCqaN3gzphEvYg
https://rustyfari.bandcamp.com/releases 
http://www.facebook.com/Rustaaay
https://www.youtube.com/channel/UCoUMT7-jKm3bEMb48LSMXmA

Lottie Sadd (she/her) is an interdisciplinary composer-performer making immersive sonic performances and installations. Informed by ideas of ritual, her holistic practice is broadly concerned with exposing the processes of creation. Sadd experiments primarily with long-form and improvised sound works, moving image, and text, inviting audiences to step outside an object-centric art experience and into these dynamic processes. She is particularly interested in smallnesses, exploding the minutiae of things and ‘writing a lot about a little’. Recently, she has been developing her embodied practice involving vocal (non-verbal and verbal) and bodily performance, responding to feminist mythologies of ‘monstrous’ women, and re-imagining corporeal and empathetic approaches to communication.

Manchester-based pop artist with a colourful sound that mixes 60s pop melancholy with a synth based vintage style that's ripe for today's love lost streaming generation. After moving to a post-lockdown Manchester in 2021, Liz embarked on new musical project with hopes to inject a sense of much needed optimism back into the nightlife revival. Liz embraces a style that puts a contemporary twist on the universal favourite synth sounds of the 80s, creating a disco-infused aesthetic that’s primed for the dancefloor.

Everything is Perfect Records
-ltdpts-0121

Lecturer in composition and music technology at School of Music, University of Leeds. Interested in material agency, cybernetics, the emergence of structure and sound.

Jack Cradock is following