Recorded with ZOOM H4n on 24bit/44.1Khz 
Date/Time: Friday-22-04-2011 - 20:34 pm

Port of Dover

I like make musicK and recording sounds and stuff.

Experimenter since 1994; Producer since 2006
Influences: Amon Tobin, Paul van Dyk, Moby, The Chemical Brothers, Luke Vibert, Sasha, Mango, Radiohead, Bonobo, The Seatbelts, The Prodigy, Brian Eno, Koen Groeneveld, Burial, Royksopp, Lustral, Massive Attack, Moguai, Ricardo Villalobos, Teifschwarz, DJ Hell, Kurt Lorenz, Jenkins, Paul the Otter


Volcanic eruptions of improvised sonic doom to suffocate and scold the listener(S). "Drunken, loose, raw and unpredictable" (see es ex).  Our insistence to abuse air molecules by inflicting the most dangerous sound waves is captured here; spliced from lengthy 'experimental sessions' played live by violating synthesizers, guitars,effects, turntable and drums/percussion through loud Marshall's. Indeed at our core is the energy of punk which is where we grew from, energising us to contort nothing into something. Thanx to Abertawe Road studios for their sonic space.  

"The variety of noises is infinite. If today, when we have perhaps a thousand different machines, we can distinguish a thousand different noises, tomorrow, as new machines multiply, we will be able to distinguish ten, twenty, or thirty thousand different noises, not merely in a simply imitative way, but to combine them according to our imagination." [The Art of Noises (L'arte dei Rumori) is a Futurist manifesto, written by Luigi Russolo in a 1913 letter to friend and Futurist composer Francesco Balilla Pratella]


Port of Dover

dnsdobai