FREE DL Remix & Edits by Jack Essek

Gortoz a ran (« J'attends ») est un chant poétique écrit et interprété par le chanteur breton Denez Prigent, issu de son troisième album studio Irvi, paru en 2000. Sorti en single, le chant en breton, enregistré en duo avec Lisa Gerrard, séduit un large public. En 2001, Gortoz a Ran est intégrée dans la bande originale du film américain La Chute du faucon noir de Ridley Scott, en 2012 dans le film Les Seigneurs d'Olivier Dahan, en 2016 dans la série américaine South Park et en 2020 dans la série américaine Hawaï 5.0.

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Denez Prigent feat Lisa Gerrard - Gortoz a ran (Jack Essek rework)

After a long flight, Hekske (the little witch) and Falke (the 10 year old witch apprentice) gently touched down in the middle of the Serranía de la Macarena, an isolated mountain range in between the Llanos and the Amazon Forest. They received a warm welcome by Taina, a young Muisca witch which they had already met the year before. This place felt like a real garden of Eden, surrounded by lush green forests full of wild animals like jaguars or gray-legged tinamous, which are supercute ground-dwelling birds. The view on the nearby Andes mountains was absolutely breathtaking. This place felt like a true paradise.
And it even got better when Taina showed her guests the way to an idyllic waterfall. The witches didn’t hesitate one second. They slipped out of their immaculately white dresses and waded into the water, right next to the waterfall. There they noticed that the water was crystal clear. Taina explained that the name of this river is the Caño Cristales and that it has the clearest and purest water on earth. The water felt so pleasant on their skin and long hair, that the girls lazily swam around for over one hour. Then the girls spontaneously formed a circle and floated around with their legs intertwined, performing an improvised graceful water ballet. The witches became so deeply relaxed that they didn’t notice that they slowly drifted away with the current. The water gradually flowed faster and faster, and soon the witches were in the middle of a series of rapids. Witches are excellent swimmers who can stay under water for a long time, so the rapids were great fun for them. They yelled from excitement while sliding down waterfall after waterfall. After a while the river became really wild, and they had to hold their hands really tight in order to avoid getting separated. 
Strangely, Hekske started to see some unusual colors under water, ranging from green, blue, black, red to yellow. After sliding down yet another roaring waterfall, the girls swirled around in a natural pool where the water was a lot calmer. Taina explained that this place is called the giant’s kettle. And she added that this colorful river is also called the liquid rainbow. Hekske and Falke looked in awe at all these vivid colors. This river not only has the purest water on earth. It also has the most stunning colors.
This place truly felt like heaven on earth and the witches were in no hurry to get out of the crystal-clear water …

Connect with the artist : 
https://soundcloud.com/eckert-philipp

Photo credits : milkmanwest

Witchtape #190 | Guest Wizz : ECKRT

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sosoyborsosoy

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Green Velvet - la la land (Jack Essek edit)

Eight World – Lament Over the Cosmic Egg by Ernst Fuchs (1947) one of the earliest significant works by Austrian painter Ernst. Only 17 years old at the time, Fuchs had recently enrolled at the Academy of Fine Arts in Vienna, where he was studying under Professor Albert Paris Gütersloh. The painting reflects a remarkable level of technical skill and philosophical depth for such a young artist, offering a glimpse into the symbolic and spiritual vision that would later define Fuchs' mature style.

Rendered in a mixed technique of tempera and oil glaze on wood, this work exemplifies the early stylistic foundation of what would later become known as the Vienna School of Fantastic Realism a post-war artistic movement cofounded by Fuchs in the 1950s alongside artists such as Arik Brauer, Wolfgang Hutter, Rudolf Hausner, and Anton Lehmden. This group sought to combine the classical painting techniques of the Old Masters with surreal and symbolic imagery that explored dreams, metaphysics, and the unconscious.

The composition of Eight World – Lament Over the Cosmic Egg is visually structured and allegorically rich. It is centered around the image of a cosmic egg, a symbol found in many ancient mythologies representing the origin of the universe, the birth of life, or the fusion of matter and spirit. In this painting, the egg appears as a glowing central form, flanked symmetrically by two elongated, ethereal female figures, whose posture and expressions contribute to an atmosphere of solemnity and mystery. The background is divided into three horizontal zones: a dark, watery lower realm; a middle space filled with abstract, flesh-like or geometric forms; and a luminous upper sky, possibly signifying a spiritual or transcendent plane.

The painting’s meticulous glazing technique, inherited from Flemish and Renaissance traditions, creates a jewel-like surface that enhances the dreamlike quality of the image. Fuchs was known for reviving and mastering these older methods to heighten the spiritual intensity of his subjects. His early fascination with sacred art, biblical themes, and medieval iconography is already evident here, woven into an original visual language that would later be recognized as central to his oeuvre.

Fuchs’ lifelong engagement with spiritual philosophy, esotericism, and sacred geometry would later become central to his vast body of work, including paintings, stained glass, architectural design, and religious sculpture. Eight World – Lament Over the Cosmic Egg is thus not only a powerful standalone piece but also a formative step in a career devoted to the mystical possibilities of art.

Fuchs continued to develop this visionary aesthetic throughout the 20th century, eventually gaining international acclaim. He died in 2015 in Vienna, leaving behind a legacy that fused classical craftsmanship with surreal imagination and spiritual inquiry.

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For this special MuséeCast session, Octave Marbot the DJ and producer from Kaiserslautern (hertzmusic) takes on the role of your trusted tripsitter through the electronic underground. Since 1999, he has been navigating the audio galaxies to bring the sound of the universe to the dancefloor. With a deep-rooted passion for transcendental frequencies, Marbot crafts an experience that is more than just a set; it is a guided journey through states of mind and space.

Drawing from mystical and psychedelic sounds sourced from all corners of the world and beyond his set fuses hypnotic basslines, percussive grooves, spacey synth riffs, and a subtle infusion of acid and trance. The result is an atmospheric ascent into cosmic spheres, where sound becomes light and rhythm becomes gravity. Just as the energy peaks, he gently brings the listener back down, landing softly on the edge of the inner world.

Follow the artist:
@octavemarbot
https://www.instagram.com/octavemarbot/

MuséeCast 024 by Octave Marbot

C๏sʍ๏cast ★ 32 @oriental-tropical
Release date: July 20th, 2025
Label: @ritmosdelsur
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About this mix :
"Ritmo Incapazio" is a made-up term that represents a rhythm beyond limits and definitions. It invites you to experience music as something mysterious and deeply personal — a rhythm that can’t be fully explained or captured by words. This name reflects the artist’s vision of exploring unseen and untold sounds, creating a unique, transformative journey.
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About @oriental-tropical

Based in Wiesbaden, Germany, and rooted in Greece and Ukraine, the DJ duo "Oriental Tropical" brings a deeply personal and global sound to the decks. With over 20 years each in music and more as 10 years together as a team, Michalis and Janeck are sonic vagabonds – roaming the musical globe, blending cultures, rhythms, and vibes while spreading pure joie de vivre wherever they go.
Their sets are a flavorful fusion – with African music and its many diasporic sounds forming the spicy heart of their sonic dishes. From earthy Middle Eastern grooves to percussive Latin rhythms and Eastern European flair, their selections are bold, vibrant, and full of soul – always riding on the driving energy of four-on-the-floor rhythms.
For their Folktronicast mix, they cook up a rich blend of electronic folklore and global club culture. It’s a dance across borders and timelines – organic, raw, and full of momentum.
Music is the best camel. Hop on – and ride with us.
https://www.instagram.com/oriental_tropical/
https://soundcloud.com/oriental-tropical
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Tracklist:
Soundspecies - Soundpecies - Balafon Jam (Wolf Muller Deep Dub)
Gaouleì Mizik - Michel Laurent - Gaouleì Mizik - A Ka Titine (Kay Suzuki Gwoka Dub)
Sadeedo - Hakawati
Mawimbi - Malume (feat. Spoek Mathambo & Morena Leraba)
Kurt Adam - Kanim Kaynadi
Alber Ensso - Alber Ensso - Hameli
Wende, Legroni, Peredel - Oops (Original Mix)
Mahamantra • India Mata
Daniel Rateuke - Marimbo (Original Mix)
The Oddness - Oasis (Timboletti Remix)
Alsarah & the Nubatones - Alforag (iZem Remix)
TS13 - Mantralism (original mix)
Tim Kari - Tim Kari-Carnaval
Raz & Afla - Kye Kye Kule
Doktor Loop & Demaklenco - Vintage Culture (Original Version)
Wrong Way Up - Sweet Sweet Music
Acid Pauli - Ahmed

F๏lktr๏nicast ★ 32 | Oriental Tropical | Ritmo Incapazio

Leftfield is a British electronic music group formed in 1989 in London, England. The group initially consisted of Paul Daley and Neil Barnes, before Daley left in 2002, leading to the group's dissolution, and then his return with Barnes as the sole leader in 2010.


They were among the first to fuse house with dub and reggae, thus giving birth to progressive house. They were pioneers in integrating vocals into electronic music.


In 1995, their album Leftism managed to reach the third place in the UK sales chart. In 1999, the album Rhythm And Stealth reached the top of the English charts.

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Leftfield - afro left (Jack Essek rework)

02 - Geplantes Nichtstun - Granular

Basement Jaxx est un groupe de musique électronique britannique formé en 1994 à Brixton, dans le sud de Londres, par les deux producteurs Simon Ratcliffe et Felix Buxton.

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Basement Jaxx - where's your head at (Jack Essek edit)

Landhouse reimagines Kris Berle’s Little Bro with his signature ambient, cinematic downtempo style. Preserving the emotional core of the original, this remix drifts through textured soundscapes and subtle rhythms, offering a deep, meditative take on sibling connection and memory.

Remixed by @landhouse in Gernsbach.

Little Bro (Landhouse Remix)

Luca (Solatic) & Luca (Theo Gramal) have more in common than their shared first name. They met through their similar taste in electronic music and went from colleagues, to friends, to collab partners. Geister im Kopf features the best of both artist's worlds: it blends midtempo grooves with progressive energy and organic violin layers, shifting between rhythmic drive and emotional breaks.

Geister im Kopf

Last Gentleman on Playa @ Skypark!live 2025 [live rec]

Dle Yaman
Kamin ekav kraki pes
Vay dle yaman, ekav hasav, chur tox kez
Yaman, Yaman
Dle Yaman
Mer tun, Dzer tun dimac, dimac
Vay Dle Yaman, Heriq anes achqov imac
Yaman, Yaman
Dle Yaman
Arev dipav Masis sarin
Vay Dle Yaman karot mnaci es im yarin
Yaman, Yaman

DIE YAMAN is a timeless armenian song, filed with deep emotion and ancestral memory. in this organic house rework, tradition meets modernity soulful vocals and ancient melodies blend with hypnotic rhythms and earthy textures. a journey through roots and resonance, where heritage transforms into a meditative dance.

covert 
PsychedeliaSmith

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Zara feat. Jivan Gasparyan - Dle Yaman (Jack Essek edit)

UNSTABLE EP out now on SAPIENT ROBOTS 
TRACK 1: Unstable 
TRACK 2: Down Like 

Anthony Cole - Down Like [SAPIENT ROBOTS]

My Theory

Gnossiènnes (Atmosphere)

"don't dream your life, live your dream"
edit and remix for the share
 Electronic music producer and composer from Bordeaux, Jack Essek explores the boundaries of downtempo, ambient, and deep house. His creations, both hypnotic and organic, invite listeners to embark on an inner journey as much as they inspire movement on the dance floor. Inspired by his travels and cultural encounters, he weaves immersive soundscapes where dreamy melodies, atmospheric textures, and deep rhythms intertwine.
With a rich discography of albums, EPs, and singles — including Kapha, Areknazane, Ubuntu, and his recent EP Psychodeep — Jack Essek stands out as a distinctive voice in the French electronic scene. His collaborations with Stéphane Salerno and other artists further strengthen this unique sonic identity, balancing meditation with tribal energy.
Whether in the studio or on stage, his universe resonates as an invitation to escape and an emotional connection through music.

In search of new music ethnic, world, folk, electronic

Basement Jaxx - where's your head at (Jack Essek edit)

The Deeper Cave

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